Tag Archive: busk

6 Different Types of Corset Front Closures

See the video above for an explanation of several different front closures for corsets – or read away below!

HOOK & EYE

The Goddess Longline bra can be partially folded under to accommodate for an even lower back.

Hook and eye closures are usually found on bras and bustiers, not corsets. (This is the Goddess bra, click through for more information.)

You will pretty much never see this in a genuine, off the rack corset (or a couture one, for that matter). If you see a garment marketed as a waist training corset and it contains hooks and eyes, I personally wouldn’t trust it.

If you are making your own corsets, this form of closure is easy to source and fairly inexpensive. I’ve seen it done (recently) in a viewer’s homemade gentle reduction corset, but it was supported by steels on both sides, and still had a lacing system in the back – this allowed the wearer to fasten up the hooks and eyes with zero pressure on them until they were ALL fastened, and then they tightened the corset using the laces in the back. This can take a long time to fasten and unfasten!

One concern is that the little metal hooks can bend, warp and break if they have uneven pressure on them. If one breaks, you have a few others surrounding it that might be able to support it temporarily, but once the garment has uneven tension, more hooks will be at greater risk for also warping and breaking. The entire row of hooks and eyes would be inexpensive to replace as you can purchase them in a tape – but for me personally, I overwhelmingly prefer a busk.

 

BUSK

Busks come in a multitude of colors, like these by Narrowed Visions (click through to the Etsy shop)

Busks come in a multitude of colors, like these by Narrowed Visions (click through to the Etsy shop).

This is like your bread and butter closure for corsets. Loops on one side, and knobs (aka pins, aka pegs) on the other side, each side supported by a bone. Busks can come in a multitude of lengths, widths and colors.  My friend Nikki (Narrowed Visions on Etsy) sells several lengths of heavy-duty busks in a rainbow of colors, as you see above!

The bones are strong and help support the abdomen, and the busk can fasten and unfasten in seconds once you get used to it. But when a knob breaks, you either have to replace it with a screw or a rivet, but more likely will need to replace the knob side of the busk with a new one.

I also have a video on how to completely remove an old broken busk and replace it with grommets to make it a front lacing corset.

 

FRONT LACING

Electra Designs made this cincher which is laced both in the back and in the front. They can be individually adjusted to your comfort.

Electra Designs made this cincher which is laced both in the back and in the front. They can be individually adjusted to your comfort.

In a previous Fast Foundation article, I discussed why wearing your corset backwards is usually not a good idea because of the way panels are individually drafted to contour over a different part of your back or abdomen.

But a corset that is deliberately front-lacing can be good for people with arm weakness, inflexible shoulders or just aren’t very coordinated when fiddling with laces behind their back.

A corset that has only a front lacing system and back closure will need to be loosened a lot and you’ll need to shimmy into it: either pull it down over your head, or step into it and pull it up from your feet.

I would personally not recommend a high-reduction corset that is closed in the back and laced in the front, as it personally caused some discomfort around my floating ribs after a while and I had to purchase a new waist training corset with back lacing.

 

ZIPPER

Wearing my Contour Corset under my sweater tunic and toddler belt.

My Contour Corset (metal zip closure) is strong enough for a dramatic silhouette, but incredibly smooth under my clothing.

Some of my favorite corsets have zippers, like my Contour Corset. A front zip should have metal teeth, it should be made to military specification, and it should be flanked by steel bones. The stitching around the zipper should fail before the teeth do!

The right zipper can be just as strong as a busk, and can also be zipped up and unzipped in seconds once you’re accustomed to it. Another nice thing about zippers is that they can be more discreet under clothing compared to busks.

However, those bustiers sold in Halloween shops that have a nylon coiled zipper and no supportive stays supporting them, so the fabric wrinkles around the zipper from stress? Expect them to fail if you lace them too tight.

But even if you use the best quality zippers – like with any other garment, if you break the zipper or lose a tooth in the zip, just replace the whole thing.

 

SWING HOOKS

black cashmere swinghooks long hourglass corset

Hourglass Cashmere Longline corset with Swing Hooks, available through my shop (click through).

