This entry is a summary of the video “Vollers Veco Corset Dress Review” which you can watch on YouTube here:
|Fit, length||There is not much I can say in the way of measurements, as this dress must be custom made to each client’s measurements. It is so form-fitting. When Vollers was making this dress for me, I provided them my bust, underbust, waistline, high hip, low hip, and length of my body from waistline to floor (as well as what height of heel I planned to wear with this dress!).
Silhouette is a mild hourglass, as most of Vollers corsets tend to be. I like the coverage of the dress and the height that it reaches under my arms and around the back – my bustline is supported and secure, and I don’t have much spillover around the back.
|Material||Fashion fabric is magenta satin with a fused overlay of black lace. Interior lining (strength fabric) is black cotton twill.|
|Construction||6 panel pattern – the first three panels swoop down in a V shape over the front hip in a slightly Edwardian style fashion, and then at the iliac level, the panels sweep out again to provide fullness over the hips. The 6 panels go down to the floor, but the skirt portion has 4 gussets (on each side) below the knee to add flare and create a trumpet silhouette.|
|Binding||Commercial black satin ribbon at the top, and a simple overlock stitch along the bottom of the skirt (this makes it easier to modify the length if you wanted it hemmed, and Vollers mentioned that adding binding to the bottom affected the drape of the skirt too much).|
|Waist tape||1 inch wide ribbon waist tape, exposed on the inside of the corset. Partial waist tape, starting at seam 2 and ending at seam 5.|
|Modesty panel||Matching, unstiffened panel attached to one side of the corset. Slightly over 6″ wide (will cover about 4.5″ gap in the back). It extends nearly the entire length of the dress. I would NOT advise removing the modesty panel as it would expose your bum beneath the laces of the dress. The modesty placket in the front also extends down to around the knee area, and contains some hooks and eyes to help the dress stay closed below the busk.|
|Busk||13 inches long. 6 loops + pins, bottom two are a bit closer together. Heavy duty busk (1″ wide on each side). Below the busk, heavy-duty hooks and eyes continue down the rest of the dress.|
|Boning||14 bones total, 7 on each side. Single boned with 1/4″ wide spiral steels, and there are four flat steels in the back sandwiching the grommets.|
|Grommets||There are an incredible 112 single part eyelets in the back of the dress! size #00, with medium flange. Finished in silver, and there are no washers in the back. Vollers ensures that the eyelets are industrial strength (used in boots) and they have a lifetime guarantee on their corsets.|
|Laces||Black flat shoelace style lacing – no spring, very strong, long enough. There are three separate sets of laces (top to hip, hip to knee, and knee to bottom). See the discussion below for how I laced into this dress!|
|Price||£950, made to measure – however, Vollers has a 25% off coupon for first-time customers when you sign up with their mailing list.|
Vollers is the oldest corset manufacturer in the UK (I believe their family has been in the corset business since 1899), and are based in Portsmouth, England. In August 2015, had the pleasure of meeting the current owners, Ian and Corina Voller and visiting their factory. I will post more on my interview with them later, but for now let’s focus on the Veco dress, which is by far my favourite creation of theirs.
The Veco dress is available in two colors: “American Beauty” which is gold with black lace, and “Fuchsia Brocade” which I reviewed here. Vollers does invite customers to provide custom fabrics, but they do ask that you send them a sample of the fabric beforehand so they can determine if it is suitable to be made into a corset.
The bones of the corset do not extend down the entire length of the dress; the most structured part of the dress resembles a normal hourglass overbust – the bones start at the top edge around the bustline, and stops at the iliac crest to allow the wearer to sit or crouch comfortably. The boning channels themselves do continue down the rest of the length, and the channels themselves add some structure to the dress despite not containing any boning below the hip.
I adore the shape of the skirt; how it’s form-fitting over the hips and thighs and then flares out in a trumpet style below the knee. Extra skirt gussets create more fullness below the knee, and it moves beautifully when I walk.
For those curious as to how I got into this dress: it is possible to put it on by myself, but it is much easier with a second person! First I loosened the top two sets of laces (from the top of the corset to the hip, and from the hip to the knee) until it was loose enough in the back, and I opened the busk and the hooks and eyes (only down to the knee) so that I could step into the dress. I tried to keep the hooks and eyes from the knees-down closed, to save time.
I then fastened the busk, and then did up the smaller black hooks and eyes on the modesty placket (from hips down to the knees), before doing up the heavier duty hooks and eyes overtop of those smaller hooks. These two sets of hooks and eyes fasten in opposite directions so it doesn’t matter which way you twist or turn, you should not become exposed. Once all the hooks and eyes were finished, I tightened the top set of laces so the corset sat securely at my waistline, and then tightened the middle set of laces over the hips and thighs. Try to find a happy compromise between having a reduction in your waistline, and having it loose enough so that you’re able to move and sit down comfortably. For this last lacing part, this is where extra help from another person comes in handy! They can also tuck the bow of the laces underneath the X’s so as to create a smoother line in the back of the corset.