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C&S Constructions Double Corset Review

This entry is a summary of the review video “Rainbow Holow Corset! Two C&S Constructions Corsets (Review / Study)” which you can watch on YouTube here:

Rainbow Holo Corset

Fit, length Center front is 10.5 inches long, princess seam is 9,5 inches, side seam is 9.5 inches and center back is 11.5 inches.
Underbust 29″, waist 21″, high hip 34″.
Rounded ribcage and rounded hips. The busk is flexible and allows inward bowing.
Material 2 main layers: fashion layer is holographic silver foil (almost like interwoven tinsel). Lined in herringbone coutil.
Construction 4 panel pattern! (Surprising as it’s so curvy.) Layers were flatlined, panels were assembled and reinforced with sturdy topstitch (seam allowances facing outside). External boning channels laid down over the seams.
Waist tape 1-inch-wide waist tape “invisibly” installed between the layers, full width.
Binding Bias strips of matching holographic foil material, machine stitched on both inside and outside (zigzag stitch; the foil material likes to shred/fray).
Modesty panel None (this is a sample). However on the C&S website, they say that all corset commissions come with a back modesty panel.
This corset sample does have a wide boned underbusk, covered in black herringbone coutil.
Busk 9″ long, with 5 loops and pins, equidistantly spaced. Standard flexible busk (1/2″ wide on each side). The boned underbusk gives a bit more stiffness, but the corset still “dishes” on my body (this may be deliberate – common of C&S corsets, and this also seems to help me achieve a higher comfortable waist reduction in this corset).
Boning 11 steel bones, not including busk. 5 on each side, plus boned underbusk in front. On each side, 3 spirals single boned on the seams, and 2 flats (1/4″ wide) sandwiching the grommets.
Grommets 30 grommets total, size #00 two-part grommets with small flange; spaced a little closer together at the waistline for easier lacing up. Underneath the grommets there are wider washers that act as a wider flange – they may help protect them from pulling out, they give more thickness for the grommet to “bite down” on (preventing wiggling or looseness, and they also hide any fraying or splitting of the outer holographic material. There are no splits in these. No wear/fraying/pulling out of grommets.
Laces 3mm wide satin rattail cord. They have zero stretch, they glide well through the grommets (slippery), and they are long enough.

 

Purple with Lace Longline Corset

Fit, length Center front is 12.4 inches long, princess seam is 11 inches, side seam is 11.5 inches and center back is 13 inches.
Circumferential measurements: Underbust 28″, waist 20″, high hip 35″.
Conical ribcage. Slight hip shelf, and longline corset. Also bows at the front (likely a deliberate effect to get more of a waist reduction).
Material 3 main layers: fashion fabric is Cadbury purple satin (may be a satin coutil, or fused to a strength fabric), overlaid with black lace. Lined in black cotton drill.
Construction 4 panel pattern! (Surprising as it’s so curvy.) Layers were flatlined, panels were assembled and reinforced with sturdy topstitch (seam allowances facing outside). Black external boning channels laid down over the seams, plus extra bones in the middle of the panels (sandwiched between the layers).
Waist tape 1-inch-wide waist tape “invisibly” installed between the layers, full width.
Binding Black satin ribbon (the same ribbon used for external boning channels), matchine stitched on both sides using a zigzag stitch.
Modesty panel None (this is a sample). However on the C&S website, they say that all corset commissions come with a back modesty panel.
This corset sample does have a wide boned underbusk, covered in black satin coutil.
Busk 11″ long, with 5 loops and pins, equidistantly spaced. Standard flexible busk (1/2″ wide on each side). The boned underbusk gives a bit more stiffness, but the corset still “dishes” on my body (this may be deliberate – common of C&S corsets, and this also seems to help me achieve a higher comfortable waist reduction in this corset).
Boning 17 steel bones, not including busk. 8 on each side, plus boned underbusk in front. On each side, 3 spirals single boned on the seams, and an additional 3 bones in the middle of the panels. Also on each side there are 2 flats (1/4″ wide) sandwiching the grommets.
Grommets 34 grommets total, size #x00 two-part eyelets with tiny flange; set closer at the waistline to make lacing up easier. On the underside, the eyelets were perforated (petals splayed out) but they don’t catch on the laces. There are still very large washers on the underside to prevent the eyelets from pulling out.
Laces 1/8″ wide flat black cotton shoelace. They have zero stretch or springiness, they glide well through the grommets, they hold knots and bows securely, and they are long enough.

