This entry is a summary of the review video “Review: Lara Mesh Underbust (Glamorous Corset)”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here. See the quick stats in the table below the video, and my written personal opinion at the bottom!
Custom drafted to my measurements: Center front is 12.5 inches long, princess seam is 10 inches (5.5 inches from the waist up, 4.5 inches from the waist down), the side seam is 11 inches and the center back is 12.5 inches long. Rib spring is 7″, hip spring is 10″. Ribs are relatively conical and brings in the floating ribs, hip very slightly curved.
Essentially one layer of open weave fishnet style fabric. Vertical panels at center front, back, and boning channels are black cotton twill.
6 panel pattern (same pattern as their other Lara underbusts in different fabrics).Panels 1-2 converge towards lower tummy, panels 3-4 give space over the hip, panel 5 has a bit of curve for both the back and hip, and panel 6 is fairly straight.
Straightforward single-layer construction; the mesh fabric is sandwiched between the boning channels to reinforce the seams and provide a place for the bones to go.
Very apparent waist tape present of the inside of the corset, 1 inch wide black grosgrain ribbon.
Bias strips of black cotton twill, machine stitched on both sides. Stitched in the ditch on the outside, and edge serged and stitched flat on the inside (probably to reduce bulk). Garter tabs also included.
Back modesty panel is 5.5 inches wide (covering lacing gap of about ~4 inches). Made from 2 layers of black cotton twill, unstiffened, stitched to the side (easily removable if desired). There’s also a small modesty placket in the front, also made from black cotton twill (1/4″ wide).
Standard flexible busk (1/2″ on each side), 11 inches long, 5 loops and pins with the bottom two closer together for better control at the lower tummy. Adjacent spiral steels add some support.
26 bones total in this corset, 13 on each side (not including busk or modesty panel). Double boned on the seams (5 seams on each side, so 10 spiral steels on each side). There’s also the spiral bone by the busk (see my thoughts at the bottom for more on that) and two flat steels sandwiching the grommets (these are stainless steel so they’re less magnetic than mild carbon steels.
There are 24, two-part size #0 grommets (12 on each side). They have a small/medium flange and are spaced equidistantly, and finished in silver. Unfortunately a couple of the grommets at the waistline are loose / wobbly. (See Final Thoughts for more)
The laces are your standard workhorse of the lacing world: 1/4″ wide black flat nylon shoelace-style laces, which are extremely long, with a little bit of spring or stretch, and they’re abrasion-resistant.
Price & size range
The Lara Mesh is available in sizes 18″ through 40″ and priced at $84 USD. Glamorous Corset has generously provided a discount for my followers, which you can find through this link!
The first thing that stood out to me about the Lara Mesh is that it’s a lower-price point affordable OTR open-weave mesh corset, but it manages to retain its relatively conical / straight rib silhouette. Normally in fishnet-style corsets, the wearer’s ribs push out the corset to give a rounded silhouette. This doesn’t happen with fine-weave mesh, but fine-weave is usually a less cool and breezy option. Part of the reason that this corset retains its conical silhouette (apart from the pattern, obviously) is its heavy use of double-boning channels, leaving relatively little space between the panels for the ribs to allow expansion. I surmise that the smaller the corset (i,e. the less space between the panels), the more this retaining of the conical silhouette is true — and the larger the corset, the wider the panels, and the more likely the ribs are to show some roundness. But it’s an interesting observation nonetheless!
One odd choice in construction includes the spiral steel bones adjacent to the busk – spiral bones only contribute to maintaining vertical tension (helping to reduce wrinkling or collapsing of the fabric) but they tend not to add rigidity and flatness the way flat steels do. The purpose of the busk is not only for vertical tension, but it provides quick access in and out of the corset (obviously) and also flattens the tummy in the center front. The purpose of adjacent flat steels by the busk is to further flatten the tummy, so flat steels should always be used adjacent to the busk.
It’s been a long time since I’ve reviewed a corset with grommet issues, but unfortunately this corset did show some wobbly grommets right at the waistline. This might be due to less fabric for the grommet to “bite” into (compared to the all-cotton or velvet Lara corsets, assuming that all corsets have the panel-6 fabric extend right to the grommet system), and the mesh fabric obviously doesn’t have much to bite into. Another possibility is simply the property of the fishnet fabric itself being more flexible and allowing distortion of the back panel. This is not a slight against the company; as my fishnet style corsets from other brands have also eventually had grommet issues. If panel 6 were made entirely cotton twill and the grommet system were reinforced perhaps with one more layer, the grommets would have less chance of pulling out. But again, I’m not personally faulting Glamorous Corset, because to my memory, all of the curvy fishnet OTR corsets I’ve owned for 3+ months, regardless of the brand, had at least one grommet pull out.
This entry is a summary of the review video “Review: Custom Silver Ribbon Cincher (Court of the Emerald Queen)”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here. See the quick stats in the table below the video, and my written personal opinion at the bottom!
Custom drafted to my measurements: Center front is 13 inches long, princess seam is 11 inches (5.5 inches from the waist up, 5.5 inches from the waist down), the side seam is 10.5 inches and the center back is 13.5 inches long — longer than the average ribbon corset.
Rib spring is 7″, hip spring is 12″. Ribs are relatively conical and brings in the floating ribs, hip is more curved than usual in a ribbon cincher.
Essentially one layer of synthetic ribbon. Vertical panels at center front, side, and back are lined in black herringbone coutil.
Ribbon cinchers may be considered one of two ways: all horizontal pieces are considered a single pattern piece (in which case there are ~2 main “pattern pieces”) or you can consider every piece of ribbon its own pattern piece (in which case this corset has 14 “pattern pieces”) and the vertical ribbons don’t necessarily affect the shape.
Straightforward single-layer construction; the horizontal ribbons are sandwiched between layers of coutil in the vertical panels at the center front, side, and center back.
By default, most ribbon cinchers do not have a waist tape – however, if one single long piece of ribbon were used at the waistline (not cut into individual pieces at the seams), this would essentially function identical to a waist tape.
Instead of separate binding sewn onto the vertical panels, Urszula chose to fold under the ribbon and stitched tidily to make a kind of “self binding” and finish the raw edges. The horizontal ribbons don’t need any binding as their edges are finished.
Back modesty panel is boned and suspended on the laces, 5.5″ wide, made from two layers of black coutil. A vertical piece of ribbon runs down the center so that if the corset were worn with a >2.5 inch gap, the modesty panel would match the rest of the corset. The modesty placket in front is 3/4″ wide, made from matching ribbon, and the center front is expertly mirror-matched (a great attention to detail).
Standard flexible busk (1/2″ on each side), 11 inches long, 5 loops and pins with the bottom two closer together for better control at the lower tummy. Adjacent flat steels add more rigidity.
16 bones total in this corset, 8 on each side (not including busk or modesty panel). On each side: one flat steel adjacent to the busk, 3 flat steels in the center back panel, and 4 spiral steels all butted next to one another in the side panel.
There are 28, two-part size #0 grommets (14 on each side). They have a medium flange and are spaced a bit closer together at the waistline, and finished in silver. They may be Prym brand 2-part eyelets, which are high quality and tend to roll nicely and not pull out.
The laces are 1/2″ wide black double-faced (DF) satin lacing. They have no spring or stretch, they are lovely and flat so they wear nicely under clothing, the satin is a bit slippery but it holds bows and knots well (if tied properly).
The price for a custom ribbon cincher from the Emerald Queen Art ranges from $170 – $250 USD, and of course since this is a custom commission, you can choose any ribbon that Urszula can source, or possibly provide your own if it’s high enough quality. You can start a custom commission by messaging Emerald Queen Art on Etsy.
I’m going to get right to the point: this is my new favorite ribbon corset. As I progress through my corset journey, I find more and more that I’m gravitating towards more lightweight, flexible, breezier corset with an expertly patterned silhouette designed for cinching while accommodating my body’s natural idiosyncrasies, instead of working against them or forcing my body into a silhouette not right for my frame. And this custom ribbon corset felt almost like a second skin the moment I put it on.
Most ribbon cinchers are somewhat U-shaped in silhouette and are not designed to accommodate any convex curves around the ribcage or dramatically wrap around a hip shelf, but Urszula (the Emerald Queen herself) has somehow discovered a way to do it.
I love how Urszula mirror matched the vertical ribbons in the center front and center back – a fantastic attention to detail. It might seem like a small thing to others, but to incorporate a modesty placket in the front (thus creating a structurally asymmetric garment on the left and right halves) but still a thoughtfully mirrored center front aesthetically requires some planning and careful placement.
One thing that I love about this corset is the flexible busk and how it plays with the pattern and silhouette of the corset itself, creating a soft inward curve at the center front while still keeping the lower tummy relatively flat. Some of you may remember my previous post on how different corsets create different silhouettes in the side-view, which many consider a feature and not a bug. While I usually like a corset with a more rigid busk and straight front, I have to admit that the profile in this corset and the slight curve in the front is both comfortable and flattering on my figure.
While the modesty panel contains plastic bones instead of steel bones, I don’t mind this — I’ve seen plastic bones in modesty panels of other corset brands (and in fact, in previous sewing tutorials, I have used plastic myself to stiffen modesty panels). The primary concern around plastic bones is that they may warp or kink when put under a strong curve on the body — but when it comes to modesty panels, they typically don’t curve on the body much at all, unless you count the gentle swoop of the lumbar curve. The biggest advantage to plastic bones in a modesty panel is that the panel can be removed and hand-washed on a regular basis without worry of the bones rusting with repeated exposure to water.
Emerald Queen Art has extremely affordable prices for custom (it’s a well-observed trend that many corsetieres in Poland tend to offer lower prices), where her custom corsets can be less than many higher-end OTR corsets. This would be a great entry-point option for someone just starting to dip their toe into the world of bespoke corsetry. You can start a custom commission by messaging Emerald Queen Art on Etsy.
Do you have a piece by The Court of the Emerald Queen? What do you think of it? Leave a comment down below!
I’m going to start off by saying that I’m not giving any identifying information about the other party in this video – this video is not about slander, I’m not going to name and shame the person, but I do want to share a cautionary tale so others learn from my mistakes.
The corset I tried to buy was What Katie Did brand, but I have never had any issue with this brand’s customer service or quality – I’ve reviewed this brand a dozen times on my channel before – their corsets have stood up over time. So there is no issue with WKD themselves.
It was a regular August afternoon, just like any other.
Each month I put up a poll on my Patreon page asking my lovely patrons which corset brand and style they want me to review next. In July there was a tie between an Etsy sample and one of the new WKD style (since they recently redesigned all their corsets).
I was about to purchase a corset directly from WKD’s site, but I decided to check some BST (buy, sell, trade) corset groups in various forums and social media pages, just in case someone posted a WKD corset in my size.
Almost serendipitously, there was someone selling their Luna waspie in my size! I messaged them right away. The price new would be £140 while this person was selling theirs for £100 plus shipping. (This is a reasonable price for a 2nd hand corset; I usually look for a savings of 60% to 75% of the original price, if it’s gently used with no damage and little signs of wear.)
I am very experienced with buying and selling lightly used corsets, so I didn’t anticipate this situation to be any different than the others.
Red Flag #1: Asking that I cover the Paypal fees.
First, the seller asked that I cover the Paypal fees. This is against Paypal’s terms of service (which I’ll explain later) but I know that this sort of this is common in these groups. So I made a mental note of this, but I thought “Whatever… adding another 3% on top of the discounted price is still a good deal.” I agreed to pay £119 total: £100 for the corset, £15 for shipping and £4 on top of that (which amounts to ~ 3% fees).
Red Flag #2: Asking additional fees after I had already paid what we agreed on.
I sent the payment through Paypal and when they received the money, they told me it wasn’t enough and wanted me to pay an additional amount on top of the fees I had already paid for. At that point I was getting a little bit suspicious, but I kept it polite and cordial – I explained that we did not agree to pay more than what we had previously discussed, so if it was going to cost more than that, I change my mind about the purchase and could they kindly give a refund. (The corset hadn’t shipped yet so it was still fair to ask this).
The seller said “It’s fine, don’t worry about it, the price is close enough,” and shipped the corset. (They said they would ship it on the 10th, but the stamp said it was not shipped until more than a week later – but this is small enough that I don’t consider it too big a red flag; after all, life gets busy sometimes.)
Red Flag #3: Overstating the value of the corset in the customs forms.
Several weeks later, I went to the post office to pick up my new corset, and was shocked to hear that I owed them $126 in taxes and duty. The reason for this is because the value stated on the parcel was (for some bizarre reason) £200, or $348 when converted. That is not what the Luna corset was even worth brand new (even with the price of shipping, VAT, any additional fees, etc, it still would not have come up to that much). This is twice the purchase price we had agreed on for the corset itself. The only reason I could think of for them overestimating the value of a parcel is if they:
a) wanted to cash in on extra money if the parcel were lost in the post (which is deceitful anyway), or
b) they might have been bitter about my refusing to pay more, and wanted me to get dinged by the post once delivered.
I had no choice but to pay the $126, but I will be contesting it because I still have the Paypal receipt for what I paid – but from what I’ve read, people do not often successfully get reimbursed when they’re overcharged duty.
Over $330 dollars later (more than I would have paid if I just bought the corset brand new), the corset is finally in my hands.
Finally, I unboxed the corset during this month’s Patreon livestream. I noted that it was very similar in its cut and construction to WKD’s old styles, but it was dark at the time so I didn’t think much of it. It wasn’t until the next morning that I was taking a closer look at it, that I realized it’s not the Luna corset at all.
Red Flag #4: It’s not even the right corset!!
After looking closely at some archived images and dimensions (thanks to the Wayback machine and my Corset Database), I realized that I had received the Baby waspie, one of their WKD’d old styles, which I have already reviewed in the past.
The measurements match the Baby, and does not match the stated measurements for the Luna.
It has a 3-pin busk (like the Baby) instead of a 4-pin busk (like the Luna).
It is single boned on the seams, with external boning channels, like the Baby (the Luna has sandwiched double bones).