Swing hooks are neat, and they’re very very decorative, but very high profile and will not hide well under clothing. I first saw swing hooks used by Lucy of Waisted Creations, many moons ago. She even made a tutorial on Foundations Revealed on how to insert them yourself! After that, it spread like wildfire and you saw corset supply shops selling the swing hooks, and different OTR companies started selling corsets with swing hooks.

If you plan to use swing hooks in your own corset, it’s best to put a swing hook at the waistline where there is the most tension. If you don’t, the fabric in the center front will gape, and even the bones in the center front might bow a bit if they’re not high quality.

 

CLOSED FRONT

Angela Stringer Corsetry mesh and floral longline overbust model Victoria Dagger

Closed front corsets allow for a beautiful unbroken line, but they’re less convenient. Corset: Angela Stringer. Model: Victoria Dagger. Photo: Chris Murray.

Closed front corsets have no opening, but rather are stitched completely closed. Similar to the front-laced corset, it will require you to shimmy into it! This takes some extra time, and if you have anxiety or claustrophobia I might not recommend this style – because it also takes time to get out of it. But this is the smoothest option under clothing if you want to “stealth” your corset under your clothes.

Which corset closure is your favorite? Do you know of any other closures not mentioned here? Leave me a comment below!

Corset Jewellery

The corset has been the inspiration behind iconic photographs, songs, body piercings, and various other art pieces, but I’d like to take a moment and create a gallery to highlight some of the lovely corset-themed jewellery, accessories and adornment. If you have a corset enthusiast in your life and you’re looking for a holiday gift for them, perhaps these will give you a few ideas:

 

Corset Inspired Jewellery

LadyTigerLily modelling the tiny pewter busk earrings by Silent Songbyrd

LadyTigerLily modelling the tiny pewter busk earrings by Silent Songbyrd

Detachable busk earrings by Silent Songbyrd

Detachable busk earrings by Silent Songbyrd, worn as a double piercing in one ear

There are only 5 people in the world who own these tiny detachable busk earrings: Silent SongbyrdLadyTigerLily, RandomCorset, The Steel Boned Baker, and myself. Byrdi was the genius artist who created and cast these earrings in pewter – each miniscule busk peg made from the head of a pin, and each busk being unique so the corresponding half of each earring can only be matched to its partner. They can be worn with the busk half in each ear (as LadyTigerlily shows above), or if you have multiple piercings you can wear them together. Although they’re not available for sale currently, I’ve suggested that Byrdi market these someday, as they would make a lovely gift for corset enthusiasts – if they are eventually made on a larger scale, I suggest wearing them with your hair up! See the earrings modelled by us Youtube Corset Vloggers in our interview at Orchard Corset!

 

Vanyanis Engraved Busk loop Jewellery

Vanyanis Engraved Busk necklace and earrings set, $285 AUD

Another friend of mine, Lowana from Vanyanis, has created these beautiful pendants and earrings fashioned from her new line of laurel engraved busks, which are the only busks of their kind in the world. The busks are originally sourced from German Wissner busks, some of the finest quality busks made today – each busk loop is then individually engraved and the contrast black color set using a modern annealing process in Australia. Lastly, the busk loops are detached from the busk with the greatest of care and a jeweller attaches the busk loop to the jump ring and hung onto a solid sterling silver necklace or earring hooks. I find them to be a beautifully mysterious “understated statement piece”. Those who know what a corset is will almost immediately recognize the busk loops as they are, but those unfamiliar with corsetry will simply consider it an ornate keyplate. Amazingly, this jewellery supports four different artists – the busk maker, the corsetiere/designer, the engraver and the jeweller.

 

Spiral steel structured necklace by Forge Fashion

Spiral steel structured necklace by Forge Fashion

Abbey, the woman behind Forge Fashion in New Zealand, is a corsetiere, costumiere and jeweller who has had her works modelled by celebrities like Lady Gaga. She creates stunning and elegant pieces with extra spiral steel bones, like this necklace. Her Etsy store can be found here.

 

Vollers Corset armcuff

Vollers “Downtown” Corset Armcuff, £325

Vollers corset necklace / choker

Vollers corset necklace / choker, £325

Vollers Corsets have had corset-inspired jewellery for many years, made in silver by a local jeweller exclusively for the oldest corset manufacturer in England. They have busk-themed and lacing-themed bracelets, rings, necklaces and even little busk-loop cufflinks options, and these are not your delicate costume jewellery – these are substantial, as you may derive from the photos! Unfortunately these listings no longer appear to be on the Vollers website, but last summer I spoke at length with Corina regarding their themed jewellery and their availability – if you’re interested in any of these pieces, I would encourage you to contact Vollers via email.

