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Review of “Oriental Princess” Ensemble – Serinde Corsets

This post is a summary of the “Serindë “Oriental Princess” Corset Outfit review” video, which you can watch on Youtube if you prefer:

 

Fit, length Center front is 10 inches long, the shortest part of the corset at the side seam is 7.5 inches (cut very high over the hip), and the enter back is also 11.5 inches. Circumferential measurements: waist is 24″, ribcage 26″ (measured about 3 inches above the waist), high hip 32″. The silhouette is very mild in silhouette; gently curved in the waist.
Material Fashion fabric is red brocade, the strength layer is coutil, and the lining is a lightweight black cotton.
Construction 6 panel pattern. Fashion fabric and strength fabric were flatlined, panels assembled with a top-stich, and it’s double-boned on the seams. Floating liner.
Binding Red taffeta which matches the rest of the ensemble (halter and skirt), machine stitched on outside and hand-finished inside. Gold-tone beads and coins also attached by hand every inch or so around the top and bottom edges.
Waist tape 1 inch wide twill waist tape, invisibly stitched between the layers.
Modesty panel Modesty panel is around 5″ wide, finished in the same fashion fabric (red brocade and black lining). Stiffened with 2 steel bones (criss-crossed on the panel) and suspended on the laces. There is also a 1/2″ wide modesty placket in the front by the busk.
Busk 9 inches long with 5 pins, last two closer together. Standard flexible busk (half inch on each side). Finished in a gold-tone.
Boning 26 total bones not including busk. 1/4″ wide spirals, double boned on the seams. Two further 1/4″ wide flats sandwich the grommets on each side, as well as one 1/4″ flat steel by the busk on each side, making a total of 13 bones on each side.
Grommets Size 5mm Prym eyelets (very good 2-part eyelets and washers) with medium flange, finished in gold to match the rest of the hardware. Set a little closer at the waistline for ease of cinching. They’ve all rolled nicely.
Laces 1/2″ red double faced satin ribbon. Zero spring. They glide well through the laces.
"Oriental Princess" ensemble made by Serinde Corsets. Modelled by myself (Lucia Corsetti), photo by Remedy Photography.
“Oriental Princess” ensemble made by Serinde Corsets. Modelled by myself (Lucia Corsetti), photo by Remedy Photography.

If memory serves correctly, this is the first time that I’m reviewing an entire outfit / ensemble, as opposed to simply a corset – I’m very fortunate that this fit well enough to review even though it wasn’t made to my measurements. This outfit was originally called “The Oriental Princess” by Serinde Corsets.

The halter is directly sewn onto the top edge of the corset, and they can be adjusted with ties in the back of the neck. There is enough curve to conceivably give enough room for even quite large cup sizes, but it can also be pulled very tightly to fit smaller cups.

The mermaid skirt is also in a matching taffeta-texture fabric, with hand-sewn gold beads set approximately knee-level. This skirt is unfortunately just a little short for me, as it was made for a model a bit shorter than I am, but if I wear the outfit in flat slippers it’s not too noticeable. The back of the skirt is a little longer than the front – not a train per se, but it flares out beautifully behind me when worn. 

Lastly, the lace shawl was ingeniously created from a simple tube of lace fabric, and again gold-tone beads were fastened on the edge of the “sleeves” and scattered throughout as well.

Serinde is currently on hiatus from commissions, but you can visit her Facebook fanpage here.

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Princess Tamina Corset Case Study

This entry is a summary of my videos for the Princess Tamina costume. If you would like more  information and side notes about the corset and costume, you can watch the videos on YouTube here:

 

 

Fit, length Self-drafted underbust corset with a peaked front top and bottom edge. Stops just at the hips, and features a high back (7″ above waist). Made to close at 21″ at the waist. I took 3 horizontal measurements and 5 vertical measurements to draft this.
Material 4 layers of material; fashion fabric is a very stretchy gold-on-beige lamé, two layers of down-proof cotton ticking (labelled “coutil” in French) as strength layer, and ivory satin lining.
Construction Drafted from a 5-panel pattern. Lining was flatlined to ticking and lockstitched between the seams, then joined to another layer of ticking (wrong sides together) via the sandwich method. Sandwiched boning channels were sewn through those 3 layers, then the fashion fabric was redesigned to look like a ribbon corset and was tacked down at center front and back seams; floating in all other places. Embellishment was hand-sewn.
Binding Made from bias strips of lamé and machine stitched on both front and back. Back of binding was not folded under but left raw; as it’s a knit it doesn’t fray.
Waist tape 1-inch wide waist tape, invisibly stitched between the two layers of ticking.
Modesty panel None.
Busk None; closed front.
Boning Only 12 bones including center front; all half-inch wide steels. Two at center front and one on each seam between panels; only a bone on the outer edge of the grommets, not the inner edge.
Grommets There are 22, 2-part size #X00 grommets (11 on each side), finished in gold to match the rest of the corset. This corset being the first time I hammered in grommets, the back of some of them are rough and catch a bit on the laces.
Laces Round nylon utility cord made for outdoor/sports use. It was loosely woven, frayed easily, slippery and didn’t hold bows very well.
Price The cost for materials was close to $70 because the only store that supplied steel bones near me charged me an arm and a leg for them. Otherwise this corset would have been closer to $35-$40 in supplies. If I were to remake this corset today and sell it, it would cost around $315 USD.
($225 underbust corset + $15 half-inch boning upgrade (I’d use spiral at seams) + $20 double (proper) coutil strength layer upgrade + $40 pattern modification + $15 hand-sewn embellishments)