 

C&S Model Karen models the same holographic corset – see this and other pictures on C&S Constructions website, in Gallery 1!

Final Thoughts:

Both of these corsets were made for one of C&S Constructions’ previous models, who had a slightly smaller ribcage and slightly fuller hips than me – so these weren’t made to measure for my body, but we’re “close enough” to be able to fit the same corsets similarly.

I adore the holo corset especially, and it’s a very thin and lightweight corset. Even though both corsets are a smaller waist than I’m accustomed to wearing these days (I prefer to stay at 22 inches, but the holo corset is 21″ and the purple corset is 20″), I’m able to achieve slightly more of a waist reduction in both of these because of the comfortable patterning, and also likely because of the slight “dishing” or bowing in the center front busk.

In both corsets, the construction is a bit more “rugged” than I’m accustomed to seeing these days. The overlocking / zigzag stitching is visible (especially on the inside of the corset). I thought this might have just been because these were sample corsets for photoshoots, but from other C&S customers I’ve spoken with, it seems that this was just the way many corsets were constructed in the 90s and early 2000s. While they’re just not as “tidy” in their finish compared to most corsets on the market today, these corsets have held up well over the years and give a beautiful silhouette, and are a reflection of C&S’s good reputation. Visit C&S Constructions website here.

Do you own this corset or another piece from C&S Constructions? Let us know what you think of it in a comment below!

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What Katie Did Vamp Corset Review

This entry is a summary of the video “What Katie Did (WKD) Vamp Corset Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

 

Fit, length Center front is 11 inches long, the princess seam is 9 inches (4.5 inches above the waist, 4.5 inches below the waist), the side seam is 10 inches, and the center back is 11.75 inches long.
Rib spring is 7″, low hip spring is 13″. The rib is conical, and the hip spring is rounded / shelf-like and dramatic.
Material 3 main layers – the fashion fabric aubergine silk and contrasting pewter brocade (see Final Thoughts below), it has a cotton twill strength fabric, and it’s lined in black cotton twill as well.
Construction 7-panel pattern (14 panels total) including hip gores. Fashion fabric was flatlined to strength fabric, panels were assembled, and external boning channels laid down overtop. The lining is floating.
Waist tape 1-inch-wide waist tape, usually installed “invisibly” between the layers. This corset has an external waist belt which is aesthetic and also functional.
Binding Made from strips of pewter brocade, machine stitched on outside and inside (topstitch on both sides, may have a special attachment that stitches on the binding in one pass). Also has 6 garter tabs, 3 on each side.
Modesty panel Nearly 8″ wide, unstiffened, finished in aubergine silk (fashion fabric) and lined in cotton. Attached to the corset (sewn into the lining of the corset, so can’t easily be removed).
In the front, there is a 3/8″ wide placket under the knob side of the busk, slightly stiffened (buckram?) and finished in matching raw silk.
Busk 10 inches long, with 5 loops and pins, equidistantly spaced. 3/4″ wide on each side (slightly wider than a standard flexible busk), with an adjacent flat steel on either side of the busk for extra stiffness.
Boning 18 bones total in this corset, 9 on each side. Some seams are single boned and some seams are double boned, depending on how much space there is (perhaps the larger sizes have more bones?). The bones on the seams are all ¼ inch wide spirals. The bones sandwiching the grommets are ¼ inch wide flat steel, as well as the bones by the busk.
Grommets There are 22, two-part size #0 grommets (11 on each side). They have a medium flange and are spaced equidistantly, and finished in silver.
Laces The laces are black, 3/8 inch flat nylon shoelace. They have a little spring, they’re difficult to snap, they hold bows and knots well, and they are long enough.
Price Available in size 18″ up to 34″.
Price starts at £169.50 GBP ($275 USD) for the classic Vamp in solid satin colors, and price may go up from there depending on what you choose in their “Designer” section.