 

Miniature jute corset pendant made by Too Sweet

Miniature jute corset pendant made by Too Sweet – recreation of the original work by Snowblack Corsets

Recreation of RetroFolie's "Mucha" corset - pendant made by Too Sweet

Recreation of RetroFolie’s “Mucha” corset – pendant made by Too Sweet

Too Sweet from Poland is an incredibly talented designer who makes miniature versions of her favourite corsets – featured here are recreations of Snowblack’s “My Secret Garden” corset, and Retrofolie’s pattern matched corset featuring Alfons Mucha’s “Primrose and Feathers” (which I particularly love, as it’s a pendant inspired by a corset inspired by a painting). See more of Too Sweet’s creations here!

Jewellery for your Corsets

"Carmim Passion" adorned cupped overbust, made by Ferrer Corsets in Brazil

“Carmine Passion” adorned cupped overbust, made by Ferrer Corsets in Brazil

Custom cup jewellery for Ferrer's "Carmim Passion" overbust.

Custom cup jewellery for Ferrer’s “Carmine Passion” overbust.

I’m in love with this jewelled corset by Ferrer Corsets. The Carmine Passion corset is a radiant red cupped overbust with gold busk and grommets, and amazing sparkling golden wire “flames” with attached red and clear stones adorning the cups. In the second photo you can see how each piece starts with a curved base similar to the underwire of a bra, with small loops to sew it to the corset. Each one is built up and made to curve smoothly around the cup – and of course, would be made to order to fit the wearer.

 

Detachable corset chain by Institut Corsetologie on Etsy

Detachable corset chain by Institut Corsetologie, £35

Detachable Corset busk charm by Institut Corsetologie on Etsy

Detachable Corset busk charm by Institut Corsetologie, £5

Institut Corsetologie has an Etsy shop that sells one-of-a-kind adorable ornaments to add bling to your corsets, including little hanging tokens that can be hung from your busk, or dangling chains of multiple charms. They are made with your corset in mind, and Miss K ensures that the non-sharp pieces won’t catch on the outer fabric for your corset.

 

Sarah Chrisman, author of "This Victorian Life" and "Victorian Secrets" wearing her Chatelaine

Sarah Chrisman, author of “This Victorian Life” and “Victorian Secrets” wearing her Chatelaine

While not a piece of jewellery specifically for the corset, the chatelaine has a long and rich history amongst Victorian women and have been used to denote the status of the woman wearing it. Indeed, “chatelaine” means “woman of the house” (derived from the French word for a house for nobility, chateau) and the woman was the keeper of all the keys! While at first a glorified keychain, the chatelaine was later used to hold sewing tools, perfume, and other small tokens and notions, sometimes gilded and jewelled. Even if a chatelaine became heavy, the support from a corset would help distribute the weight. There have been a several proponents for bringing back a variation of the chatelaine, allowing people to hang their clutches, wallets and handbags from their corset – with style, of course! See my 2011 video of how I made my own chatelaine, or pick up a copy of Sarah Chrisman’s newest book (where she describes how she made her own chatelaine as well), “This Victorian Life“!

 

Do you know of any other corset jewellery, or do you make your own corset jewellery? Let me know in the comments and it may be added to this list!

Can you wear your corset backwards?

There are quite a few people out there who, if they decided to corset, would not be able to reach around and access any laces behind them – these may include people who may have limited mobility or strength in their arms and shoulders, or those who may use a wheelchair. Since front-lacing corsets are so few and far-between, it’s not uncommon for me to get the question, “Can you turn a regular corset back-to-front and wear it as a front-lacing corset?”

Truthfully, I wouldn’t recommend it. Your body is not symmetric from back-to-front. In the front of your body, you have your peritoneal organs and soft tissues; you have to worry about the corset being rigid enough to hold in the tummy and keep your abdomen supported and flat. Many people are also concerned about the corset being long enough to support the lower tummy, but short enough to be able to sit down comfortably in it.

