Incorrect. Here is the more detailed story:
In 1913, Mary Phelps Jacob, a socialite in New York, wanted to wear a fashion-forward slinky dress to an evening event but felt that it was incompatible with her corset. She sewed two handkerchiefs together to cover and support her breasts, and it gained so much attention that she patented the design as a "Brassiere" in 1914. The Women's Suffrage and Rational Dress movements were both making waves at the same time, and while some suffragettes cast off their corsets and skirts in favor of Bloomer suits, these outfits (and their wearers) were often not taken seriously by the rest of society.
While some countries banned or suspended whaling by WWI, others (such as the USA) continue to hunt whales through the International Whaling Commission (IWC) - however, steel bones for corsets were in regular use by the 1860s, so the corset industry was not devastated when baleen whale populations dwindled.
The “nail in the coffin” for corsets in the 1910s was arguably the consequence of WWI. During wartime, silk was rationed for use in parachutes, and steel used for artillery and vehicles; it was said in 1917 that the US was able to make two additional battleships with the amount of steel that was normally reserved for corsets. During this time, women also went to work in industry and began taking on jobs previously reserved for men; these new roles combined with material rations rendered corsets impractical.
By the time WWI was over and the flapper age was in, shapewear was more slim and more elastic - although rubber was used in certain garments since the late 1830s, stretchy garments rose in popularity after WWI. It wasn’t until 1947, after WWII had ended, that the steel-boned corset had a brief return as a waspie (underbust) with Dior’s New Look fashion.
Correct! Here is a more detailed story:
Incorrect. In 1913, Mary Phelps Jacob, a socialite in New York, wanted to wear a fashion-forward slinky dress to an evening event but felt that it was incompatible with her corset. She sewed two handkerchiefs together to cover and support her breasts, and it gained so much attention that she patented the design as a "Brassiere" in 1914. The Women's Suffrage and Rational Dress movements were both making waves at the same time, and while some suffragettes cast off their corsets and skirts in favor of Bloomer suits, these outfits (and their wearers) were often not taken seriously by the rest of society.
While some countries banned or suspended whaling by WWI, others (such as the USA) continue to hunt whales through the International Whaling Commission (IWC) - however, steel bones for corsets were in regular use by the 1860s, so the corset industry was not devastated when baleen whale populations dwindled.
The “nail in the coffin” for corsets in the 1910s was arguably the consequence of WWI. During wartime, silk was rationed for use in parachutes, and steel used for artillery and vehicles; it was said in 1917 that the US was able to make two additional battleships with the amount of steel that was normally reserved for corsets. During this time, women also went to work in industry and began taking on jobs previously reserved for men; these new roles combined with material rations rendered corsets impractical.
By the time WWI was over and the flapper age was in, shapewear was more slim and more elastic - although rubber was used in certain garments since the late 1830s, stretchy garments rose in popularity after WWI. It wasn’t until 1947, after WWII had ended, that the steel-boned corset had a brief return as a waspie (underbust) with Dior’s New Look fashion.
The sequence of the six quizzes in the initial material on this topic isn’t the same as the sequence in which they are presented when one starts taking them.