It has an attached modesty panel like the Baby corset (the Luna does not come with a modesty panel, but a floating panel can be purchased separately).
The hardware, like the busk width/ quality and the grommets are all old-style, whereas they’ve changed their hardware sources for the Luna.
Normally I prefer to assume the best in others – what if this person purchased the corset in WKD’s shop, and they thought it was the Luna corset but they were mistaken? Maybe they couldn’t tell the difference. But then again, the Baby corset has been discontinued for well over a year now.
I also know that in some buy/sell/trade groups, some people will buy out dresses or products in side-walk sales, clearance racks, and liquidation events for up to 80% off, and then re-sell those items in Facebook buy/sell/trade groups for profit. (Oftentimes Facebook marketplace allows this – this type of resale of clothing is technically not illegal). Could this seller have done the same in this situation, snapping up a Baby corset at deep discount and selling it for more?
There was technically only one way to find out: I messaged the seller.
Red Flag #5: No response / ignored by the seller.
Again, I tried the sugar approach – I told them that the corset arrived safely, thanked them for the prompt shipping, but mentioned that I noticed that it’s not the Luna corset as advertised, it’s the discontinued Baby corset instead. I noted the evidence of the corset being the Baby and not the Luna (old hardware, old measurements, old construction). I asked them around what timeframe they had purchased this corset. I kept it cordial and asked a clear question, allowing them space to answer, or even give some kind of excuse.
My message was read just a few minutes later, but they never responded.
So, over $330 later, I have a corset that is… wearable (it’s functional!), but it’s not what was advertised and it’s useless for a review. However, I could (and I’m tempted to) re-review this corset out of spite, so that my money wouldn’t be a total waist waste. The last time I reviewed the Baby corset, it was 2011 and I hadn’t yet established my systematic order of doing reviews – so if you want me to review this corset again, comment below and I can do so – but I don’t know who it’s going to serve because this style is not available for purchase (unless you want to buy this corset off me, so I can get a bit of my money back).
I thought I was a savvy and seasoned corset shopper, but even I messed up this time.
So, what should have been done differently?
Here are some tips for buyers so you can avoid getting scammed in these BST groups (and sellers, so you can learn to play by the rules properly):
The seller should never ask the buyer to cover Paypal / bank fees. It is a common occurrence in buy/sell/trade groups, but you have to know that this is against their terms of service. If they catch you, they could terminate your account without warning or appeal. If you’re a seller and you hate the idea of losing $3-4 on your $100 corset, you can inflate your sales price (e.g. $105 instead of $100), and it’s up to the buyer if they want to meet your price. But you cannot specifically demand that others cover a sales fee.
Send your payment as “goods and services”. The seller should not specifically ask or demand that you send payment as a family or friend (unless the seller really is family / friend and you trust them a lot). If you send money as a friend, then as far as the system is concerned, you are sending a loved one a monetary gift, and there is no buyer protection – so if your parcel gets lost in the mail or if the seller doesn’t ship anything, you’re not able to easily dispute it.
When you’re sending payment, there is usually a box to write comments – spend the extra 30 seconds or a minute to fill it out with the details of your purchase. Break down the cost for each part – for instance, write, “Hello [seller’s name], here is $80 for the [brand, style name, color, size] dress, plus $10 for shipping.” Sellers: if you are sending an invoice, you can break down the price like this too – so you have absolute proof of what you agreed on, in case you need to contest the value, or you accidentally received something different.
If you are selling and shipping an item, state the purchase price of that item on the parcel as the value, no more, no less. Don’t include the shipping fee in the value of the item. Don’t include the tax of the item (if you’re shipping to a different country, that international customer DOES NOT pay state/federal taxes!). Buyers, DO NOT ask a seller to declare the value of a parcel as less than it is (like stating that a $100 item is only $10 or something) because that’s illegal, and the highest penalty for that could be tax fraud. But there are also problems with stating the value as too much – like the government charging too much duty.
Do save the listing of an independent seller and compare it with the original listing on the brand’s website. Screencap the listing if necessary, and compare both the pictures and the descriptions, side by side. Count the busk pins if it’s a corset. Ask for more info if the listing is sparse. Ask for close-up photos if none are provided in the listing (especially if there’s any damage declared). (In my case, the listing was removed before I could save it, but I do have FB messenger evidence.)
If you doubt the label/ brand of the corset, ask for photo evidence. In my case, I received a real WKD corset (not a knockoff), but if you have doubts about whether someone might be selling a knockoff of a certain dress or design, ask for a photo of the label. Ask the seller to include a post-it note with your name or the date written on it, stuck beside the designer label so you know that the seller didn’t just swipe a picture of the label off the internet and send it to you.
What do you think – rookie seller mistake, or scam? What other tips would you include to avoid getting scammed? Leave a comment down below!
Hey everyone! I’m creating this in the middle of a heat wave, it’s a humidex of 40°C here or (~105°F) and I realized that I hadn’t really made a video solely dedicated on preventing overheating while waist training. (Despite my Caribbean heritage, I’m actually a bit heat intolerant so I have to be extra careful not to get heat exhaustion, so I have plenty of experience with trying to stay cool in the summer.)
When you’re wearing a corset, you have several extra layers of fabric around your core, holding heat in — so it’s all the more important to stay cool and hydrated.
I will make another video in the future on tips for wearing corsets as part of your cosplay, but for now, let’s jump into my 3 tips for keeping cool in general, whether you’re wearing your corset over or under your clothes:
1: Invest in a mesh or ventilated corset
Choose a corset that’s thinner or more breathable. Mesh corsets are the first and obvious choice that comes to mind, but they have their pros and cons. I have a whole other post dedicated to comparing mesh corsets here. Mesh corsets are more thin and breezy, which allows heat and sweat to escape — but they usually don’t have the longevity of an all-cotton corset.
Victorian corsets were often made from a single layer of strong cotton, which you can do as well. Upon the resurgence of the corset’s popularity in the last ~10 years, single-layer corsets used to relatively unpopular because they seemed a bit flimsy compared to the “4-5 layer super-duper heavy-duty training corsets” that certain OTR corsets were touting as higher quality — and subsequently, this formed the misconception that fewer layers meant less strength — but it makes more sense that a single layer of good quality coutil is more breathable, and also stronger/ less resistant to stretching out compared to 3 layers of cheap elastic satin, for instance. and as the community of waist trainers has grown in recent years, including many who train throughout the year and some who live in hotter climates year-round, I think the demand for thinner and more lightweight corsets has grown.
Victorians also had mesh and ventilated corsets to help keep themselves cooler (despite the several layers overtop). Lace Embrace Atelier makes recreations of mesh and skeleton corsets, as well as corsets made from cute cotton eyelet fabric.
Narrowed Visions also has recreated 1895 ventilated corset below which looks gorgeous. (I had experimented with making my own skeleton corset, which came out hideous but it was a good learning experience that later led to my sports mesh corset.)
2: Stay hydrated.
It’s probably obvious, but it’s too important to leave out. Even if you don’t think you’re sweating under your corset — believe me, you are. Even if you’re in an air-conditioned building (and air conditioned spaces tend to have dry air), still take in water. But especially if you’re out and about, bring a water bottle and sip it every half hour at minimum, and do not down it all at once. Because if you feel dehydrated and nauseated, and then you chug a pint of water all at once, you’re probably going to feel even more sick. If you’re sweating profusely, you’re also losing salt, so put a pinch of salt or an electrolyte mix in your water bottle and sip frequently.
If you have a tendency to overheat, one amazing thing that was recommended to me was a bodice cooler or bodice chiller. It’s essentially a metal vial that you put in the freezer in advance and stick it in your cleavage or down the front of your corset to keep you cool. This works better with overbust corsets than underbust, because most overbusts leave you a bit of space between the breasts and at the sternum, whereas underbusts tend to fit more flush around the ribs.
Now, these are surprisingly difficult to find. Sometimes they are sold at Renfaires, they can be made from metal or glass — I’d personally be afraid of putting glass that close to my solar plexus (but if it’s designed to go from hot to cold frequently, then most likely it will be tempered glass that’s resistant to shattering). I’ve found one on Etsy here made from stainless steel — it’s available in several different colors and designs, and best of all it’s $20 USD which is much less than you’ll find at most Renaissance Faires.
If you can’t find a bodice chiller nearby, you could also get one of those long stainless steel chillers designed for beer or wine. I have actually not bought a bodice chiller yet, but what I have done is take small freezies or ice pops, wrap it in a paper towel so the plastic doesn’t risk cutting me (and the paper towel also catches condensation and prevents frostnip), and the best part is that they’re easy to find and only cost ~20 cents each. Since they’re sealed, you can pop them back in the freezer when you’re done — but let’s be honest, I usually end up eating them.
What did the Victorians do to keep cool?
While Victorians didn’t have air conditioning (currently my best friend), they did have ventilated, mesh, or skeleton corsets as mentioned above — other ways that Victorians kept cool was by using fans and carrying parasols to shade themselves from the sun. There are patents dating back to the 1800s showing that they even had ceiling fans in some areas, although they worked using a spring and crank, and were usually operated by slaves / servants (another reason why we can feel better about modern air conditioning). Lastly, Victorian women also had summer dresses made from lightweight cotton and linen, which despite wearing multiple layers can sometimes still be cooler than modern synthetic fabrics.
Ready to buy a mesh or a lightweight summer corset? Hey, I’ve got them corsets in my shop! Support this blog and stay cool this summer at the same time.
This week is part “story time”, part “Physical Effects of Corseting”, and hopefully an opportunity for others to learn from my early mistakes.
In early 2010 I purchased my first custom corset, which also happened to be a front-lacing corset – but these days, I would not recommend a front-lacing corset for higher reductions (tightlacing more than 6 inches) or daily waist training, and this post will explain why.
Why I chose a front-lacing corset for waist training in the first place:
In 2010 I was still in school which required copious time sitting in class, and I figured that if a corset has no laces in the back, then there wouldn’t be an annoying lump in the back when I’m resting against a hard plastic flat-backed chair.
I also figured thatif I were to wear a corset in my sleep, a front-lacing corset might be more comfortable to sleep in since there wouldn’t be a knot at my back. I could fall asleep comfortably on my back, and if I ever needed to tighten or loosen the laces throughout the night, I could continue lying down on my back and easily reach in front of me to loosen the laces a bit – this (I figured) would disrupt my sleep less, as I wouldn’t have to sit up or get out of bed to adjust laces behind me.
Even though I was able to lace a back-lacing corset pretty well (since I had ‘normal’ back-lacing OTR corsets and homemade corsets for several years already), I had to admit that it was a pretty attractive idea at the time to not have to twist my neck to see what I’m doing in the mirror, and not have to twist my arms behind my back to lace up my corset every morning: a front lacing corset felt very intuitive; I didn’t even have to open my eyes to just tighten my corset in the morning and start my day.
I was also dealing with anxiety back in 2010 for several reasons (performing well in school, living so far away from family, dealing with a difficult relationship, etc.) and I figured if I ever had a sudden panic attack or began to feel claustrophobic, it would be easier and faster to cut myself out of a front-lacing corset. I also worked in a microbiology lab at the time so I was constantly around open flames and caustic reagents – and even though many lab coats have a fire-resistant coating, I figured that if there were ever a fire or if I ever spilled something on myself and needed to disrobe quickly, then – again – cutting the laces from the front would be faster and easier.
Admittedly, I was also attracted to the novelty / rarity of a front-lacing corset: I had seldom seen anyone else commissioning one – and I wondered why, because it seemed like the greatest idea at the time.
As it turned out, I was just reinventing the wheel – if front-lacing corsets were so functional and comfortable for everyone, they would have caught on long ago and survived through the centuries. It was after around 6 months of consistently training with this corset that I realized that a front-lacing corset is not as practical as I had hoped.
At first I blamed myself and my body… “Why had my waist training progress halted? Why am I experiencing discomfort when I feel that I was going about my training in a responsible way, and I had a made-to-measure corset? What was I doing wrong? Is my body just not made for corseting?”
It was only when I decided to stop training for a short time, let my body rest, and then start my training anew with a new custom fit corset with back lacing, that I realized that the issue was with the tool I was using, rather than my waist training technique per se.
Why I Don’t Recommend Front-Lacing Corsets for Tightlacing or Waist Training:
This post is not to bash the maker of my first custom corset – they were an engineer who made corsets in their spare time, and they discontinued shortly after my commission. My inexperience in ordering custom corsets combined with their inexperience with waist training at high reductions. The corset construction was strong and durable, and it gave a beautiful silhouette – however, although it matched my measurements, it did not fit my body for several reasons which could not be predicted by the numbers alone. This is one distinction between a made-to-measure corset and a truly custom corset that includes a mockup fitting.
If I remember correctly, my front-lacing corset was spiral boned all the way around the corset (with exception to the center front by the laces). This means it also included fine spirals in the center back – which I thought I would love for the flexibility, but the corset ended up being slightly too curved in the back for me. It was trying to create curve where my spine normally is, so I felt a band of pressure on the vertebra that was directly under the waistline of the corset – this led to a bit of lumbar pain when I laced down too much, and (where many corsets have the opposite problem of being too straight in the back) the front-lacing corset created an unnatural swayback in my posture while I was wearing it. The profile view in the corset was lovely, but it was not comfortable or healthy for me.
Also, this corset was conical in silhouette as I was interested in training my floating ribs at the time. instead of placing pressure in the front “tips” of my floating ribs, my front-lacing corset placed more pressure on the back of my ribs – imagine trying to close a door by pushing on it close to the hinge instead of near the doorknob. The torque just didn’t feel right. It felt like too much force with little efficacy,resulting in “hot spots”. (Now, if your body is a little larger and your corset affects mostly the adipose over your abdomen and doesn’t affect the placement of you ribs, you might not notice the difference in how the pressure is placed, but at the time I personally felt the pressure on my ribs).
The curve in the back and the pressure on my ribs could possibly have been eliminated if the pattern were improved and the construction slightly changed – perhaps taking out some of the curve at the back seam, installing flat steels instead of spirals, and making the ribs more rounded – but at the moment, this is not something I’m keen to experiment with – because there are other issues with front-lacing corsets, which I’ll continue below.