In the back, you have your retroperitoneal organs, and a good corset will not affect these organs. The corset should be high enough in the back to prevent muffin top, and the bones in the back edges should be strong enough to support the grommets, but flexible enough to contour to the natural curve of the lumbar spine, and avoid pressing uncomfortably into the tailbone or the bum area.

So what happens when you wear a corset back-to-front? I demonstrate in the video below with three different corsets: a longline underbust, a mid-hip underbust, and a cincher. Watch the video below to see the conclusions.

Screen Shot 2014-05-10 at 10.44.05 PM

Longline underbust corset (CS-426 from Orchard Corset), worn the right way:

  • The sturdy busk in front keeps the tummy flat.
  • There is this contoured shaping at the underbust and lap area.
  • There is the flat steel boning that is a little less rigid than the busk – so it can conform to your lumbar curve, but still support the grommets. 

Longline underbust corset, worn backwards:

  • The lumbar curve is mostly lost from the rigid busk – it’s forcing me into an unnatural posture.
  • I feel a little unsupported from the laces now in front; the laces are bowing at the lower tummy.
  • I feel a bit more pressure on my hips in the front, and less pressure on the back.
  • The cut on the top and bottom edge is too long in front so I cannot sit comfortably, and the contouring looks ridiculous from the back.
  • I feel that I cannot expand my lungs quite as much as when the corset is worn the right way around, because of the awkward/ unusual pressure on the back of my ribcage, and less in the front.

Screen Shot 2014-05-10 at 10.51.02 PM

Short-hipped underbust corset (Timeless Trends “Spring Delight” standard underbust), worn the right way:

  • Tapered panels in the center front cause the bones to converge towards the lower tummy and give more support.
  • At the bottom edge of the corset, there is less pressure on the sides (hips) than in the front.
  • Although the bones in the back are still less rigid than the busk, these bones are more sturdy than the bones used in the longline underbust.
  • There is some contouring of the top line to curve under the breasts, but not that much contouring at the lower edge.

Short-hipped underbust, worn backwards:

  • The support from the tapered panels has been lost from the center front, so I feel less flattening of my lower tummy and more pressure along the front hip. However, due to the sturdier bones compared to the last corset, I don’t feel as much bowing in the center front.
  • The rigid busk is not conforming to the natural curve of my spine – there is a gap between my spine and the corset.
  • The length now in front is slightly better compared to the last corset, but the contoured line in the back is still a little ridiculous and it accentuates my back fat. We need to try this experiment one more time, with a corset that’s nearly identical from back to front. 

Screen Shot 2014-05-10 at 10.51.31 PM

Last try: Cincher (Orchard Corset CS-301, which has no contouring under the bust), worn the right way:

  • This corset is very short, and there is no contouring under the breasts or over the lap, so it shouldn’t look that bad when worn front to back.
  • There are only 4 panels on each side of this corset, and the shape of the panels are nearly identical from front to back, so I’m curious to see the fit.

Cincher, worn backwards:

  • This one is the least conspicuous when worn reversed (but it’s probably still a good idea to hide the busk in the back)
  • Busk is still not laying flat to my lumbar curve, and the bottom edge of the busk is poking into my sacrum uncomfortably.
  • The corset is angled a little bit, so that the now-front of the corset is not covering my tummy all the way.
  • There was a tendency for the bones by the grommets to bow in a ( ) shape. I felt that I needed a stiffened modesty panel to properly support and flatten the tummy.

Conclusion – although it is certainly possible to wear a corset from front-to-back and wear it as a front-lacing corset, it is not the most comfortable or flattering experience. If you require a front-lacing corset, would recommend commissioning a corsetiere to make you one specially, or I would recommend modifying a corset to replace the busk with some front lacing, so you can still wear the corset the right-way forward, but avoid complications with fit and comfort. However, wearing a corset upside-down, when more comfortable and more flattering for an individual than right-side up? That is still fair game.