 

Final Thoughts:

WKD Vamp corset in black satin.

Of all the underbust corsets from What Katie Did, this might just be my favorite. It’s just as curvy as the Morticia underbust, but made to be a more “squat” version so you get all the curve in less of the length. It provides the look and support of a longline corset while still allowing those with a shorter waist (or shorter of stature) to sit down comfortably.

True to WKD aesthetic, it’s quite conical over the ribs, dramatic over the hips, and gives a very flat tummy, making it ideal to wear under retro clothing.

 

I chose the color and overall design of this Vamp corset by submitting my choices in their Corset Designer – for the fashion fabric, I chose a rich, deep aubergine raw dupioni silk, and I requested external boning channels, binding and an external diamond waist tape all made from a pewter / gunmetal (dark silver) floral brocade. You can choose different colors or fabrics for all of these components, or you can choose to not have any contrasting channels or any belt at all (you do need binding, but you can have it match the rest of the corset). Ordering a special design corset automatically makes the corset a WKD Gold Label corset.

Do keep in mind that their “Design your own Corset” section is mainly for colors, fabrics, embellishments and trims for a selection of their standard sized corsets, and it does not give a made-to-measure option. They can make corsets 1 inch longer or 1 inch shorter at the top / bottom edge compared to the base pattern, but this is the extent of the pattern changes they’re able to do.

What Katie Did’s Vamp corset can be found on their website here.

EDIT 2018: What Katie Did has discontinued the Vamp corset and has created an entirely new line of corsets! The probable equivalent of their old Vamp is their new Extreme Morticia Nouveau corset.

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Tighter Corsets “Ref R” Underbust Review

This entry is a summary of the review video “Tighter Corsets ‘Ref R’ Underbust Review” which you can watch on YouTube here:

Fit, length This corset is custom fit (made to measure), so a corset for you may fit differently. Center front is about 13 inches high, and the side seam is 9 inches high. A true Victorian hourglass silhouette, as this pattern is a modified version of Atelier Sylphe’s “Ref R” antique corset pattern.
Material 3 main layers: outer layer is “Beacon Hill” dupioni silk from Silk Baron; strength fabric is coutil, and floating lining is a cute printed lightweight cotton.
Construction 9 panel pattern, the first 6 panels are narrow and in the front. Panels are assembled using a topstitch. Bones are sandwiched between layers.
Binding Matching “Beacon Hill” dupioni silk bias tape, machine stitched on the outside and hand-finished on the inside.
Waist tape 1 inch wide waist tape, stitched invisibly between the layers.
Modesty panel No back modesty panel or front placket.
Busk 12 inches long, standard width busk (half inch on each side) with 6 knobs and loops, equidistantly spaced. Finished in antique gold/brass.
Boning 28 bones total (14 bones per side). Mostly 1/4″ wide flat steels, single boned on all the seams plus extra bones in the middle of the wider panels. There are two flat steels sandwiching the grommets as well; the outer-most ones are 1/2″ flats.
Grommets 24 two-part grommets, size #0, large flange, held in strongly. Finished in antique gold/brass and set equidistantly. Good wide washers; some splits in the back but none catch on the laces.
Laces Laces are 1/2″ wide double-faced satin ribbon, finished in antique gold.
Price At the time I’m writing this, a custom underbust starts at $300 USD.

 

Ref R from Atelier Sylphe. Click to see the pattern.

The pattern for this corset is a very heavily modified version of the “Ref R” Jackson corset pattern sold in Atelier Sylphe’s Etsy store. The original version is a standard-sized overbust (seen right), while my corset had been cut down to an underbust with a high-cut hip. The pattern was also adjusted in length and in proportion for a custom fit, which I find very impressive – having done this in the past with different patterns, this can almost be more laborious than making a new pattern from scratch sometimes!