I also felt that more pressure was placed on my retroperitoneal cavity and kind of pushed my flesh forward, which is not a great idea. One big reason why traditional back lacing corsets work (and this is explained in further detail in my Corsets and Organs article) is because the majority of the pressure is on the peritoneal cavity which primarily consists of hollow organs, like the stomach and intestines. These are not solid organs (although they contain food, waste and air) and they are designed to move. They can also compress and flatten out of the way, like during yoga or pregnancy. As long as you have soft stools and good peristalsis, and as long as you take your time lacing down slowly, digestion and elimination should not normally be adversely affected.
One thing that would have made my front-lacing corset better would be if it included a modesty panel to support my abdomen where the lacing gap left no support. Alas, my corset didn’t come with one. Back in 2010, at the time I thought I would be okay because the bones sandwiching the grommets were flat steel – but I quickly learned that I needed more support, especially I was dealing with large waist reductions (my natural waist was around 28 inches and my corset was a size 20, worn with about a 1.5 inch gap in the front). I ended up having to make a separate boned modesty panel myself to help support my abdomen, avoid bulging and keep it flat.
Another reason why a front-lacing corset is not the best for me: as it turns out, I prefer to sleep on my stomach! I always start out falling asleep on my back, but more often than not I wake up on my front. However, having a big knot / bow in the front is uncomfortable to lie on (rather than “princess and the pea”, it was more like a mess of laces which felt more like the size of a tennis ball on my abdomen when I laid flat on it).
Under What Circumstances Would I Recommend a Front-Lacing Corset?
If it’s a waist training corset that you’ll be wearing for long periods of time, I think a back lacing corset would be more appropriate – it provides the proper support and compression from the front of the body and not the back. I would not recommend a front-lacing corset here.
Same if you’re tightlacing, or lacing down 6, 7, 8 or more inches – it will likely be more comfortable if you have a back lacing corset, not a front-lacing one.
If you’re using a light reduction corset, say not more than 2-4 inches of waist reduction, for medical purposes or posture support, a front-lacing corset might be okay.
If you have an abdominal hernia, especially an umbilical hernia, I would never recommend having a front-lacing corset.
If you have mobility issues in your shoulders or strength issues and you are unable to lace up a corset in the back, then front-lacing is a reasonable option for light reductions (as mentioned before) but also, a fan-lacing corset might be an option for you.
A corset that is laced in both front AND back is better because you’re able pull in the front by two inches, then pull in the back by two inches, and keep alternating so that you’re bringing in both sides of the corset laterally (placing pressure pretty evenly on either side of the body), without creating any weird torque at the back of the body. Just remember that if the front of your corset has a lacing gap, it’s best to have a stiffened or boned modesty panel to support the abdomen.
Later on, I plan to make a video on fan-laced corsets, what they’re good for (and what they’re not good for), and pehraps a tutorial on how to convert a regular laced OTR corset into a fan lacing corset, if I have the time.
I’m also talking with a friend on making a collab video with helpful info on how to put on and take off a corset, whether you use a wheelchair or have issues with strength or mobility. This is still in the early planning stages, but I hope to share more with you later.
Again – hopefully my loss is your gain, and you can learn from my mistakes so you have a more comfortable corseting experience. Let me know in a comment whether you’d like to see those upcoming videos, and leave a question below if I’ve forgotten anything or if you’d like to know more about any other details of my front-lacing corset.
Today I’m going to demonstrate how to curve the busk of your corset for a more deliberately dished front on the longline corset in the video above.
The first curve will make it resemble more of a spoon busk, so it wraps around and slightly underneath a full lower tummy, and helps pull it up and in.
The second curve will bring in the lowest tip of busk to prevent the look of a distracting “pelvic protrusion”.
The third curve to the busk is creating a concave “dished” profile to make the side-view look more curvy and slender.
The fourth and last curve will push outwards the very top edge of the busk – this will help those who have sensitive sternums, as the top of the busk will put less pressure on your diaphragm / not poke into the solar plexus area.
Do you have to bend your busk?
Not at all! If you already get great abdominal support from your corset, it gives you good posture, and you’re comfortable, and you like the look of the profile, feel free to keep your corset as is!
Can you buy a corset with a pre-curved busk?
Very rarely do OTR corsets actually come already sold with a curved busk – busks are manufactured to be straight, and then some spoon busks are curved or pressed after the fact to give their characteristic shape. WKD used to sell spoon busk Morticia corsets, and I think Corset Story sold quasi-spoon busks that were wider at the bottom but not curved. But usually if you want a corset to come with a busk pre-curved, you will need to go custom and specifically ask the corset maker to curve the front for you.
If you DO want to go the custom route, the corsetieres I know for certain will curve the front busk for you if you ask them, include:
C&S Constructions (they’re arguably the most well-known for their very dished fronts)
Before you start: Respect the brand / shop policies…
When you can’t afford to go custom and your only option is OTR – in pretty much all OTR corsets, the busk will come straight, and if you curve the busk yourself this means you’re deliberately manipulating the corset – this will, in all likelihood, render any warranty or return policies void and they will not accept the corset, so before you bend the busk, be sure you’re going to keep the corset and not send it back.
Bend each side of the busk separately or together?
You have the option of bending each side separately or bending both sides of the busk together.
If your corset has a boned underbusk that has an extra wide, stainless steel bone under one side of the busk, and the actual busk itself is a very flexible, standard width busk, I would first manipulate the side with the underbusk – then I’d put the busk together and see if curving the other side is even necessary or not, because sometimes a flexible busk will bend to the curve of the stronger underbusk.
If your hands are strong enough, I’d curve both sides of the busk together, clasped closed, so that both sides of the busk have the same amount of curve – this will ensure that the loops and pins will always line up. You’ll want to support the areas where the loops and pins are riveted in, so the busk doesn’t break there or the pins don’t fall out. What you’re aiming for is for most of the curve to occur between each bracket, and not much right at the bracket.
If your hands are not strong enough, you can curve each side of the busk separately – it is the more careful way of doing things, but it also takes longer to make sure that both sides of the busk are curved the same amount, and that all the loops and pins line up exactly.
Does the type of busk matter?
If your corset has carbon fiber bones adjacent to the busk (which will only be included by special order in a custom corset), don’t even bother trying to bend it. It will be too stiff to manipulate significantly with your hands, and carbon fiber is designed to be strong but relatively brittle. Rather than holding a curve, poor quality carbon fiber would rather shatter – so if you want a curve to your front, you will have to remove those carbon fiber bones and replace them with steel.
A wide stainless steel busk and a spoon busk may be more tricky to bend, but it is possible. Flexible standard width busks are relatively easy to bend.
Some extra tips:
Like I said with my other article on curving the back steels – only bend a little bit at a time, try it on, and then if you find you need a little more curve, then take it off and bend a little more, just small amounts at a time. Go with what is most comfortable and compatible with your body, not just the amount of curve that happens to look dramatic and cute, because that might be too much curve for you.
If your hands are too weak to curve the busk on your own, use the curve of your thigh or your knee, or a tailor’s ham. You can try (very gently) to curve it over certain rounded countertops, but don’t bend it too much as to form kinks, and try not to bend it back and forth because bending it too much one way and then the other will weaken the steel. Below you’ll find a guide on which countertop edges are best for curving steel, if you choose to go this route.
For all of the descriptions of the different types of curves below, you can check out the video above for the demonstrations!
SUPPORT LOWER TUMMY POOCH (FUPA)
This first example is for those who have a panniculus, which is the medical term for lower tummy pooch, mother’s apron, or (more crudely) a “FUPA”. Curving the busk just a little bit under to cradle the bottom of a protruding abdomen can sometimes help fight that gravity that wants to pull your tummy out from under the corset.
You want to create a convex curve at the lower tummy, usually below the belly button. If you need to try on the corset and mark the area lightly with tailor’s chalk, go ahead and do so.
Again, focus on curving the areas between the brackets, and support the brackets as you place pressure on it.
GET RID OF THE “PELVIC PROTRUSION” (corset dingdong)
Curving the very bottom of the busk inward will help prevent a distracting point from poking out at your pubic region. (But as a general guideline, starting with a corset that’s cut straight across or at least gently rounded will help hide the bottom edge much more effectively than a pointed or dramatically contoured lower edge.)
Here you want to start as low down as possible – if you have a longer busk with fewer brackets (pairs of loops/pins), then you could possibly even start below the last brackets. If not, you can start curving from the area between the last and second last brackets. Curve towards your body.
Just a note: if you have a very low body fat percentage or very flat lower tummy, curving the bottom edge of the busk too much can cause it to jab into your pubic mound or pelvic bone uncomfortably, so be careful here and curve less as opposed to more here, until you get a comfortable compromise.
CREATE A DISH IN THE WAIST
If you find that your corset is too “thick” or flat in the profile and you prefer the look of an inwardly dished front at the waistline, you can create a gentle concave curve.
Start right at the waist tape, and unlike the two curves above, focus on curving outward instead of inward. Try not to create too dramatic a bend here – curve the busk a little at a time, and keep trying on your corset as you go. The inward curve does not affect your posture or cause you to lean forward. It should also not put any uncomfortable pressure on your diaphragm.
The more dished a corset is at the waist, the more it kicks out the top and bottom tips of the busk. You may need to adjust the bottom edge more to prevent that pelvic region from sticking out.
CURVE OUT THE STERNUM
I deliberately left this one for last, because if you had curved inward the waistline, sometimes that is enough to kick out the top of the busk enough to take pressure off of the diaphragm.
Some corsetieres sew a tiny pillow or cushion to make the top of a busk more comfortable at the sternum like Creations L’Escarpolette, but another potential option is to gently curve outwards the top tip of the busk so it points just very slightly away from your sternum.
It is essentially the opposite of the “pelvic protrusion” bend. In this situation, you want to start as high up as possible – above the highest set of loops and pins – or if that is not possible, then you can start curving from the area between the first and second sets Curve towards your body.
If you apply all of these curves to the same corset, it will end up looking slightly like an S shape. Again, I’d recommend doing only a little at a time, and keep trying it on. Obviously you don’t want to overdo all of these and end up giving yourself a worse posture than before.
Hopefully this guide is helpful for you! Do let me know if you have any questions, and if you have any other tips leave a comment down below.
How many of you have stood in front of the mirror while wearing a corset, admiring the narrowness of your waist – and then you turn to the side and find that your profile leaves something to be desired?
Everyone knows that wearing a corset nips in the side of the waist (at the obliques), giving you the illusion of a more narrow waist. And the interesting thing is that a corset can also do this without really reducing the waist at all: where a cross section of your torso is usually oval or ellipse shaped (wider from side-to-side than it is front-to-back), a corset makes it more into a circle – simply by placing pressure on the body bilaterally (on either side of the body), and allowing that volume to distribute more front-to-back. Liz from the Pragmatic Costumer wrote about this in more detail a few years ago on her blog.
The downside that some corset wearer’s see, especially if they naturally have a more flat abdomen, is that a corset often makes you look wider in the profile than you did without the corset – this is due to the redistribution of your flesh, combined with the thickness of the corset as well (you’re a couple of inches smaller underneath your corset).
Your Corset Profile can have Two Shapes:
For simplicity’s sake, there are two main ways the front of the corset can look – it can be totally flat, or it can be “dished” or curved to create a more concave front. The Victorians were known for their dished-front corsets and sometimes exaggerated lower tummy pooch (likely more exaggerated in medical illustrations and fashion plates than in real life) but the lower pooch was actually considered attractive and womanly at the time.
But with the popularity of the straight-fronted S-bend corsets at the turn of the century, you can see that it resulted in the illusion of even more dramatically nipped waists, as the majority of the volume was coming off of the sides and little to none in the front. Arguably, if you were to take an Edwardian corset and a Victorian corset with the same waist size, the Edwardian might look more nipped in in the front view but thicker in the profile view.
I should give a disclaimer here: whichever corset you personally find “prettier”, there is no universal right or wrong way that a corset should be (despite the Edwardian propaganda above). Some people like the concave dished front, while others like an extremely flat and rigid front. It often comes down to the corset maker’s aesthetic, combined with the natural body type you have, the effect you’re striving for in a corset (including how much waist reduction), and what you personally find comfortable.
So the “dished vs straight” debate is not only subjective, but it’s also conditional.
It also depends on the posture you want to achieve. The straight-fronted, S-bend corsets had a habit of thrusting the body into an overcorrected posture – they weren’t slumping, but they were also flexing their lower back in an unnatural way. When I had X-rays done of myself while wearing various corsets, my chiropractor found that rigid-fronted, Edwardian-inspired corsets encouraged a very unnatural, kyphotic neck curve in my body. The corset pushed my chest forward, and my shoulders and hips back, which forced my head to come forward as a counter-balance. In some people, this might eventually lead to neck strain, pain, cervicogenic headaches, etc.
Meanwhile, when I wore a more Victorian style corset, it allowed me to maintain a more neutral posture and my spine was in a more natural alignment. So, just because a corset gives you a flat front does not mean you have necessarily have a healthy posture.
A couple notes on terminology before we start comparing corsets – I’ll be using layman’s terms here as much as possible:
so when I say “cross section” that means the transverse plane,
when I say “profile” that means the sagittal plane,
and when I say “front view” that means the coronal plane.
My Uncorseted Waist
This is a screenshot of me from 2012, around a time where I was not consistently waist training. My natural waist is around 27 inches.
It’s well and good to compare different corsets, but keep in mind that I am naturally very wide from the front, but when I turn to the side I practically disappear, so my cross section is very oblong. My oblique muscles might “resist” compression more compared other people, and my lower abdomen is not prone to “pooching” – if I and another woman were to wear the same corset in the same size and stand side-by-side, it might look very slightly different on each of us.
Contour Corset “Summer Mesh” Mid-Hip Underbust
My Contour corset is almost totally flat in the front. This one is 20.5 inches in the waist, laced closed.
In the profile, it makes my body look slightly thicker than it is naturally (while not wearing a corset)
In the front view, it looks shockingly nipped in on the sides (this isn’t even my smallest corset!)
