This entry is a summary of the video “Review: “Botticelli’s Venus” Corset by Retrofolie” which you can watch on YouTube here:
My corset was made-to-measure, so it fits my longer torso but it’s also slightly less curvy than the standard size version of this corset as I have slim hips. Standard size 22″ would have a ribcage of 30″ and hips of 34″.
Three main layers (not including interfacing): The fashion fabric is a cotton print (interfaced for strength), strength interlining of coutil, and brown lightweight cotton lining.
6 panel pattern (12 panels total), the fashion fabric and coutil were flatlined, panels assembled using a topstitch. ouble boned on the seams with a floating lining inside.
Made from commercially purchased cotton bias tape, in seafoam green to match the fashion fabric. Machine finished on both sides.
1 inch wide, stitched invisibly between the layers. Extends from panel 2 to the back seam.
6.5 inches wide, stiffened, finished with another Venus in the back that can show through the laces. The panel is suspended on the laces using grommets. There is also a 1-inch wide unboned modesty placket in front under the busk.
12 inches long. 6 loops + pins, equidistantly spaced. My corset was modified to be longer though, so a standard size corset will have a 10 inch busk instead. Standard flexible busk, with 1/4″ flat bones adjacent for reinforcement.
28 bones total, not including busk. Double boned on the seams, using 1/4″ wide spiral bones. Flat steel bones are used beside the busk and by the grommets.
26 two-part grommets, size #00 with a medium flange (the very popular grommet brand among corsetieres in North America). Finished in silver, and equidistantly spaced about 1″ apart. Big washers in the back; splits in the back but they don’t catch the laces too much.
Standard white nylon shoelace style laces.
This particular style is $315 USD for standard size (18″ up to 26″). For custom fit, the price is $350.
Because this corset was made back in 2014, a few changes have been made to this corset – the first change is that this pointed longline style is no longer called the “Azalea” longline cut, it’s now just style “Retro 04” on Retrofolie’s website. Also, the standard size measurements are now curvier than they were in 2014!
This is part of Julianne’s “Retro History” corset line, where she is able to use any historical painting in the public domain (the artist must be deceased for at least 70 years to use their work). The painting is printed with a repeat pattern on fabric, and the panels are cut from this fabric and painstakingly matched at the seams. Julianne started her corset career making these pieces, and has since expanded her corset ranges to include “Retro Basic” (simple corsets covered in cotton or silk) and “Retro Galaxy” (corsets featuring beautiful galaxy and nebula motifs).
Although her corsets are strong enough for waist training, Julianne recommends that you don’t wear a Retro History corset as your daily-wear corset, as the fashion fabric will ease and the painting will distort over time. If you wish to preserve the historical art corsets but waist train in one of her Retrofolie pieces, she recommends the Retro Basic line.
This entry is a summary of the video “Unartig Boutique “Red Poppies” Corset Review” which you can watch on YouTube here:
The measurements of one of Unartig’s standard sized corsets would be: Waist 24″, Underbust 30″, Low hip 37″. (But the corset was made slimmer through the hips to fit my body).
The fashion fabric is a fine-weave black cotton canvas, and the lining is black German spot broche.
8 panel pattern (16 panels total), constructed using the welt-seam method. 4 panels make the front of the corset, and 4 panels makes the back on each side.
Made from bias strips of matching black fine-weave canvas. Machine stitched on the outside, and hand finished on the inside.
1 inch wide invisible waist tape, sandwiched between the panels. Extends from the seam between panels 1-2, back to the seam between panels 7-8.
No back modesty panel (but you may be able to request one in a custom order). The modesty placket in front is half inch wide, unstiffened, and finished in black canvas.
10.75 inches long. 5 loops + pins, equidistantly spaced. It is a standard flexible busk, and black busks seem to have more flexibility in general compared to other busks – but Lotta reinforced it with 1/2″ flat steels on either side of the busk.
22 bones total, not including busk. Single boned on the seams, using 1/2″ wide spiral bones. Flat steels are placed in the back by the grommets and also adjacent to the busk.
26 two-part grommets, size 5mm Prym brand (very popular amongst European corsetieres), with a medium flange. Finished in black to match the rest of the corset, and set a bit closer together at the waistline. Big washers in the back; all grommets rolled nicely.
Double face satin ribbon in black, 3/8″ wide. It’s long enough, very strong, has no spring, glides through the grommets well. Ribbon hides well under clothing as it’s not thick.
This particular style is €400 (Euros), which converts to about $420 USD.
Although at first glance this corset may look relatively simple as a (mostly) black underbust, it is actually a “first” in my collection in several ways. The gorgeous poppy motif was embroidered on each panel and then carefully matched at each panel (the poppy theme was chosen by Lotte, as I gave her creative license in designing this piece). Subtle, elegant piping also accents some of the seams.
It is also my first corset made with a strength fabric of German spot broche, which I’ve come to learn is very strong. The corset is very posture-corrective and has an extremely strong, flat front for those who prefer slightly more rigid corsets. Having an 8-panel pattern (16 panels total) it is highly customizable to fit around most any curve.
The corset also has a unique and flattering cut to the upper edge: along the front of the corset, it closely follows a similar path as the underwire of my bra, which may support and push forward the breasts – but at the side seam, the top binding sweeps back down again to allow space under my arms for full range of motion and not dig into my armpits.
While Lotte can make this corset in a standard size or completely custom, I believe in this situation my measurements were close enough that it was “semi-custom” to fit me. The center front is 11 inches long, and the princess seam is 10 inches long. 6 of those inches is from the waist to the underbust, while 4 inches were from waist to the lap bottom, so it would fit my long torso/low waist comfortably.