Orchard Corset CS-411 Underbust Review

This entry is a summary of the review video “Orchard Corset CS-411 Underbust Review”. If you want visual close-ups, you can watch the video on YouTube here:

Fit, length Center front is 10″, shortest part is 8.5″. It’s a shorter corset that fits closer to a cincher on my body. Gives a moderate hourglass shape – this is a Level 2 silhouette, so the ribcage is 4″ bigger than the waist, and the hips are about 8-9″ bigger than the waist.
Material 3 main layers – the outer coarse-weave poly-brocade fashion fabric, flatlined to a sturdy cotton interlining, and lined in twill.
Construction 4-panel pattern (8 panels total). The shape of the panels is very similar to the cincher by Isabella Corsetry, although the contours are slightly less, the ribcage and hips a little smaller. Constructed with a slightly modified sandwich technique.
Binding Binding at top and bottom are made from commercial black satin bias strips, machine stitched on both sides. There are no garter tabs in this corset.
Waist tape One-inch-wide waist tape running through the corset, hidden between the layers. I did not check to see if there was glue used in this one (see my CS-426 review if you want to know more about that particular corset).
Modesty panel There is a modesty panel on the back, made of a layer of black satin and a layer of twill. 5” wide (~3″ usable space) and attached to one side with a line of stitching.
Busk Slightly heavier busk, slightly under an inch wide and 9” long, with 4 pins. It is fairly sturdy; less bendy than a standard 1/2″ busk.
Boning 16 bones total in this corset. On each side, 6 of them are spirals about 3/8 inch wide and then there are two flat steel bones, both ¼” wide sandwiching the grommets.
Grommets There are 20 2-part size #00 grommets (10 on each side), with a small flange, spaced equidistantly. On the underside every grommet is split and quite scratchy, but they don’t catch on the laces so I can’t complain.
Laces The laces are ¼” wide flat nylon shoe-lace style. I find them to be long enough and quite strong, but also rather springy – you just have to tug a little harder to get the corset to stay closed because of the elasticity of the laces. However, Orchard has some higher quality laces (in several colours) available on their website – I very much prefer their ribbon laces to the standard shoelace style laces.
Price Currently $69 USD.

Final Thoughts:

Although this particular fashion fabric is not available to purchase through Orchard Corset (as it was a prototype), the cut of the corset, construction methods, and other fabrics/ materials should all be the same – so in this review I’m really commenting on these features as opposed to strictly the shell fabric.

I very much prefer this style of thicker poly-brocade compared to the thin shimmery satin shown in my CS-426 corset review. I found that satin had a tendency to wrinkle easily, when the satin started to pull in places, you could see the crossweaves of coral and brown threads and the wear of the corset was quite apparent. The satin also pulled and frayed easily where it had caught onto things (keep it away from any hooks, scratchy/sharp edges, or especially velcro!). This brocade is sturdier, doesn’t wrinkle as easily, is harder-wearing (doesn’t pull or fray as easily) and is better at hiding general wear and tear. A bird told me that Orchard may begin stocking all-cotton corsets in the future, which would be an even better choice for those looking for regular support.

Black Mesh Corset Case Study

This entry is a summary of the video “Case Study: Homemade Mesh ‘Corset'”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Center front is 11″ high, and I drafted this corset to be very curvy: underbust about 32″, closed waist 23″ and hips 34″. The elastic mesh also contributes to the extreme shape and curviness.
Material Heavyweight powernet (quite stretchy) for most of the panels, and black satin coutil for the first and last panels, the boning channels and the diamond waist tape.
Construction Essentially a 6-panel pattern although the last panel is separated into two to make 7 panels. First, the powernet panels were sewn together wrong sides together and flat-felled with the bulk being on the outside of the body. Then I added the center front coutil panels, with the diamond waist basted in front. The diamond extends into a waist tape, which was basted at each seam, then I secured the external channels down on top of it. The back coutil panel went on last, then I added the busk and bones, and lastly serged the top and bottom edges.
Binding There is no binding on this *yet*. I had serged the raw edges to keep them from fraying. This allows the mesh to stretch. Conventional binding would not allow the top and bottom edges of the corset to stretch. However I may later add an elastic or mesh binding.
Waist tape The diamond detail made from satin coutil extends into a waist tape that is slightly more than 1 inch wide, and placed on the external side of the corset, secured down at the boning channels.
Modesty panel I didn’t make a modesty panel for this corset because I designed it to close completely at the back. There is a small modesty placket in the front by the busk.
Busk A standard flexible busk, 1/2” wide on each side, with 5 pins, 9.5″ long. Although it is quite flexible, having 3 layers of satin coutil surrounding the busk makes the front panel quite sturdy.
Boning 20 bones total in this corset (not including the busk). On each side there are eight 1/4″ wide spirals in external channels, then a 1/2″ wide flat steel on the center back edge of the grommet panel, and a 1/4″ steel on the “inner” side of the grommets.
Grommets There are 26 2-part size #00 grommets (13 on each side). I used self-piercing grommets to insert these, placing the grommets closer together than I normally would and making sure the grommets are snug between the two flat bones. So far they have all held up well.
Laces Some old black cotton shoe-lace style. More lightweight than nylon laces but not as strong. I just used whatever I had lying around.
Price This corset was quite time consuming due to the flat-felled seams and external channels and waistband. Also the powernet and satin coutil were both expensive materials. If I were to remake this corset (with a more pristine finish) it would likely start at no less than $280.