In the cross section, I might actually be a bit thicker from front to back than I am side to side.
Puimond PY09 “Curvy” Underbust Corset
My Puimond corset is actually half an inch smaller than my Contour corset (it’s 20 inches laced closed), but despite being smaller, it looks less dramatic.
In the profile, you can see that the front is slightly dished, but in an attractive way, at least for me. It’s nipped in slightly at the front but it doesn’t create a dramatic ski slope at the pelvis. Also notice that I don’t look that thick in the profile.
In the front view, the sides are obviously nipped in, but it doesn’t look as dramatic as the first corset.
So in this corset, if you looked at the cross section, the distribution of my waist is still slightly ellipse shaped with more of that length being side-to-side rather than front-to-back.
This shape is nearly a circle though – probably the closest to a circle compared to any of the other corsets here.
C & S Constructions
Let’s look corset with a more dramatically dished front like the one below from C&S Constructions. This corset is also 20 inches, but I’m wearing it at 21 inches because it wasn’t custom made for my body (the ribs of the corset were a bit too narrow for my own ribcage).
In the profile view, the waist is pulled inward, and actually I have a slight forward leaning posture which is interesting. It is a deliberately curved front to make sure that the profile looks slender. (But it also gives a forward leaning posture.)
In the front view, the waist is still nipped on the sides, but it’s still wider in this view than it is in the profile view.
So the cross section of my waist is still an ellipse, that is wider from side-to-side, just a smaller one.
Sparklewren Cranberry Butterfly Overbust
Let’s look at my Sparklewren overbust, which is closed at 23 inches (so we can see how less of a reduction / a bigger waist may affect the cross section and silhouette).
In the profile view, her corset gives me a very flat front here, in fact possibly slimmer than some of my smaller corsets that are patterned differently.
I vaguely remember having a conversation with Jenni (Sparklewren) about this probably 5 years ago. She told me that she likes to preserve the flatness in the profile as much as possible, but once the waist is reduced by a certain amount (i.e. under 18 inches in circumference), some dishing in the front may become necessary to achieve further reduction.
In the side view, there’s nipping in at the waist but it appears to be very clearly wider than the profile, but it’s still a lovely silhouette.
So the cross section is more clearly an ellipse.
Versatile Corsets “Mimosa” Cupped Overbust
The “Mimosa” overbust by Versatile is another corset that gives me a slender profile and flat abdomen. This is a size 22″, but I’m probably wearing at 23.5 or 24 inches here. (It wasn’t a full custom, just the waist measurement and bra size were taken into account).
The profile view is relatively flat, similar to how my abdomen looks naturally.
The front view is a bit more gentle and sweeping – not a super dramatic silhouette, not nipped in sharply at the sides.
Obviously the cross section of my waist is more of an ellipse.
All this being said, it’s worth reiterating that this might be subjective for my own body. I naturally have a pretty wide waist, but if I turn to the side my abdomen is very flat. It is more likely that a corset would make me a bit thicker in the profile compared to a different person who has more of a protruding abdomen.
Profile Silhouette in Someone with a Protruding / Hanging Tummy
(Thanks to my aunt for modeling this early custom corset I made for her back in 2012). You may remember my aunt from this tutorial on pulling a hanging tummy up into your corset. She’s had a few children and she’s a more mature woman and has developed a bit of hanging tummy. She asked for a corset to provide back support and to flatten her tummy under her work uniform, but not give a shockingly dramatic waist from the front, which is why it’s not that much of an hourglass. This corset is a size 34″ if I remember correctly; drafted to give her a 6 inch reduction which is about 15% reduction.
I specifically used a spoon busk for her, and you can see that this corset makes her slimmer in the profile. Arguably, most of the reduction came off the front instead of the sides of her body.
In the front view, it gives a relatively natural looking hourglass from the sides.
If you want to see whether your corset makes you thinner or thicker in the profile view or front view, you can measure this using calipers.
If you want a very rigid front (as rigid as possible), you might be interested in adding carbon fibre bones adjacent to the busk – they’re about 24x more stiff than a flat steel bone, and you’ll find these exclusively at Vena Cava Design.
Conversely, if you want your corset to have more of a dished shape, I will make a video next week on how to curve your corset busk to your preference. The process is very similar to curving the back steels.
I hope you found this helpful! Just a note that there is no right or wrong way, some people like the concave dished front, some people like an extremely flat and rigid front. it all depends on your body type, your subjective preferences, your natural posture, and the aesthetic of the corset maker and how they pattern your corset as well.
Leave a comment below telling me whether you prefer the flat front or the dished front better for your own corsets. If you have any question regarding the “flatness” or “dishiness” of any other corset in my collection, as well as the rigidity of the busk, the posture it gives, etc., feel free to ask.
Over the past little over a year, I reviewed a whopping nine different mesh corsets, and many of them had very different types of mesh (different fibers, weaves, stretchiness and quality), and not all mesh corsets are made equal! It can be a little different to tell them apart on video and confusing when there are so many different terms, so let’s go through the most popular types of mesh for corsets and discuss the pros and cons for each one.
This is a very open type netting made with cotton or polyester – it looks a bit like string or yarn twisted or knotted together. It is very flexible, can be a bit stretchy, and usually has a hexagonal shape to it. (As we know from nature, hexagons maximize the area inside each hole while minimizing the materials used for each wall – so the fishnet can cover a large surface area while not using much fabric to do so.)
Pros: fishnet is probably the coolest and breeziest type of mesh, and it comes in many different colors – Mystic City used to sell these with red mesh, blue, orange, green, etc. Orchard Corset regularly keeps these stocked in black and tan (and sometimes white), with occasional limited colors like red, gold, and navy blue. This is the most ubiquitous type of mesh corset, so it’s easy to find. Cons: this fabric has a lot of give and definitely stretches out over time. Because there’s technically only a few threads holding in each bit of the fishnet within the seams, it can rip over time.
(I don’t know whether you call it a pro or a con, but the net leaves temporary impressions in your skin so when you take off the corset it looks like you have lizard scales. It looks cool but can feel rather itchy.)
A slightly more tight-knit version of fishnet is used in Brazil, and I noticed that their mesh corsets have smaller, square shaped holes instead of hexagonal – I feel that this might work better for corsets as it has a clear warp and weft to follow.
My Madame Sher mesh cincher is still holding up very well and I’ve worn it every summer for the past 4 years. It can still show a little damage over time, due to the nature of the fabric, but I’ve been pleasantly surprised by its longevity.
I believe that the newer stock of Mystic City corsets also use this mesh, and this is becoming probably the standard in many custom corsets.
Corsetry mesh is a synthetic fine woven net. It is fairly stiff and slightly reminiscent of the fly screens that you would see on windows and doors (except this is polyester/ nylon, and not aluminum or fiberglass which real window screens are made from).
Pros: corsetry mesh is smoother, stronger, and less likely to warp with wear. You can somewhat achieve a more conical rib with this type of fabric, but I’ve found that it still has relatively more give compared to more rigid, multi-layer cotton corsets.
Cons: this mesh is not as breathable as the holes are smaller (and it’s a synthetic fabric so it can feel plasticky). It can occasionally rip (usually if the seam allowances are not wide enough and it pulls from the stitching. Also, this type of mesh can be quite pokey. If any seam allowances do end up poking into the body, these threads can be snipped off with nail clippers and the rest pushed back under the fabric.
Tips for corset makers on reducing the “pokey” seams while using this type of mesh:
Some makers if they’re very particular, they might melt the seams with a small flame or a hotknife, but this can also risk warping the mesh from the heat.
Another simple way around this is by sewing the corset with the seam allowances on the outside of the corset (facing away from the body) and putting thick boning channels overtop so they won’t poke through.
Vanyanis uses a plush velvet ribbon on the inside to further protect from any pokiness, and she taught Timeless Trends this finishing technique as well when she styled their OTR mesh corsets.
It’s made from cool and breathable cotton – it flows well over curves and is super lightweight. It has a lot of give, and as such it’s often used in a double layer for extra strength (and a bit more opacity if desired). Because it’s cotton, it can also be dyed – but it’s such a delicate fabric that I wouldn’t train in this. You’re not likely to see this used in OTR corsets.
When you look at mesh corsets in the Victorian and Edwardian periods (e.g. their activewear corsets while playing tennis, or the corsets used by British women during the colonialization of India and other places of warmer climates), the mesh they used sometimes looked similar to this. Aida cloth is intended for cross stitching and comes in various weights and counts, so not all Aida cloth is made equal.
Pros: Aida cloth is cotton, so it’s a natural, breathable and cool fiber, and it can also be custom dyed.
Cons: Aida cloth can be difficult to source, and can also fray and shred.
This is a beautiful lightweight fabric (think of the stiff tulle you’d find in crinolines / underskirts), but better suited as a semi-mesh corset with plenty of reinforcement. The tulle in this corset is limited to relatively straight panels (not super curvy ones), and the tulle is flanked on all sides – bones on either side (as well as the center of the panel), and even the binding at top and bottom is coutil to prevent stretch or warping.
The waist tape also takes the tension at the waistline, so the tulle is mainly just preventing the flesh from bubbling out of the “windows” but it’s not contributing to the actual reduction of the waist in a significant way.
Pros: it’s pretty, easily sourced, and comes in almost any color imaginable.
Cons: I think if it were forced to take more of the tension, it might risk tearing. The tulle makes for a lovely and delicate look – but I wouldn’t use this for everyday intense training.
This (I’ve been told) is also the type of mesh used by Restyle for their mesh CU underbust, and I think Mystic City has experimented with this in limited styles as well.
Sports mesh is also known as athletic mesh, tricot fabric, or (especially in the US) “football fabric”. This type of fabric is what’s often used in shoes and team jerseys, and also the non-stretch mesh pockets found in luggage and schoolbags, as well as non-stretch mesh laundry bags and gear sacks. It’s made from polyester and can come in a rainbow of colors.
While it may look similar to fishnet at first glance, it behaves very differently – it has little to no give or stretch, and the holes look more circular (or sometimes square), as if they were ‘punched’ out of the fabric (this is what gives it its tricot look) – however, if the holes were really punched out, this would weaken the fabric. Where fishnet looks like the ‘yarn’ is the same width everywhere, the sports mesh will have areas that look thicker and thinner – many of them have an almost ‘checkerboard’ appearance.
It’s a bit difficult to find the right type of sports mesh online, even when trying to use the correct terms and definitions, as fabric sellers on Ebay, Etsy and Alibaba will often use long strings of vaguely related words. If I can find a reliable source for this fabric in many colors, I’ll link it here, but I recommend going to a local fabric store and testing the stretch out for yourself – the right type of mesh should have little to no stretch, whereas fishnet is designed to stretch and give.
But the sports mesh costs only maybe $2 more per yard than the fishnet (therefore costs $1 more per underbust corset, depending on the size), and it comes in as many colors, for better quality and strength – so I would encourage more OTR corset manufacturers to test this fabric.
Pros: Imagine all the pros of fishnet without the cons. Sports mesh has bigger holes more on par with fishnet, so it’s more breathable than the corsetry mesh (which is a “plasticky” feeling fabric). It also doesn’t stretch out or warp as easily as fishnet. Sports mesh can come in a huge range of colors, as JL Corsets demonstrated with the corset to the right.
Cons: while sports mesh is stronger than fishnet, it’s not invincible – where there are holes, there is the risk of it catching on something and damaging the fabric. Also, while I actually prefer sports mesh compared to the fishnet, but I suppose because of the sports connotation some people might think it’s less cute than the fishnet.
This is a heavy duty mesh, similar to synthetic outdoor upholstery mesh. The only thing I can compare this to is the type of fabric you’d find on deck chairs or boat seats, but to this day I have not sourced the exact same fabric that Contour Corsets used to use.
Pros: this heavy duty mesh is the strongest type of mesh in this list, and comes in a rainbow of colors (in the video above I showed my gold corset, Strait-Laced Dame has a metallic silver and purple corset, and the one to the right shows the sky blue option).
Cons: this mesh is difficult to wear against the skin, absolutely requires a liner but I pretty much always wear a liner anyway. It takes a long time to form over curves, Fran said that the break-in process for one of her corsets lasted up to 100 hours of wear.
One of the corsetieres who made this famous for corsets and corset girdles is Sian Hoffman. Also Morgana Femme Couture makes an overbust option (shown right) and an underbust option as well.
This is specifically designed to have stretch and give, with mild compression – it has spandex in it. You’d find this more in Merry Widows and girdles as opposed to “real” corsets. However, it has its uses (especially those who love a strong cinch combined with maximum mobility).
The rough version of a powermesh corset I made for myself featured satin coutil front and back, boning channels and diamond waist tap – but never finished the binding on it (it means I can wear it under my clothes and it creates a surprisingly smooth line – and this mesh doesn’t really fray as it’s a knit).
Pros: it makes a very flexible and comfy corset, allowing you a lot of movement.
Cons: are that although it is still a single layer corset, because it’s a finely-woven synthetic material, it can get a little warm compared to the other types of mesh. This corset will definitely not give you a conical ribcage, as it stretches around every natural curve of your body. Also, the bones a not placed relatively close together, there is a risk of parts of the corset shrinking or rolling up in places (which is why it’s most often used in girdles, where the garter straps / suspenders keep it pulled down and smooth).
These are the most popular types of mesh and net used in corsets, but if you’d like to see even more examples of mesh, sheer, and summer corsets, (including some made from lace, organza, and horsehair), I have a whole gallery over on this permanent page! Do you know of other types of mesh that are used for corsets that I didn’t mention here or in the gallery? Comment below and let us know.
This past weekend I made a free corset sizing tool – one that accurately calculates your ideal corset size based off of your measurements, lifestyle, and personal needs (because “4-6 inches less than your waist” sometimes isn’t specific enough.)
After testing this calculator with close to 100 people, it seems to have over 90% accuracy rate. While it won’t replace talking to a real person for their recommendation, and it doesn’t take every life situation into account, it will give you a good place to start.