The embellishment in this corset is elegant and understated, which reflects a lot about the corsetiere’s skills (she’s confident enough in her work that she doesn’t have to make a corset “loud”). Each panel is accentuated with narrow piping made from foiled gold leather, which matches the antique brass hardware (the busk and grommets) in a beautiful way. The multitude of narrow panels, piping and the smooth Victorian hourglass silhouette elongates the waist while not sacrificing a decent reduction (this corset closes just short of 23″).

In the center front there are four tiny flossed arrows, which adds some further interest to the corset but doesn’t overwhelm it. April knew that I loved flossing (especially styles that venture beyond traditional Xs and Vs), and I trusted her to choose the style of flossing. I had also opted for a remote mockup fitting (seen left); April was very professional and pointed out little areas she wanted to tweak that even I had overlooked.

 

Mockup fitting for this corset
Mockup fitting for this corset, cut down and adjusted for my measurements

All in all, I’m quite happy with the outcome of this commission – the only complication was that the bones in the back by the grommets were on the flexible side (which was good as it curved to my lumbar spine and didn’t dig into my tailbone at all), but I simply had to switch the lacing method of this corset so as to increase the control of cinch around the waist – in all honesty, the flexibility of the back bones was less extreme than in many other corsets I had reviewed in the past, but April and I still discussed the cause of bowing and came up with some solutions to fix it in her future corsets; she’s very responsive to her clients’ concerns and eager to experiment and improve – I have nothing but positive things to say about the way April conducts her business.

If you would like to learn more about Tighter Corsets, be sure to check out her Facebook page here, or email her here.

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Corset Connection (Versatile) Snapdragon Underbust Review

This entry is a summary of the review video “Versatile Corsets Snapdragon underbust Review” which you can watch on YouTube here:

Fit, length Front is about 9.5 inches long, center half is 10.5 inches. Slim silhouette. This corset is quite short, just ending at my iliac crest – if you have a longer torso, I recommend the Dita underbust which is a more longline version of this. The top line of this corset comes up around the sides of the bust, which pushes the bust forward and together, and can help flatten any “side muffin top”. The back then scoops back down.
Material 3 main layers: the lining is 100% cotton black American coutil, fashion fabric is a heavyweight purple satin and it has a rose lace overlay. Boning channels are black satin.
Construction 5 panel pattern. Coutil is flatlined/rollpinned to satin and lace layers; top-stitching between panels (seams are double-stitched at minimum), external boning channels. Also contains 8 garter tabs.
Binding Black binding that matches the external boning channels, made from bias strips of black satin.
Waist tape 1″ wide petersham waist tape exposed on the inside.
Modesty panel Attached 7″ wide fabric lacing protector on the back, covered in black satin, stitched on one side of the corset; unstiffened placket under busk.
Busk Standard flexible busk (1/2″ wide on each side) about 8″ long (4 pins), with a flat steel bone on each side.
Boning 22 total steel bones not including busk. On each side, 8 spirals (1/4″ wide) double boned on the seams, 2 flats (1/4″ wide) sandwiching the grommets and another flat bone beside the busk.
Grommets 28 grommets total, size #00 two-part grommets with moderate flange; set equidistantly, no splits, no wear/fraying/pulling out of grommets. This type of grommet is my personal favourite used in American-made corsets.
Laces This particular corset has purple ribbon, about 1/2″ wide 
Price Currently $358 USD for the standard size on the Versatile website.

Final Thoughts:

This is the second of several corsets I will be reviewing for Versatile Corsets/ Corset Connection. The samples will later be returned and sold at great discount.

There are a few things I like about this corset, and a few things I would change if I had the opportunity to get it custom made. Aesthetically I do prefer the more dramatic silhouettes, so if I were to go back and purchase this, I would likely have it made-to-measure, and in a smaller size (the one in the video was a size 26″) so that I could have a bit more curve in the waist (more like the lavender version seen left, instead of some of the other styles seen in their gallery on their product page).