Final thoughts:

This is an extremely comfy corset. I also feel that I’m able to very easily cinch down in this corset – I wish I had drafted it to be another inch or two smaller! The powernet is forgiving of curves and makes my asymmetric hips look symmetric, while giving me absolutely zero pinching or discomfort.

The only disappointments I had with this corset was a) the asymmetry in the diamond detail, and b) the rough finish of the serged edges. I may end up adding binding to this corset (either elastic or mesh) although that would somewhat ruin its ability to be worn inconspicuously under clothing, and I’m not sure how even elastic binding would bring back the dreaded muffin top which is currently so nicely avoided.

Overall I think this experiment turned out much nicer than I had anticipated, and I think I will use this as a sleeping corset in the future! However I do need to practice my “finishing” of corsets, even when they’re experiments or prototypes.

How to Fasten your Corset Busk

Depending on the brand, some corsets have trickier busks than others. I have some corsets that clasp up in two seconds, while other ones I’ve struggled for 5-10 minutes to get those last few knobs and loops to match up. Sometimes I would bend the busk this way and that way, or lay down on the floor, or end up doing some kind of strange acrobatics to clasp up the busk… usually by the end of the struggle, I’d be exhausted and sweaty.

If this is you, have no fear! I’ve finally unlocked the secret to fastening virtually any corset busk. 😉 Here are the steps:

  1. Loosen the laces as much as possible. There should be no “slack” in the bunny ears at the waistline, and the gap in the back of the corset should be as wide as it will go.
  2. Wrap the corset around yourself. There should be absolutely no struggle, in fact it may be so loose on you that if you let go, it may even slide down over your hips.
  3. Start by clasping the 2nd bracket from the top. If you do up the very top or the very bottom one first, then it can result in the busk acting like a “hinge” which makes you lose control.
  4. After that first clasp (2nd from the top) is done, take the knob side of the busk in your left hand. Fold the fabric back behind the busk bone itself so you can pinch the busk between your thumb and fingers.
  5. You should then be able to use your thumb behind the knob side of the busk to keep it straight and push each knob through the corresponding loop.
  6. Some people notice that the very bottom bracket or clasp is the most difficult to fasten. One lovely viewer has suggested sticking your arm down inside the corset with your left hand, palm facing forward (away from you) so you can grab onto the bottom of the busk and fasten it up.
  7. Once you have finished all the lower knobs and loops, go back up to the top and fasten that one as well. Sometimes when you are fastening the lower ones, you may observe the top ones starting to undo themselves. That’s okay, just fasten them up again at the end.

And you’re done! You can now tighten the laces as much as you find comfortable. This method has never failed for me, even on my most difficult corset busks.

When taking off your corset, once again loosen the laces as far as they will go. I find it easiest to start by undoing the bottom bracket and working my way up to the top. Be careful not to struggle and pull the loop directly away from the knob until the little “rivet head” of the knob can be sure to not catch onto the loop. Too much upward pressure in this direction can result in the knob popping out of the busk bone, even in the highest quality German-made busks!

To see a demonstration on how to clasp and unclasp your busk, see this video:

Happy lacing!