One more important thing:
Just because this calculator recommends *A* specific size, does not mean every corset in that size will fit you perfectly. (After you find your ideal corset size, you need to find a corset that suits your curve as well! Head on over to the Corset Database for more free tools!)
See the video below for a tutorial on how to use this free tool!
In the video I go through four examples:
Example 1: a slender athlete who wants to start waist training. (Timestamp: 1:20)
26 inch natural waist
visible abs in front
bit soft, fingers sink into side
wants to waist train
weight fluctuates, with a natural tendency to lose (because they’re doing sports all the time)
This would recommend a size 22” if they want their corset to lace closed, or size 20” if they prefer a small lacing gap in the back.
Example 2:someone who works in an office and perhaps has a sedentary lifestyle, but likes to wear vintage clothing and wear a tightlacing corset underneath. (Timestamp: 2:40)
32 inch natural waist
bit soft in front
bit soft at the side as well
interested in tightlacing
wants to wear their corset laced closed
This gives a waist size of 27″, which you can correct to a “real” corset size by using the extra question at the bottom. Size up if you have less experience, or size down if you have a little more experience.
Example 3: a mother who’s had multiple pregnancies, a lot of weight gain and loss over the years, and suffers from lower back pain. They’re not interested in waist training, but just wants something to smooth over the loose skin of their tummy and support their spine. They might have a similar waist size to the last person but a very different composition, and different needs. (Timestamp: 3:56)
35” natural waist
very soft in front
very soft on the side
wants a corset for back support or pain relief
fluctuates in weight, with a natural tendency to gain
prefers a lacing gap in the back
This calculates a waist size of 29″ which can be corrected up to 30″ if they have no corset experience. When worn with a small lacing gap, the corset will be just snug enough to hold in their loose skin and support their posture.
Example 4: someone starting out a bit larger, who has made a new year’s resolution to lose weight (I’ve been getting a lot of emails like this in the past few weeks!) and wants a corset to last them a little longer through their weight loss. (Timestamp: 5:16)
35” natural waist
very soft in front
very soft at the side
interested in waist training
they are actively in the process of losing weight (the wording is intentional here – see below)
NO gap at the back (see explanation below for the reason why)
This calculates a corset size of 38″ which will carry their waist training at least several months through their weight loss journey, depending on how much they plan to ultimately lose, and how quickly they’re dropping weight.
Extra notes on this case:
Please choose the “actively and intentionally losing weight” ONLY if you are currently in the process of losing weight – because if you only intend to lose weight but have made no steps to start, clicking this option might not be realistic and might leave you with a corset that’s too small to wear. Clicking this option takes you down a size, so that you don’t have a corset that you shrink out of too quickly. (Same with the other option of intentionally gaining weight, it will take you up a size!) So if you’re actively in the process of losing weight already, you may click that option. You’ll also see a cautionary note pop up on the calculator, if you are changing your weight quickly, so be sure to give this a read!
Then you get to the question for a lacing gap in the back – if you’re already losing weight, we recommend choosing the “no gap” option otherwise it will give you a corset that can be around 12 inches smaller than your natural waist (which is not recommended or safe for beginners).
People with a larger natural waist tend to be able to cinch more. Some experienced corset models have a natural waist over 40 inches and are quite soft, and they’re able to cinch down 8 inches within minutes! If you’re also losing weight on top of that, the calculator will size you down. But do keep in mind that there’s a point where OTR corsets don’t have laces long enough to open up by 10-12 or more inches – also, if the gap in the back is too big, you won’t have the right torque to pull it tighter so it wraps around the body and fits properly.
Many moons ago, one of my Tumblr followers asked: “Did people season their corsets in the 19th century?”
Not really. But they molded to the body much faster than many corsets made today, and some corsets came out of the factory already seasoned, in a sense.
Victorian corsets were usually single layer and molded quickly to the body
The vast majority of corsets in the 1800s were utilitarian, daily pieces – often a single layer of cotton, with lap seams that were either wide enough to hold a bone, and/or separate channels that were sewn on externally or internally. I have tried some single layer corsets and MANY multiple layer corsets, and single layer corsets always mold to the body faster and season very quickly. If you’ve ever had a mockup fitting, think of how well the single-layer mockup fits you, and how much heavier and stiffer the final corset feels in comparison, even with the same or similar measurements.
I also own some single layer corsets – some homemade, some factory samples, and some that were deliberately commissioned as a single layer like my Bizarre Design corset, and they have all felt fairly broken in after only 1 day.
Victorian corsets had a different construction (and shorter stitches)
In the case of those single-layer homemade mockups or samples that I’ve worn for extended amounts of time, they also started falling apart faster too, mostly at the seams. But why wasn’t this the case in Victorian corsets?
I remember at the Symington museum collections where they have dozens of antique corsets from the 19th century you can touch and study – there were hand-written factory specs of many corsets, but one of them in particular caught my eye because this one said that it was sewn with a stitch length of 26 stitches to the inch (the stitches were less than 1mm long!).
Compared that to an OTR corset today, which has about 8.5-9 stitches per inch. (Of course, thread quality strength matters too, not just stitch length.) With a shorter stitch length, there is less “sliding and redistribution of the threads so you get less of a shear force. And with lap seams, flat felled seams, or seams straddled by a boning channel, these types of seams put much less stress on the thread compared to, say, the sandwich method that is popular today.
Whalebone (baleen) molded to the body with body heat and perspiration
Remember that prior to steel, the corsets contained whalebone which were thinner, lighter and – when exposed to warmth and moisture – the baleen became very malleable and could be bent in pretty much any direction. So when the corset is put on, the warmth and perspiration from the body would soften the corset more – and when the corset was removed, the bones would get the chance to cool and dry out, but could retain the shape of its wearer.
Steel bones do not have these same properties, especially some of the cheaper, rigid, less-comfortable flat steel bones often found in budget OTR corsets.
Side note: Second-hand / hand-me-down corsets were more common than you think!
Anthropologist Rebecca Gibson has studied the skeletons of impoverished French women from the 1800s and she said that it wasn’t uncommon for corsets to be be passed down from mother to daughter, or from mistress to maid – hand-me-downs and 2nd-hand purchases were a thing in the 19th century! So in that sense, the corset was already very much seasoned, but Gibson’s research also showed that just because they were seasoned doesn’t necessarily mean that they fit well – because the corset might not have matched their measurements.
Some corsets were steamed and “pre-seasoned” before being sold
After the industrial revolution in the 1830s, some factories actually steam molded their corsets which is kind of like rapid seasoning before it ever sees a body. Here’s one example from the V&A museum:
To improve shape, performance and comfort, manufacturers claimed numerous inventions. One of the most successful was the steam-moulding process developed by Edwin Izod in 1868, and still used in the 1880s to create elegant corsets such as this one. The procedure involved placing a corset, wet with starch, on a steam-heated copper torso form until it dried into shape. The result was a beautifully formed corset, whereby ‘the fabric and bones are adapted with marvellous accuracy to every curve and undulation of the finest type of figure’ (The Ladies’ Gazette of Fashion advertisement, London July 1879).
Victorians were accustomed to restrictive, non-stretch clothing
Almost all clothing today contain at least a small amount of spandex/lycra for comfort and positive ease. With the exceptions, say if someone puts on a nice work suit with no stretch they think it’s confining enough – imagine when they put on a corset for the first time and they’re introduced to the concept of negative ease! I’ve found that when someone is new to wearing corsets, they have a much more positive association with it if they only wear a corset gently for a small amount of time and build up from there (as opposed to taking 6 inches off their waist immediately and wearing it like that for 12 hours). As Ann Grogan of Romantasy says, “You wouldn’t put on a pair of 6-inch stilettos and run the Boston Marathon, would you?”
For this reason, I consider the seasoning process as important for a novice’s body, or probably more important for the body, than it is for the corset.
Victorians, on the other hand, had no stretch in their clothing per se (although pleats and gathers do what they can), and wore stays from childhood. Now, these stays wouldn’t take much (if anything) off their waist, they were corded stays and fastened with buttons instead of laces – but they would be quite snug and be close to fitting their natural waist measurement – such that their waist circumference was probably held more or less constant even as the rest of their body grew.
Tightlacing was less common; light reductions were more the norm
Props to Alexa for pointing this out: Most Victorian women didn’t tightlace, but rather their corsets were worn more for support (bust support and back support), supporting the heavy skirts, and perhaps gentle cinching. So even when worn daily, their wear might not be as rigorous as someone who laces down 6-8 inches and wears it 23/7 today.
Another thing to consider is how long a typical corset lasted back then. Some corsets boasted that they’re guaranteed to last 12 months, which implies that many other corsets didn’t last that long (but, as we know from Gibson’s research, hand-me-downs were not uncommon so they probably got a few years of use, and they mended and repaired where they could).
Some Victorian women may have bought a new corset every few years or up to multiple times in a year, depending on the family’s wealth, the quality of the corset, and the amount of wear and tear on the corset from the woman’s activities. But they would likely find it unreasonable to expect a corset to last 5-10 years or up to a lifetime, the way that some people consider modern corsets to last.
So although Victorians didn’t having a seasoning regimen the way it’s been popularized today, their corsets were very different to modern corsets. Today, corsets come out of the factories fairly flat, and often contain multiple layers of fabric (often a mix of fibers too, like polyester). They’re decidedly crunchy due to the starch and sizing, and they contain almost exclusively steel bones (which don’t change properties when exposed to body heat), AND also consider the fact that that people today are not used to wearing restraining clothing.
I hope this answered the question as to why seasoning was probably not done during the Victorian era, but was also likely not required.
If you have any comments or questions on the matter, leave a comment below!
Almost every month I go through my corsetiere map and make notes on which corset makers are inactive, which have closed down their businesses and websites, and I add new makers that are popping up all the time on Etsy. Like with many craft / creative home businesses, it’s difficult to make corsetry a lucrative career.
Even I took custom commissions for a few years, and while I had no shortage of clients wishing for a corset (I was one of the lucky ones), I had my own reasons for going on an indefinite hiatus.
Because of my corsetiere map, corsetieres contact me when they want to be added or when they would like to be removed. In the latter situation, while I never pry as to their reasons, they often tell me anyway, and many of their grievances boil down to the same main points over and over again.
Although I cannot (and will not) go into the specific set of reasons as to why any one specific corset maker has decided to shut down their business (as that would be betraying their confidence), I can speak generally about it – perhaps discussing this would be helpful in having customers understand that corsetieres are human too, and for other corset makers out there, it can help them avoid the same mistakes.
Corset Supplies are Scarce and Expensive
Making a corset is relatively complicated, as far as garments go. There are a lot of specialty components that go into it (like a busk and steel bones) and depending on where you live, sometimes even good quality 2-part grommets are difficult to source. Most people can’t find these at their local fabric shop, and most corsetieres order online. The materials themselves can often add up to at least $50, before you even put your time into making the corset! This is one reason why corsets themselves are more pricey than other, more common articles of clothing.
Many corset makers end up supplementing their income by creating accessories – corset liners are simple and fast to make, as well as storage bags, or boleros, or dresses or other outfits that go well with their corsets. These are not only made from materials that may be less expensive / easier to source, but they typically take less time to make, so the designer can bring in enough to support themselves.
Corsets Take a Long Time to Make (and have a steep learning curve!)
Someone can buy 2 yards of fabric for $20, make a dress out of it in 2 hours and sell it for $50, so she ends up paying herself $15 per hour. Many people wouldn’t even bat an eye at spending $50 for a simple handmade dress. But let’s say you buy corset materials for $50, and spend 20 hours making a corset. If you paid yourself the same hourly rate ($15 per hour), then that corset will cost a minimum of $350, and (while this is actually a very reasonable price for a custom corset these days) so many people are not willing to pay that much.
Too often, fledgling makers enter the scene with competitive introductory pricing, such that some of them are not even paying themselves minimum wage, and this influences the market and drives down prices for everyone. (And we haven’t even gotten into the hidden costs of running a business… see the “Unexpected Expenses” section.)
There are only 24 hours in everyone’s day, so how do some corset makers make more money with the time that they have? A lot of them get help or take on side jobs:
More and more corset makers are now holding sewing classes classes, where people come in for a weekend and pay a fee to be taught how to make their own corsets. These classes are seemingly pricey (many start at $300 for a group class, up to and above $1000 for private instruction), but it’s a way for makers to supplement their income. As a student, if you think about the fact that you can buy a corset for $300 or learn to make as many corsets as you like for $300, the price of a class becomes justified (if you enjoy sewing, that is). And for the corsetiere, it’s an opportunity to take a break from the laborious work of crouching over a sewing machine all day.
Some makers take on interns to help (maybe once a week), so the interns learn how to make corsets for free without having to pay for a one-on-one class, and in return the maker gets… essentially unpaid labor. (From what I understand, depending on where you live and the type of industry you work in, this is an ethically grey area.)
Some fashion schools allow (or even require) at least one semester of free study, co-op experience, or internship. These “private study” semesters can dramatically help local designers, as flocks of students look for corset-making instruction and need to get their minimum hours filled.
SO many corset makers ask their husbands or siblings for help, even if it’s just tipping bones or setting the grommets.
Some makers even hire a virtual assistant to take care of customer service and admin (because dealing with people is not everyone’s strong suit – more on that later in the “Artists Sometimes Suck at Business” section).
Many corset makers go the way of ready-to-wear corsets. After a few years, corsetieres will likely notice that there is a certain “average” of measurements or proportions from their clients, and they can make one or several standard corset pattern(s) that will maybe 60-75% of bodies. Then they can batch out their corsets in bulk, which is much more efficient on time compared to custom corsets – it means you can stack your fabric layers and cut out several corsets at once, you can stock up on the same length bones and busks all the time (instead of cutting them to length or special-ordering them for each corset), and you don’t have to waste as much time switching tasks. However, after awhile, standard sized / stock corsets can be depressing (see the section “Beggers Can’t Be Choosers“).
Some corset makers make enough to be able to hire a team to make corsets in a small assembly line – so even when paying their team an hourly rate, since they have specialized machinery and people with specific skills, everything goes much smoother and faster. But of course, that special machinery comes at a hefty price – and training those workers takes time and money too.