This post is a summary of the “‘Case Study: Sapsford Silver Overbust” video, which you can watch on Youtube:
Two main layers: fashion fabric is a pattern-matched synthetic upholstery fabric with metallic threads interwoven, and it’s already backed onto a twill-like fabric. The lining is white herringbone coutil.
7 panel pattern (drafted by Scarlett Sapsford). The fashion layer is floating, and the corset is single-boned on the lining side.
Bias strips of matching silver metallic fabric, machine stitched on both outside and inside (stitched in the ditch on the outside).
1 inch wide twill tape sandwiched between the layers.
No back modesty panel, but there is a narrow placket by the busk.
12 inches long with 6 loops and pins, equidistantly spaced. The busk is 1/2 inch on each side, and there are a pair of grommets above that ties at the bustline.
16 total bones not including busk (8 on each side). 1/4″ wide spirals, single boned on the seams. Two 1/2″ wide flats sandwich the grommets on each side.
34 grommets total, size #00 with a small flange and finished in silver. Set equidistantly, a little more than 1 inch apart.
1/2″ wide, double-face satin ribbon finished in silver.
This was a great project that came together in just a few days! Although I’ve known how to make my own corsets for years, it was fun going through Scarlett Sapsford’s Express Corset Making Course, discovering slightly different techniques from my own, and honing my skills by learning from a different angle.
Matching the motifs on this corset was a bit of a challenge, but a fun one. I followed Scarlett Sapsford’s instructions in her complete Corset Making Course, and it turned out (mostly) fabulous. A few things I would do differently:
I would have backed the fashion fabric onto interfacing to stabilize it and prevent warping (because warping is bad news when you try to match panels together!)
I might have chosen a fabric that has a less bold motif. Although the clear-cut and high-contrast motif made it easy to see where I should be matching the pieces, it also makes it super obvious where the matching wasn’t quite perfect. Yes, I did have to re-cut a panel because it was a few mm off!
I might lock-stitch the seams and press the seams open instead of using a top-stitch, because it makes the outside smoother and would prevent the motif from looking “off” when viewed at different angles.
I have a long torso and a low waist, and most OTR overbust corsets are a bit short on me – this is an issue if I want to keep my bust comfortably covered! So I modified Scarlett’s overbust pattern and added an inch of length in the ribcage. I did not make a mockup for this corset before jumping in and creating the final piece; if I had made a mockup, I would have lengthened the pattern even more in the front, and added another 2 inches in the bust to accommodate for my fuller chest.
Of course, this means opportunity to make more corsets in the future, about which I will not complain! :D
This post is a summary of the “Dark Garden Corselette Review” video, which you can watch on Youtube if you prefer:
Center front is 11 inches long, the shortest part of the corset at the side seam is 5.5 inches (cut very high over the hip), and the enter back is also 8.5 inches. Circumferential measurements: waist is 22″, ribcage 26″ (measured about 3 inches above the waist), high hip 28″ (measured about 2.5 inches below the waist). The silhouette is quite dramatic; I consider this a wasp waist. Side bones are pre-bent to give a nipped-in waist.
Fashion fabric is red poplin, with a black lace overlay (every panel is mirror-matched), and the strength fabric (lining) is densely-woven black canvas.
4 panel pattern. It seems as though all layers were flatlined for each panel, panels were assembled with seam allowances facing outward, and these seams were then covered with external boning channels (2 bones per seam).
Black satin bias binding, machine stitched on both sides, with a slight topstitch visible on the outside. 6 garter tabs.
0.75 inch wide twill waist tape, exposed on the lining side of the corset. It starts at the seam between panels 1-2, and ends at the center back seam.
Modesty panel is around 5″ wide, finished in the same fashion fabric (red poplin with black lace) and black canvas lining. Stiffened with 4 steel bones and left separate to slip under the laces when worn (or you can choose to not wear the modesty panel). There is a teensy seam in the center front which is not a modesty placket per se, but it does help prevent a visible gap between the busk.
10 inches long with 5 pins, equidistantly spaced. Standard flexible busk (half inch on each side). There is also a 1/2″ wide flat steel on either side of the busk for reinforcement. In the pointed cinchers, the busk seems to be shaved down on an angle so the tips follow the same line as the fabric!
18 total bones not including busk. 1/4″ wide bones, double boned on the seams. The side seams must be flat steel since they are pre-bent. Two further 1/4″ wide flats sandwich the grommets on each side, as well as one 1/2″ flat steel by the busk, making a total of 9 bones on each side.
20 grommets total, size #00 with medium flange, finished in black and set equidistantly. A few splits on the underside, but for the most part they’ve rolled nicely and don’t catch on the laces. Washers are large to prevent the grommets from falling out.
3/8″ black double faced satin ribbon. Zero spring. They glide well through the laces.
Available from sizes 18-38, and at the time that I’m writing this review, the corselette costs $315 for plain black poplin, and $395 if you want an identical style to this (with coloured poplin and mirror-matched lace overlay).
The Corselette is one of the shortest corsets I’ve ever tried, with a side length of only 5.5 inches which may fit even the shortest of waists. This particular style is pointed in the front with a 10 inch busk; but if you don’t like pointed corsets or you prefer something that is more conducive to hiding under clothing, you can request that the Corselette be made with a more rounded center front instead (the center front may be slightly shorter in this case). If you think you need more control around the sides and back to control flesh spillover, or if you want your lower tummy pulled flat, I would suggest trying one of their slightly longer underbust corsets.
I love how they used flat steel bones along the side seams that had been pre-curved to nip in the waist and kick out the hip, making a very curvy and comfortable corset from the first time I wore it – no numbness around the hips.
But one of the things I appreciate most about Dark Garden is their ethics. Every one of their corsets are made from start to finish in the US and they take enormous pride in their construction, which is evident in the pattern matching in their lace or brocade corsets for a luxurious final effect.