“Disco Armadillo” PVC Ribbon Cincher Case Study

This entry is a summary of the video “‘DISCO ARMADILLO’ PVC Ribbon Corset”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

***

This was my first attempt at sewing a corset from vinyl. I have to thank Marta “Snowblack” for her wonderful  Foundations Revealed tutorial on sewing leather and vinyl corsetry. Just a few things that I have learned about handling vinyl:

  • The material stretches (so you must back it with coutil) however it does not drape like most other fabrics.
  • It is also not a self-healing fabric, and will show all pinpricks. Therefore you should pin your panels only in the seam allowances.
  • Using a teflon foot (or a piece of tissue between the vinyl and the presser foot) will help the vinyl to feed smoothly without dragging or sticking to the presser foot.
  • Lastly, feed dogs will leave permanent marks into the bottom of the vinyl, especially if it has a metallic foil finish. Putting tissue or masking tape on the underside of your fabric (where your seam line will be) will protect your fabric from the feed dogs digging in.
***

Here is the overview of my Disco Armadillo, in typical review form:

Fit, length Center front is 10.5″ high, and I drafted this corset to be very curvy: underbust about 32″, closed waist 24″ and hips 34″.
Material Just two layers; the outer PVC ribbon and the inner coutil.
Construction 5-panel pattern – three vertical panels at front/side/back to hold the bones, and two ribbon panels. I learned how to draft a ribbon corset from Sidney Eileen’s ribbon corset sewing tutorial. The coutil panels aren’t “ribboned” like the outer pieces; rather they are in one piece. Most seams are topstitched as I was afraid that lockstitching would cause the PVC to become too perforated and tear apart. However at the busk, seams were lockstitched nonetheless as it looked better. Some edges of the ribbon were left raw, as folding those edges under would be too bulky.
Binding There is binding at the top and bottom of the vertical panels only; the ribbon panels do not have binding. I also left the inside edge of the binding raw – this is normal with binding made out of leathers or vinyls.
Waist tape Ribbon corsets typically don’t have a waist tape; a horizontal piece of ribbon running around the waist will act like a waist tape anyway.
Modesty panel I didn’t make a modesty panel for this corset because I designed it to close completely at the back.
Busk A standard flexible busk, 1/2” wide on each side, with 5 pins, 9.5″ long. Although it is quite flexible, having 3 layers of PVC ribbon surrounding the busk makes the front panel quite stiff and sturdy.
Boning Only 8 bones total in this corset (not including the busk), only boned on the vertical panels. There are two spring steel bones sandwiching each row of grommets at the back, and an additional two bones on each side panel, all 3/8″ wide.
Grommets There are 20 2-part size #00 grommets (10 on each side). I used self-piercing grommets and a new press to insert these, and they work very well with the PVC. I placed a layer of heavy canvas in the grommet panel to give the grommets more to “grab onto” and to prevent the PVC from stretching. There are no splits and the grommets are holding up quite well with regular use.
Laces I used some 100% nylon purple paracord – it’s extremely strong (holds tension up to 500 lbs) and has no stretch, is resistant to fraying but has a tendancy to twist. You will definitely need a square knot or bow (not a round one) to keep your corset securely tied at the back.
Price Ribbon corsets in general are not particularly difficult but they are time-consuming and require a bit of pre-planning. I would most likely place a typical satin-and-coutil ribbon corset at around $150. However, because the PVC ribbon is extremely challenging to work with and also quite expensive ($10/meter when not on sale, and this corset used 9 meters), I wouldn’t remake this corset for less than $250.