The thick halter strap was comfortable around my neck; it’s made of a smooth-yet-strong matte black satin that can be adjusted with bra hooks. I didn’t personally find that the straps pulled too much on my neck, and I was able to keep my shoulders and my neck back – however, for those with forward-head posture looking for a solution, this corset will not miraculously help. I like how the fabric of the corset wraps up and around the side of the torso, which both helps to flatten any breast tissue that wraps around the side and in the armpits, and for those with smaller busts this cut helps to lift the bust and push it together to create cleavage. 

 The Snapdragon corset is available in various colour combinations as you can choose the main fabric, have a choice of lace overlay if you wish, then choose the type of trim, external boning channels, and binding – they can all be different fabrics if you wish! I’m glad that I had the opportunity to see the differences in construction between the various different corsets depending on the styling choices.

Overall, I am glad I had the opportunity to try on this corset. However I think the Dita underbust is a little more suited to my figure, as I have a longer torso. (I will be reviewing the Dita underbust several weeks from now!) To see other models in the Snapdragon corset, Versatile has a small gallery so you can see how it fits different people. You can see it on their website here.

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Gallery Serpentine Victorian Underbust Review

This entry is a summary of the review video “Gallery Serpentine Victorian Underbust Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Victorian Hourglass shape, nice moderate curves. Center front is 13”. Stops just at the upper hips, it is not longline. One “pro” is the unique feature of how low the corset stops on the back, it curves nicely over the top of the bum instead of cutting into it. One “con” is how distended my torso looks in profile.
Material 3 main layers – the outer satin, a thick cotton non-woven interfacting as interlining, and black twill lining.
Construction Made from a 4-panel pattern. The satin and the heavy interlining are either flat-felled or fused together (depending on whether the interfacing was fusible or not), then those panels are topstitched at the seams. Bones are placed either in the seam allowances between the panels, or internal channels are made with twill tape.
Binding Binding at top and bottom are made from black satin bias tape. Folded under nicely on the outside; on the inside the raw edge is serged to prevent fraying and just stitched down flat.
Waist tape None.
Modesty panel None. To get a modesty panel costs another $15 from the website.
Busk Standard busk (flexible), half an inch wide and 12” long, and 6 pins.
Boning 12 bones total in this corset, 6 on each side. All of them are plastic. These are heavier-duty polypropeline bones but I would still prefer steel. To get the steel bone upgrade costs another $15 from the website.
Grommets There are 18 2-part size #0 grommets (9 on each side) and have a medium flange. They’re spaced 1.5” apart on the top and bottom and are spaced closer together (1” apart) at the waist for better cinching control. Grommets are very sturdy, no popping out, no fraying. However I would have preferred to have 10 more grommets because lacing down is difficult on the top and bottom. On the underside there are no splits; they’re nicely set.
Laces The laces I received with this corset are reportedly not the original laces. The laces I got are 1/4″ wide single faced satin ribbon, quite slippery and difficult to grip. The laces that I have read now come with the corset are black shoelace-style laces.
Price Currently $190 (AUD) for basic fabric and standard sizes. $210 for made-to-measure, and add $10 more for Asian brocade fabrics. Note that steel bones/modesty panel also cost extra.
Product photo for underbust victorian corset from Gallery Serpentine

Final Thoughts:

This… was not my favourite style. A lot of people noticed that my review was blasé. Perhaps my review would have been more fair if I had spent some extra funds to get a made-to-measure item with steel bones, but for financial reasons and accessibility, this was the right option at the time. I doubt I would buy from them again, but I guess I should never say never. Many of their happier customers have contacted me to say that their corsets are much more flattering, better constructed and include things like a modesty panel, so perhaps there are several makers for that company and there are inconsistencies between their products. I will give them the benefit of the doubt, however this one simply did not go well with my body type and looked unflattering on me. I ended up altering this corset by adding steel bones and a modesty panel.