Oftentimes when a corset maker burns out and stops making corsets, it’s because they were working alone for so many years without any help whatsoever – they were doing all the labor and admin themselves.
Making Corsets is a Full-Body Workout.
Cutting fabric on the floor; cutting and grinding bones; hammering or pressing grommets; spending hours upon hours in front of the sewing machine – these can be very labor-intensive and can cause injuries if you’re not prioritizing the ergonomics of your work area.
After my car accident in 2014, I wasn’t able to sew beyond very short periods of a few minutes (essentially short mending jobs) because I couldn’t crane my neck down for extended durations. Some people with muscle weakness need help cutting bones or setting grommets. Some people have arthritis in their hands and don’t have great dexterity in their fingers. And if you are sewing 12+ hours a day, almost every day, it can start to create a lot of wear and tear on the body.
Some corset makers do become more skilled and faster at making corsets, and some get better equipment so the process is more ergonomic (but that costs money too).
There Are Unexpected Expenses When Running a Business
Many corset makers only charge for the cost of materials + their labor in making the corset (and corsetieres have a habit of underestimating the number of hours required to finish a project!). But there are so many more expenses involved in keeping your business alive. Here are just a few “hidden costs” in any creative business:
Registering your business.
Filing for a trademark / copyright.
Admin work – bookkeeping, answering emails, etc.
Doing footwork / research / testing for the suitability of materials in your projects, or upgrading your skills.
Liability insurance for yourself, any employees you might have, insurance on your studio or dwelling, and insurance on your equipment and inventory.
Repairs and servicing for your machines / equipment.
Electricity that runs the equipment everyday (overhead).
Seller fees for Etsy, Ebay, and whatever you’re using to process payments.
Web hosting and maintenance.
Some countries require that businesses of any size, even the “hobbyists”, file your taxes every quarter. That’s every 3 months! That eats away at your time you’d rather spend Making Things, and some businesses are required to pay taxes every quarter.
Hiring a bookkeeper or accountant that knows all the legal stuff around running a business, and what’s claimable and not claimable around tax time (but this is a very wise investment and highly recommended – what I pay my accountant is much less than the amount I save by doing my taxes properly).
A corset maker can raise their prices to cover these fees, but that is a double-edged sword because it means fewer people are willing to buy from a brand that charges more.
Beggers Can’t Be Choosers
When I started making corsets, I considered it an amazing creative outlet. I could make any design, any color, any silhouette I wanted, with any combination of embellishments. I could let my imagination go wild! But when I started taking commissions, it became a case of “10 plain black waist training corsets in a row”, and while I take pride and put care in all of the corsets I make, it quickly became boring, soul-draining work.
Many corset makers now turn away prospective customers who want a plain underbust corset, because these makers only want to focus on luxury or couture work (and that is their right and their prerogative! If they’re able to maintain a successful business while turning away commissions, more power to them!). Other corset makers will take any commission they can get because it pays the bills – and what was once a lovely creative outlet for them has become a sad, drudging job.
Artists Sometimes Suck at Business…
…. Also, Difficult Customers Exist
Another potential issue with bespoke corsetry is that it’s so very personal: it’s designed to fit just one person exactly (even down to their anatomical asymmetries and idiosyncrasies) and the colors, fabrics, and embellishments are to that client’s specific taste. And oftentimes, if that commission is not 110% to the client’s standard, that is the difference between the maker getting paid and not getting paid. Of course, the maker should know this coming into the business – and know what’s fair and unfair in business dealings.
This is where contracts would be useful when taking commissions: be absolutely clear as to what’s included in the outfit / costume / corset commission, what communication and tasks are required of both the maker and the client (yes, some tasks are required of the client, like taking body measurements, being clear about what types of embellishments and how much, giving feedback during mockup fittings, etc), when payment(s) are due, etc. so there is less miscommunication and confusion.
Depending on a corsetiere’s PR skills, one really bad review can potentially ruin a maker’s reputation and put them out of business. (Some corset makers are really really good at making corsets, but their customer service leaves something to be desired.)
Several makers who have owned corset companies for 20+ years have all told me something similar (and somewhat controversial): for better or for worse, when it comes to the corset industry, it’s seldom that a laid back client comes along. While many don’t quite hit “bridezilla” status, occasionally a customer comes close, and the corsetiere has to learn how to be a good businessperson (not just a good artist) and know where to draw the line with “pickiness”: when to either put their foot down and when to cut their losses.
More unfortunately, there are many corset makers who hear nothing but crickets when their clients are happy with their commissions, and they only ever hear from their unhappy customers. This seems to be more universal: no matter what the industry or what the product / service is, unhappy customers are always louder than the happy ones. And this hurts businesses in real ways:
Let’s say a hypothetical corsetiere sells 50 corsets on Etsy. 48 of those customers are happy, and 2 of them are unhappy.
Let’s say only 3 of the happy customers leave 4 or 5 star reviews, but both of the unhappy customers leave 1-star reviews. That makes her Etsy rating look really spotty, close to a 60% satisfaction rate, even though in reality they have a 96% satisfaction rate.
I would not be willing to purchase from a corsetiere with a 60% satisfaction rate, would you? I might even think that they’re stealing photos from other makers and distributing knock-off designs, and the “three positive reviews” might be fabricated / shill reviews, or from customers uneducated about genuine corsets.
If many other prospective customers look at their poor ratings and think along the same lines, that corsetiere’s business suffers – she could be one of the most talented artists of our generation, but some people might never even give her a chance.
So if you purchased something off Etsy or even off a maker’s website and you were happy with your purchase, please consider leaving that corsetiere (or costumier, or artist) a positive review, or a testimonial that they’re able to share on their site – it only takes a minute, and it can really help with their reputation. If you have a bad experience with a corset maker then by all means speak your truth – but when you are happy with your product, also take the time to promote what you love, because some corsetieres’ livelihood depends on your feedback.
These are just a few reasons why so many makers decide to shut down their businesses. There are obviously many more reasons than these, some much more personal to the individual – this is why there is an entire industry (books, courses, mentorships, summits, etc) on how to properly run a business as a creative – no one is born knowing this, and most of us are flying by the seat of our pants, learning as we go. But if we’re to stay in business, we must be aware of these things and learn how to avoid them as best we can.
If there are any big reasons that I missed regarding why corsetieres or costumiers choose to leave their businesses, feel free to leave a comment down below and let me know. As always, be respectful in the comments.
There is a concept (that was popularized by Terry Pratchett in the Discworld books) called lies-to-children which says that we tend to oversimplify concepts and make “black and white” rules in order to familiarize beginners (or kids) with certain concepts before they can move on to understanding the more nuanced reality of these topics. Corsetry is no exception; there are so many “rules” that ring mostly true (like “good OTR corsets contain steel bones and not featherweight”, or “the waist tape’s purpose is to prevent stretching or ripping at the waistline”) but it’s high time we talk about the people who are successfully breaking corset rules – because not all corsets are made equal!
Corset sizes are mostly 20”, 22”, 24” etc, and we should avoid any corsets sold in “street sizes” (e.g. US size 6 / UK size 10, or small / medium / large) because street sizes are arbitrary and not standardized.
A few respected corset makers do prefer to sell their corsets by the S/M/L/XL system.
One of these brands is Ms Martha’s Corset Shoppe (I wear a size Medium in her shop which translates to waist size 22″).
Another maker is Ties That Bynde (I wear a size XS in her shop which translates to waist size 22″).
Jessica, the owner of Ties That Bynde, also wrote a testimony for my book Solaced last year. She’s an immensely skilled corsetiere who has made medical / therapeutic corsets for herself and others, and her corsets have been covered by medical insurance in some cases. Jessica suffered a debilitating car accident and she made several corsets for herself to helped her recover from her sustained injuries, and her corsets have also corrected her scoliosis. The reason that she prefers this sizing system over numbers, she says, is because she sells at conventions where the demographic can be a bit different, and many customers don’t like knowing what their waist size is in inches. They tend to be a bit more receptive to her current sizing system.
Number of layers
Many OTR corsets will boast that their corset has three, four, or even more layers of fabric in their waist training corsets, because in the idea that “many hands make light work”, we also think it’s logical to believe that more layers equals more strength.
I have worn some amazingly strong and comfortable single layer corsets, probably the most well known being my mesh corset from Contour Corsets, but also my spot broche piece from Bizarre Design. Both of these corsets started with premium quality fabrics that were painstakingly cut on grain, and constructed with external boning channels which straddle and reinforce the seams, and each seam is stitched multiple times (zig-zagged in my Contour Corset, and with a twin-needle machine in my Bizarre Design corset) so there is little to no risk of a seam ripping even under high reductions.
If I were perusing Ebay and looking at “corsets” shipped from China for $15, I would be a little hesitant to spend that much if they said it were a single layer corset, because I’ve tried one before and it didn’t do much for me. But a single layer corset made from a specialty coutil or broche, made by a reputable independent corsetiere? I wouldn’t bat an eye at that.
While on the topic of Contour Corsets and Bizarre Design, and how they have engineering backgrounds and like to bend the rules – neither of my corsets from them contain any waist tape.
The waist tape’s purpose is to prevent stretching and ripping of the corset at its point of highest tension (the waistline) and corsets that don’t have a waist tape are unsuitable for waist training.
My Contour corset was my primary training piece through 2012-2013, and it was still barely stretched or eased a fraction of an inch at the waist despite note having a waist tape. (The only reason I stopped training in that corset was because I found it a very dramatic silhouette, and once I achieved a waist of 20″ I decided I preferred to stay at 22″ instead.)
For cheaper quality corsets, having a waist tape is a sign of insurance: if one of the seams fail and the stitching pops at the waistline, at least the waist tape should hold fast because it doesn’t have any seams. But some corsetieres have appeared to construct their corsets in such a way that renders the waist tape superfluous because the corsets are strong enough on their own.
Some corsetieres, like Sparklewren and her Bird’s Wing corsets, would deliberately make her corsets a touch smaller in the waist than the customer wanted (0.5 – 1 inch smaller) – because she anticipated there would be a little bit of ease at the waistline without having a waist tape – however, once that fabric settled, it would more or less be around the size originally requested – so this is how some corsetieres are able to circumvent any complications around not installing waist tapes. The Bird’s Wing corsets are constructed with lapped seams (which are also extremely strong and secure – and because they can be made with a single layer of strong coutil or broche, adding a waist tape in these corsets would be tricky but also ruin the line of the delicate looking antique-inspired couture corset.
Any “corset” on Ebay that shows a hook-and-eye closure, or a zipper on the side or back of the body (especially colored zips with nylon coils instead of metal teeth), are not genuine heavy duty corsets designed for waist training or tight lacing.
Some corsetieres use zippers successfully in their corsets, even their tightlacing and waist training corsets! The strongest zippers have metal teeth – not plastic – and the zip is well-supported with flat steels on either side. The zip will also typically be placed on a seam that doesn’t have much curve (like the center front) and not on a side seam, so that there is no unequal strain on the zip that might cause it to fail.
I believe Amy Crowder of Wasp Creations had once written about how a good quality and well-installed zipper can possibly even be stronger than a conventional busk.
A proper corset must have 4-6 panels per side (8-12 panels total).
I’m sure most of you have done this thing in geometry class where you make a square, and then a hexagon, and then a heptagon, and an octagon, and on and on until you have a polygon that has so many sides that it nearly makes a circle. And theoretically, this is what we aim to do with corsets – to take flat 2 dimensional panels, albeit made from malleable fabric, and wrap it around a multitude of curves. This is where we’ve arrived at the idea that “the fewer panels there are in a corset pattern, the less curvy / the more wrinkly / the more uncomfortable it is.” It would be bonkers to make every corset have an infinite number of panels, so we strive for a happy medium of 4-6 panels per side in most cases, and we can further tweak the fit with gores and fluted panels, like What Katie Did does.
I have seen corsets with two panels per side, like Damsel in this Dress, and I’ve seen corsets with like 20 panels per side, like Sparklewren’s bird’s wing corsets. 99% of the time, OTR corsets will have between 4-6 panels per side.
Each seam is an opportunity to adjust the fit to suit your body, and oftentimes clean seams are more comfortable than sewing darts and pleats, especially when it comes to something as close-fitting as a corset. But I have occasionally worn corsets with four panels that were more comfortable than other corsets with more panels. And more panels does not necessarily mean that the corset will be curvier – the curve depends on how each panel is shaped, not how many there are.
Karolina Laskowska took this idea to new levels by making a corset with only ONE panel! Instead of adding more fabric where she needed ease, she started with her largest circumferential measurements instead and added tucks where she needed to take it in at the waist or over the bustline. It was very clever.
Featherweight boning is awful, Rigilene is the devil, and generally just run away from plastic boning and always look for steel.
There are some people doing amazing things with synthetic whalebone – which is a type of plastic, but it’s from Germany and it doesn’t behave the same way as featherweight or rigilene that you find here in North America. Luca Costigliolo and Laurie Tavan are two corset makers who do beautiful Victorian reproductions and have worked successfully with synthetic bone.
Grommets in a corset should be size #00 (5mm) or #0 (6mm) and have a medium-to-wide flange to prevent popping out over time.
Some older corsets like those made by Créations L’Escarpolette contained grommets / eyelets in size #x00 (an internal diameter of 4 mm) or even smaller, and with a teeny tiny flange, yet they’ve held up to a lot of wear, as these corsets are over 10 years old now (if I recall correctly). Even though the grommets are quite oxidized, none of them are actually falling out because they’re set so tightly.
On the other end of the spectrum I’ve seen corsets with enormous grommets (size 1 or 2), which are almost comically large, but I can see it working with a certain aesthetic.
So you see, although there are standards for most corsets these days, there are always exceptions to the rules. We live in an amazing time where we have access to laser cutting and 3D printing and so many awesome materials, and people around the world can blend their knowledge from previous backgrounds and apply them to the art of corsetry, and that is exciting and amazing.
Standards are usually set for a reason, so it’s good to learn why things are constructed in a certain way and using certain materials – it often comes down to accessibility, cost, tradition, etc.
I’ve experimented a lot with corset making in the past, only to reinvent the wheel and learn for myself why “some things are the way they are”, but that’s all part of the process, and I would assume that almost any experienced corsetiere has done the same. But innovation is the spice of life, so learn the rules as a beginner, so you can learn to break them later. ;)
“Lucy, what’s the best corset that hides perfectly under clothing?”
Unfortunately, there is no corset in existence, past or present, that looks and feels completely like skin and flesh – however there are a few features to look for that can get you as close as possible. Keep in mind that all corsets are rigid though – at present, all corsets must contain strong fabric, bones for maintaining vertical tension, and laces in the back to adjust the measurements. But apart from that, the options are almost endless. Let’s look at what you should look for in a great stealthing corset. (Some links below support Lucy’s Corsetry so she can continue providing awesome info for free.)
Go for “nude” or skintone fabrics. Bright fabrics can draw attention under thin or light colored tops. Ivory, loomstate, peach, beige, tan, brown, etc – whatever you can find that is closest to your natural complexion.
(Some shameless self-promotion here) The skintone range by Timeless Trends is available in my shop – it suits 7 different skin tones: creme, vanilla, butterscotch, latte, caramel, cinnamon and chocolate. Most good OTR shops also have at least one “nude” option, which may range from peach to ivory to tan colored. Other examples include Orchard Corset, Isabella Corsetry, and Morgana Femme Couture.
FABRIC CONTENT & WEAVE:
Satin is smooth and slippery and allows your clothing to glide overtop. But if you do go for satin, be sure that it’s fused to a stronger backing or roll-pinned – because unsupported satin has a tendency to wrinkle from stress, and these wrinkles can be noticeable. One example of a nude satin in OTR corsets is from Isabella Corsetry. You have the option of going with a peach, nude, or ballet pink cotton-backed satin (satin coutil) if you order custom from almost any reputable maker, which is the best of both worlds (strong, hardy, smooth and glides well under clothing).
For the purpose of training or daily wear corsets, when purchasing OTR / RTW, I usually recommend cotton twill or similar as an outer fabric – yes, it catches slightly more than slippery satin, but it generally doesn’t conduct static, it’s more durable and abrasion resistant, and it’s more breathable than synthetic polyester and better for the skin. Morgana Femme Couture uses nude cotton coutil, and Timeless Trends’ creme corset is 100% cotton as well.
There are three different types of channels: external, sandwiched, and internal. I’d recommend either sandwiched or internal, as they create the smoothest finish on the outside of the corset.
Internal boning channels have the potential to be the most smooth on the outside but they are the least comfortable in my opinion (one rare exception is my Mimosa corset by Versatile, which has sandwiched bones on the inside and a floating fashion layer).
External channels are sewn to the outside of the corset, often in contrasting colors which is quite pretty – and truthfully, they have the potential to be the most comfortable with training corsets too, because you don’t have to deal with any bumps or pressure points with bones against your body – but external channels are not good for stealthing.
Sandwiched boning channels is what you see in many American OTR corsets like Orchard Corset (the double-boned styles only, like the 411 or 426) or Timeless Trends – they are a good compromise between smoothness, comfort and fashion, and they’re also often seen in training corsets.
TOP AND BOTTOM EDGE:
Something that’s cut straight across is best, but gently rounded on top and bottom are pretty good too. Avoid points because they can bow and poke out under clothing, or they could dig into your sternum or pubic bone.
Good OTR training corsets are typically going to have a busk in front so you can quickly and easily get into and out of it, but it does cause a line of bumps down the front, especially if you’re wearing a fitted shirt.
Some training corsets come with the option of a closed front. You have to open the back laces a lot and slip the corset over your head (or slip it up from your feet, depending on whether your hips or your shoulders are larger) – so getting into and out of the corset isn’t going to be very quick. Busks are much quicker but more noticeable under clothing. One example of a closed front corset is the Meschantes trainer that I had reviewed a few years back.
We’ve talked about the shape of your lacing gap before (multiple times) and said that a parallel gap is what most people strive for in a well-fitting corset. But even in a corset with a parallel gap, how wide should that gap be? (And is it okay to wear it completely closed?) That’s what we’re going to discuss today!
Long story short: whether you wear a corset with a gap in the back or laced closed is 99% preference, unless a gap in the back is enforced by the specific corset maker you’re commissioning from.
With most OTR corsets, the size you see is the size you get.
In other words: if you order a corset that says it’s size 30″, then when it’s laced closed, your internal corseted waist will also be 30 inches (barring any stretch or ease).
By the way, the definition of a “closed” corset is when the two edges of the lacing panels are touching. A closed corset does not mean one that is “simply laced enough for the modesty panel to reach across the back”. (There is way too much variation between the width of modesty panels of different brands – some panels are 4 inches wide, others are like 7 inches wide, and some don’t have modesty panels at all!)
So closed means that it’s laced shut and you can’t get it any smaller without actually altering the corset (see photo to the right).
Why would someone want or need a lacing gap in their corset?
There are a lot of reasons why you might want to wear a corset with a small lacing gap:
it can add some flexibility to the back of the corset. I’ve heard it described as the open laces acting like a hinge – so as you swing your hips when you’re walking or bending or doing activities, the corset can shift and swing with you.
If you have a sensitive spine (say you have very low body fat and your vertebrae visibly protrude from your back), you might find it more comfortable to wear the corset with a gap so the steels of the corset don’t rub against your back.
Having a gap in the back also accounts for weight fluctuations. If you happen to lose 5-10 pounds, your corset will still fit without feeling too loose.
But then again… if you want to wear your corset closed, that’s okay too.
Almost everyone I’ve seen in a corset, regardless of their body fat, experience the “Venus fold” – this is where the skin and erector muscles of your back get pushed together to create a cleavage in the back. (That’s not necessarily fat, people of every size can get that to some degree – and same with “muffin top” in corsets with a too-tight ribcage.) So if you are prone to the Venus fold, which more than likely you are, you might not have to worry about the corset rubbing against your spine, and you might be able to wear the corset completely closed with comfort if that’s your desire.
Also, if you are like myself and many others, and your weight fluctuations tend towards increasing as opposed to decreasing (especially as you age), you may find it more economical to order your corsets in such as size that they lace closed when at one’s lower end of your comfortable weight range. I do this as well (I’m happy to lace closed my size 22″, and if /when I eventually gain some inches, the gap in the back of my corset will not be too large).
I don’t wear my corsets closed all the time.
Because I prefer the cycle method of wearing my corset (even though I don’t train per se anymore), throughout the day I may fluctuate the tightness based on my personal comfort level. For the purpose of my corset reviews though, I like the tidy look of a closed corset – and a corset that is closed from top to bottom is giving no illusions about the size I am wearing, or the silhouette the corset gives. I can’t “lie” about a tubular corset being curvier than it actually is by wearing the corset with a wonky )( shape in the back. In my reviews, I’m all about transparency – if the gap in the back is closed, you know that what you see is what you get.
I’m also transparent about the size I’m wearing, so you aren’t getting any illusion about the amount of curve you receive in a corset relative to the size. A 10-inch hip spring on a size 20″ corset is a 50% difference from waist to hips, which makes that small corset seem incredibly curvy. But a 10-inch hip spring on a size 40″ corset will only look half as curvy, because the waist is twice as big. Over the years I’ve worn corsets as small as size 20″ and as large as size 26″, and I mention this in my videos because the size does affect the apparent curve of the corset.
(There have been some corset makers who tried to make a range of corsets where the rib- and hip-springs increased proportionally with the size, but the complications involved in producing and fitting customers is with those types of corsets is a story for another time.)
Many OTR brands recommend a 2-3 inch wide lacing gap.
Like I said before: most OTR corsets are designed and made such that, if you wear the corset closed, then your internal waist will measure what it says on the label. However, it’s worth noting that many OTR brands train their employees to give sizing advice such that the customer will wear it with a 2-3 inch gap in the back. So if Sally-Joe from Blorset Corsets looks at your measurements and says your measurements almost perfectly match a size 30″ corset laced closed, she may recommend you buy the size 28″ instead, so that it’s deliberately worn with a gap. This may be for several reasons:
If you as a customer are extra compressible and lace the corset closed on the first wear, it would be considered too big (even if the ribs and hips of your corset fit flush with your body)
If your OTR corset is known to stretch or ease over time, the size 28″ might expand to fit you similarly to the (unstretched) size 30″. This is often the reason for going down a size in mesh corsets, for instance.
When prospective clients are coming through my personalized sizing service for the corsets in my shop, I will often recommend two sizes – the size that will lace closed in the back, and the size that will fit them with a small gap in the back.
If the client is in the process of losing weight, I will recommend the smaller size as it may fit them for a longer time (they may not drop in size proportionally, but at least the larger corset will not be too big in a short amount of time). If the client’s weight fluctuates towards increasing, I might recommend the larger corset, for the reasons I mentioned above in this article. If the person aesthetically likes the corset laced closed, they can choose the larger corset – or if they like the corset with a gap, they can choose the smaller corset.
How wide of a gap is too wide?
I’ve spoken about this in my addendum to corset gaps article. If you’ve got a 10-inch gap in the back of your corset –> the side seams of the corset are offset too much from the side of your body –> you don’t have appropriate torque to tighten the corset –> this runs the risk of putting uneven stress on the corset and warping it, and putting too much pressure on the back of your body and not enough tension at the front of the body. (See picture to the right.)
What is a good guideline for a gap that is just the right size?
A 1-3 inch gap is generally fine for many people and it won’t offset the seams of an OTR corset or the intended fit too much, even if your weight fluctuates by an estimated 5-10 pounds.
For other brands (e.g. Dark Garden), they say that a gap that is about 10% of your size of your corset is fine. So if you wear a 60 inch corset (which do exist, just not in OTR), your gap in the back can be 6 inches wide and it won’t affect the fit by too much. But a 6-inch wide gap on someone wearing a size 20” is definitely not going to look/ feel/ fit the same way, and its best to aim for a 2-inch gap for that size.
Lucy, I have discovered that corsets help greatly with my medical condition – but I’m hesitant to tell my doctor. How should I approach my physician with this information, and how can I convince my insurance provider to cover the cost of a therapeutic corset?
I’ve been receiving this question more frequently ever since my book Solaced was published, since the book covers many people’s true first-hand experiences of how they use their corsets not for vanity, but rather for medical purposes – like back support, pain relief, and anxiety reduction.
I’m not a doctor – I don’t have a medical license so I can’t give out medical advice. The book doesn’t violate this point, but of course, in the book and here on my site as well, I provide disclaimers that if you intend to wear corsets, it’s best to check with your doctor. Up until today however, I haven’t covered in detail how exactly I went about telling my own doctor (and chiropractor).
I understand that many people are shy or apprehensive about bringing it up with their doctor, but I must stress that it’s best for you to be open with your doctor about it, for better or for worse. Asking me for my opinion on whether you should or should not wear corsets is not that useful, because I have never met you – but if you have a family physician, they’re familiar with your long-term medical history. And just like your pharmacist would be able to tell you not to combine two different medications, your doctor might notice something in your medical history that might be incompatible with corseting (e.g. high blood pressure, inguinal hernia, gall stones).
Medical Professionals are People Too
Coming from a science background, I have several friends who have gone on to become doctors and nurses. Subsequently, I get to hear a lot of stories about their more interesting shifts, and believe me when I say that they’ve seen some pretty disgusting things. I honestly don’t think you mentioning that you wear corsets is going to particularly shock or faze them. In fact, there’s a surprising number of nurses who use corsets at work, to help support their backs while lifting patients. See the news segment below which features a nurse that wears a custom Starkers corset under her scrubs.
(All this said, if you work in an environment where there are potentially emergency situations where you need to spring into action, you will need to weigh the pros and cons yourself as to whether the corset would help with your strength vs hinder your mobility).
Remember that a (good) doctor’s office is a judgement-free zone. No matter what you show them, they’ve probably seen much worse. Smoking tobacco is almost universally seen as bad for your health, but you wouldn’t hide your smoking habit from your doctor. If you caught an STI, you would show your doctor. I don’t believe that corsets are as detrimental as cigarettes or STIs, even if they are considered by society as more controversial (that’s a post for another day) – but the point is that you should never be ashamed or afraid of bringing up anything with your doctor.
Also remember that all doctors are different, and different doctors may be more or less familiar with corsets depending on their location, their age, and what kinds of ‘side stories’ they learned from their professors in med school. A doctor from California has likely encountered patients wearing corsets more often than a doctor from Ohio. An elderly doctor who has childhood memories of their mother wearing corsets may have a different opinion about corsets than a younger doctor might, whose only exposure to corsets has been the sensationalistic social media posts on tightlacing.
How did I bring up the fact that I wear corsets with my doctor?
When I brought it up with my family doctor, and also my chiropractor, I did it as clearly and directly as possible. The first time I mentioned corsets to my family doctor, she seemed bored and was wondering why I was bringing it up in the first place. When you mention a corset to someone who’s unfamiliar, they might be thinking of flimsy lace bustiers, or perhaps latex or neoprene cinchers. (One person thought I was talking about floral corsages!) So the next time I had an appointment with my doctor, I brought one of my corsets in.
I showed them “THIS is exactly what I’m talking about, THIS is how it works. It has breathable material, it can be adjusted with laces, it has flexible steels, it’s rigid in these places, it presses on these areas of my body, it gives me this posture, etc.” That way, there was no miscommunication.
My chiropractor saw me lace into my corset, and took X-rays of my posture with and without my corsets. From that experience I learned that although I love the look of Edwardian inspired, flat-front longline corsets, they’re not the best for my posture and can lead to neck and shoulder strain over time. Longline, flat front corsets overcorrect my posture and give me an anterior (forward) tilting pelvis. This gives an exaggerated lumbar lordosis – not quite as dramatic as that associated with S-bend corsets, but it changed my posture all the same. This posture encouraged me to throw my shoulders back to counterbalance, and my head ended up popping forward too much, giving my neck a kyphotic curve. The hip bone’s connected to the… neck bone! (Abbreviated version of the song.) So, we learned that if I want to avoid neck and shoulder strain, I would need a corset that doesn’t tilt my pelvis and supports a more neutral posture.
If you have a G.P., a chiropractor, or some other health practitioner that you know and trust, I think it is in your best interest to tell them about your corseting for any reason – but especially if you are using it for therapeutic applications. Doctors need as much detail as possible to fully understand the situation help you the best they can, so the best way to approach your doctor is a directly and clearly as possible. They might be able to make suggestions about the way you’re wearing your corset to maximize comfort and minimize risks. For instance the tightness, or the duration, etc. (Or in my case, the type of corset to help improve but not overcorrect my posture).
Regarding convincing your insurance provider to cover the costs of a corset, unfortunately that is not my area of expertise. You will likely need a written note from your doctor in order to move forward, even a prescription for a custom corset (preferably one made by a corsetiere with some experience in orthopedics or medical devices). Your doctor may be able to give you more instruction on what to do next, and if the corsetiere is experienced in working with insurance companies already, they may be able to provide advice as well.
Have you told your doctor about your corsets? How did you tell them, and how did they respond? Leave a comment below!
This serves as a synopsis to my corset seasoning mini series from 2013, but also an addendum for experienced corset wearers and how they break in their corsets as well. Feel free to watch the video from 2014 above, or read the post (a transcript, revised in 2016) below.
There are understandably some complaints from people about the 2-2-2 guidelines and how this doesn’t work for people who wear corsets at a 6, 7, or 8+ inch waist reduction. This is a valid point and I want to share with you the same thing that I told to these more extreme tightlacers back in 2014.
Romantasy’s 2-2-2 guideline (wearing the corset at a 2-inch reduction [measured over the corset, so it is actually a slightly more dramatic reduction under the corset], for a duration of 2 hours a day, each day for 2 weeks) is exactly that: a guideline for beginners. You can choose to follow it or not follow it.
Some 7 or 8 years ago, before I ever read about the Romantasy method, some other corset companies posted instructions online for beginners, telling customers to “lace the corset as tight as you possibly can, and keep it on for as long as you can stand it” on the first wear – and more alarmingly, to “expect that it will hurt” until you can force the corset to soften and mold to your body.
Holy crap, that is bad advice.
Luckily I had the sense to not tie my corsets as tightly as possible from the first wear, but I did observe that for the first couple of corsets I owned, when I had not broken them in gently, one of my corsets ripped at the seam when I sneezed, another corset had a busk break through the center front seam, and yet another had a grommet pull out within 2 wears – at this time I believed that I was lacing too tightly/ too fast, or treated my corsets too roughly.
I will add a note here though: if you read through my seasoning mini-series, you’ll see that even when you treat a professionally-made, custom-fit corset quite gently, sometimes SNAFUs can still occur. It was only after a different corsetiere came forward a year later and noted a ripped seam in a green corset her own company had made, that it was hypothesized that this particular batch and color of green Gütermann thread might have been defective and not as strong as their usual thread!
The 2-2-2 guideline was designed to combat the incorrect and potentially dangerous information that was previously distributed by other brands [to wear your corset as tight as possible on the first wear]. The Romantasy method helps the gently ease the beginner’s body into the process of wearing a corset (because most people are so accustomed to elastic, loose fabrics today that such a rigid garment such as a corset may take some getting used to). The process of “seasoning your body” is just as much (if not more) important than the softening process of the corset itself – making sure the fibers are aligning and settling properly (if the corset is on-grain), and observing the corset losing its ‘crispness’ so it may hug around your body better.
It’s already implied that a beginner would not be starting with an 8-10 inch reduction that would fit on them like a wobbly corset with only the waistline touching your body. Although a small amount of flaring at the top and bottom edges is normal if your corset is not closed in the back, to experience flaring so extreme that you can fit stuffed animals into your corset, I believe the corset is probably too curvy for you if you’re a beginner. Refer back to my article about corset fitting, and why having a gap too wide in the back of the corset is a bad thing.
At the time these guidelines were created, achieving more than 4-6 inches of reduction was extremely rare.
Back in the 1990s to early-2000s, when I was researching corsets as a teenager, many authorities and corset makers were only recommending that people start with a 3-4 inch reduction – maybe 6 inches if you were plus size or particularly compressible. Think of the OTR corset brands that existed 10-15 years ago: Axfords, Vollers, Corsets-UK, Timeless Trends – these corset vendors did not make extremely curvy corsets designed for dramatic reductions at the time, and the average person would be lucky to achieve more than a 3-4 inch waist reduction without their ribs and hips getting compressed too tightly anyway. Over the past 5 years, curvier corsets have become more accessible through OTR brands (as opposed to having to commission a custom piece at 3-5x the price of OTR). Today I’m hearing of people buying their first OTR corset at 8 or even 10 inches smaller than their natural waistline, which is not a practice I would condone for everyone.
I can wear a corset around a 7-inch reduction, but I’ve been wearing corsets occasionally for around 12 years, and waist training off and on in the past 6 years. My waist has become accustomed to the pressure such that my muscles readily stretch, my intestines readily flatten and give way, and my body can accommodate moderate-to-largish reductions relatively quickly. But this may not be the case for a beginner, and there is such a thing as going down too much, too quickly. My concern is that if a beginner is starting with a corset 8-10 inches smaller than their natural waist, their corset will not fit properly because they may not tolerate large reductions in the beginning, but they may be impatient and want to close the corset within a few weeks or months. I don’t want people to end up hurting themselves.
Regardless, nobody is holding a gun to your head and forcing you to season your corset using the 2-2-2 method. I mentioned in one episode of my corset seasoning mini-series that different methods and durations of breaking in your corset exists, and there is no “One” perfect way, no one hard and fast set of rules to break in your corset.
Romantasy has one way of doing it, Orchard Corset has a different method, Contour Corsets has yet a different method, and I’m certain that there are other brands who have their own way. Some methods are faster, some are slower, some methods are more structured, some are very free. The common goal is to have a corset that wraps around your body like a glove, and feels comfortable enough to wear for long durations without injury to yourself. But it’s also imperative that you start with a corset with a reduction suited to your experience level and body type, and with dimensions predicted to fit you well.
Different people have different bodies, and can cinch to varying reductions.
Someone who is larger, more squishy or more experienced might be able to cinch down more than 2 inches on the first wear (indeed, one of my clients whose natural waistline approaches 50 inches is able to close a corset 12 inches smaller within a few wears! Same with someone who has had surgeries to remove their colon earlier in life, but this is an extreme situation obviously not applicable to 99% of the population).
However, some other people are very lean, or they are body builders and have a lot of muscle tone, or they may simply have inflexible obliques or inflexible ribs, or they have a low tolerance to compression, and they may not be able to reduce their waist by even 2 inches – and those who are naturally able to lace to dramatic reductions should not shame those that can’t. Also by having a general guideline for beginners, and a modest one at that, it can help eliminate a false sense of competition between inexperienced lacers who have not yet learned to listen to their bodies.
“I’m wearing the corset as tight as I possibly can, and it measures the same on the outside of the corset as my natural waist? What am I doing wrong?” The answer: nothing is wrong. Firstly, your corset has some bulk, so even though your external corseted measurement is the same as your natural waist, most likely your internal waist measures 1.5 – 2 inches smaller. And if that’s as small as you can comfortably go at this time, and if your corset is fitting you properly (it’s not a case of the ribs/hips of the corset being too small for your body and blocking your waist from reducing more), that reduction is perfectly fine! Wearing a corset should be enjoyable, not a cause of stress. With patience, most people find they can comfortably reduce more in several weeks or months.
Another question I regularly receive:
“How long does it take to season a corset?” Different corset makers will state that it takes different amounts of time for their corset to be fully broken in, just like I mentioned in a previous episode of the mini-series. Orchard Corset once said that it takes around 10 hours to season, while Contour Corsets says to take closer to 100+ hours to season one of her hardcore summer mesh tightlacing corsets – so there is a spectrum, and it depends on the brand, materials and construction methods.
Some people like rules, others don’t.
The whole point of Romantasy’s 2-2-2 guidelines is to encourage beginners to ease into the process of wearing the corset and to be gentle with themselves from the start. What I’ve found over the years is that some people are more intuitive and like to learn from experience – they prefer to navigate their own way through a new skill/ process through trial and error, while some others are more analytical and prefer to have a more rigid system that they can follow. This is true for more than just corsetry – it’s true for learning to play a new instrument (classical vs contemporary lessons, or even having a teacher at all vs being self-taught) or losing weight (some prefer to just eat well and walk more often, while others take on a strict workout regime with a certain number of reps with certain weights, and they count calories and macromolecules, etc.). Most people are somewhere in between. Most importantly, both methods have their perks and drawbacks, and one method is not inherently better than the other.
Perhaps it’s a certain type of person who is drawn to corsets in the first place, but I notice a larger proportion of my viewers and readers prefer to have some rules or guidelines to start out with. It’s okay to follow a system until you become familiar with your body and you can come to trust your own experience. It’s okay to “learn rules” and then choose to accept or reject them later on.
And of course, some people naturally possess more common sense than others (I cringe when someone tells me that their ill-fitting, poor quality corset bruised them and yet they refuse to stop wearing it!).
Let guidelines guide you, not control you.
There are some beginners who are very pedantic and they begin to worry that they seasoned their corset at 2.5 inches instead of only 2 inches – of course, there is a limit to everything and it’s not that big a deal if you don’t follow the guideline to the letter. However, if you wore your corset for 12 hours on the first day and ended up bruising yourself, this is a greater concern (and you should always place more importance on your body than on your corset – a corset may cost $50 – $300 on average, but your body is priceless and irreplaceable). A 2(ish)-hour guideline should be long enough for you to tell whether your corset is causing any fitting issues (or is contraindicated with any pre-existing condition, like if a corset tends to bring on a headache or blood pressure spikes to those already prone), while usually being short enough in duration that it shouldn’t cause bruising or pinched nerves or any other troubles that could arise.
Obviously, corsets should never ever hurt, pinch, or bruise you, nor should it cause muscle tension, or headaches, or exacerbate your health problems – if it does, that type of corset is not right for you, or you may not be healthy enough to wear a corset.
These days, I have a very intuitive way of wearing my corsets after they’re broken in – I don’t necessarily count the hours I wear them, or the reduction. If the corset feels too loose, I might lace it a bit more snug. If the corset feels too tight, I will loosen it. If I’m sick of it, I take it off! (By the way, you can learn more about different waist training methods in this article.)
When you’re more experienced with corsets, you can trust yourself to be more intuitive regarding how long to wear the corset and how tightly.
Analogy: Hard Contact Lenses
I started wearing hard contact lenses at 14 years old. They correct my astigmatism by literally acting like a brace for my eyeball and changing the shape of my cornea. While soft contacts mold to the natural shape of the eye, hard contacts will encourage the eye to take the shape of the contact lens (similar to how a corset molds your waist). But this can cause eye irritation especially in the beginning – my corneas were not adapted to the shape of the contact lens, so I couldn’t wear my contacts 14-16 hours a day. The optometrist gave me a strict schedule to follow, starting with wearing the contacts for 2-3 hours a day, one or two times each day, and slowly building up from there. The schedule lasted about 3 weeks until I was able to wear my contacts all day without eye strain, nausea, headaches, eye dryness, or irritation. Of course, when I get a new pair of contact lenses (with a stronger prescription, booo but such is life), I don’t have to go through the exact same schedule because my eyeballs are already accustomed to wearing contacts – I only have to get used to the strength of the prescription. When receiving a new corset (with a silhouette you’re already accustomed to), you don’t have to “re-season” your body the same way you did as a beginner, but you may need to train your body if your new corset is a few inches smaller than you’re used to.
Analogy: Weight Lifting
Some people will go to a personal trainer for a few weeks or months to learn good form and to get help with finding the weight, number of reps in a set and number of sets in a workout – and then once they know what they’re doing, they can stop going to the trainer and adapt their own workouts the way they like. Over time, you can expect to improve your strength and you may be able to lift more weight or go for more reps – but the program you make for yourself over time may not be suitable for a different person, especially not a beginner. On another note: other experienced athletes prefer to keep going to a personal trainer for years, long after they already know how to perform certain exercises properly and know intuitively what works for their own body, because these folks find value in having someone else create a system for them and continue to hold them accountable (which is also likely why Romantasy’s 3-month waist training coaching service has been successful over the years).
What is Lucy’s excuse for still seasoning all her corsets the same way?
I’ve been wearing corsets for over a decade and have seasoned well over 100 corsets in that time. Why do I still follow a structured seasoning schedule, especially as an intuitive corseter after the seasoning process?
The reason for this is mainly because I prefer to season all of my corsets in the same method. I do regular reviews with different corset brands. By controlling the reduction and the duration I wear every corset and giving them all the same treatment prior to review, I can see how well some corsets stand up to tension over time. In truth, I can tell within 10 minutes of putting a new corset on whether that corset is going to work with my body or not. Quite honestly, there have been certain corsets where (had I not received a request to review the corset) I would have tried on that corset once and immediately gotten rid of it. But if I’m going to give a fair review, I have to give a corset fair treatment.
In science, you have to control as many variables as possible in order to perform a fair, objective experiment. So I’ve incorporated a quality control system where I control as many variables as best as possible by seasoning every corset the same way. This ensures that I’m not putting more stress on some corsets than others (the exception to this being a ‘rental’ or ‘loaned’ corset that I need to send back after filming, in which case I won’t season it at all). The 2-2-2 guidelines are, as mentioned before, a very mild amount of stress to put on a corset – and if that corset does not even survive a trial period of 30-50 hours without seams stretching or a grommet pulling out, then I definitely know that the construction is compromised and the quality isn’t close to what I’d consider industry standard.
Bottom line, if you are an experienced corset wearer, or if you are particularly compressible, or if you hate following a rigid schedule, then the 2-2-2 guidelines (or indeed, any other corset seasoning guidelines) may very well not work for you, and that’s alright. But other people find it more comfortable follow a more rigid seasoning schedule. It’s really no skin off your back to let someone break in their corsets in a different way, as long as the other person is not hurting themselves and not destroying property. Live and let live.