CorsetDeal Blue Sweetheart Overbust (“Oiseau” style, chiffon hips) Review

This entry is a summary of the review video “Blue Sweetheart ‘Oiseau’ overbust (with chiffon hips) Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Center front is 11″, from peak of the bust to the bottom is 14″ and the sides are about 15.5 inches. I’d recommend this corset for someone with a very short torso, or 5’2” or under. The silhouette is a very gentle hourglass – it does cinch me in a couple of inches, and the chiffon on the hips creates the illusion of wider hips which may be great for those who are looking to fill out any boyish figure.
Material Blue areas are 2 layers – the outer brocade and the inner cotton twill. On the hips, there are three layers – black satin covered in the gathered chiffon, and once again lined in the black cotton twill.
Construction 6 panel pattern. Panels are top-stitched at the seams, and then internal boning channels laid down, made of black twill.
Binding Binding at top and bottom are made from commercial black satin bias cut ribbon. It’s machine stitched on both sides, folded under nicely on the front and then topstitched to catch the rest of the binding on the underside. Also has 6 garter tabs.
Waist tape Internal waist tape made from 1” wide single-faced satin ribbon. It’s secured down at the boning channels. Far too high to actually be useful for me.
Modesty panel Unboned modesty panel, 8 inches wide made from polyester pinstripe on the outside and black twill on the underside. No placket beneath the busk.
Busk Slightly heavy duty, almost 1″ on each side. Stiffer than a standard flexible busk. 14″ long with 6 pins.
Boning 14 steel bones in this corset not including the busk. Single boned on the seams. The two bones that curve over the bust are made of spiral steel; all the other bones in this corset are spring steel. The bones on the sides stop well above the hip, so this style may be comfortable for those who don’t like the feeling of bones over the hips in longline corsets.
Grommets There are 24, 2-part size #00 grommets (12 on each side), finished in nickel. The grommets are sturdy with moderate size lip around, there is no fraying around the material, they’re not pulling out.
Laces Black flat nylon braided shoe-lace style. Very strong, grips fairly well. It has a little bit of spring. They are resistant to fraying and catching.
Price Currently $164 USD (£105 in UK).

 

Final Thoughts:
I’m not entirely sure what I was expecting when I bought this. It looked amazing on the website. I thought that the chiffon would simply accentuate the waist-hip ratio, but I wasn’t anticipating that the chiffon pieces would come up so high on the torso – in profile, the fluffy chiffon pieces actually make my abdomen look as if it’s protruding. It also doesn’t help that, in order to keep everything PG, I have to hike the corset up so that its waist tape is 2-3 inches above my natural waist. This is both uncomfortable and it looks terrible with my figure. On a person with a smaller bust and much shorter torso, I think this corset would sit better. I intend to cut this down to an underbust and replace the boning. Look out for a tutorial on that in the future.

Orchard Corset Maroon Underbust (CS-426) Review

This entry is a summary of the review video “Orchard Corset Maroon Underbust (CS-426) Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Gives a nice hourglass shape – this is a Level 3 silhouette, gives the most extreme curves. Center front is 13″, shortest part is 10.5″. Longline corset that comes over the hips. Quite comfortable.
Material 3 main layers – the outer satin fashion fabric, flatlined to a sturdy cotton interlining, and lined in twill.
Construction 6-panel pattern (12 panels total). The shape of the panels is very, very similar to the Josephine corset by Isabella Corsetry, although the contours are slightly less, the ribcage and hips a little smaller. Constructed with a slightly modified sandwich technique.
Binding Binding at top and bottom are made from matching maroon satin, double-thickness. I like how it’s very narrow. It’s machine stitched on both sides, folded under nicely on the front and then stitched in the ditch between the corset and the binding, to catch the rest of the binding on the underside.
Waist tape One-inch-wide waist tape running through the corset, hidden between the layers and glued to the lining.
Modesty panel There is a modesty panel on the back, made of a layer of satin and a layer of twill. 5” wide and attached to one side with a line of stitching, reinforced with glue.
Busk Standard busk, half an inch wide and 11” long, and 5 pins. However it’s less bendy than other busks of the same width, which is one perk.
Boning 22 bones total in this corset. On each side, 9 of them are spirals about 3/8 inch wide and then there are two flat steel bones, both ¼” wide sandwiching the grommets.
Grommets There are 24 2-part size #00 grommets (12 on each side). They have a medium lip around. They’re spaced equidistantly about 1” apart. I see some fraying and coming away of the fashion fabric around some of the grommets around the waist. On the underside every grommet is split and quite scratchy, they catch on the laces, the modesty panel and my shirt.
Laces The laces are ¼” wide flat nylon shoe-lace style. I find them to be long enough, a little springy but that’s alright because they’re still strong – you just have to tug a little harder to get the corset to stay closed because of the elasticity of the laces, is all – not a big deal.
Price Currently $95 USD, but you can save 10% by using the coupon code CORSETLUCY

 

Final Thoughts:
I really do like the shape this corset gives; it’s quite curvy (especially for its price). I wish they hadn’t used so much glue in the manufacturing, and that they could spend just a little more on higher quality grommets.

Lastly, one thing that made me PO’d (perhaps not the company’s fault but the shipper’s fault) was that I bought it on sale (around $59) but when it was shipped to me, the value on the package was stated as the original $95 which resulted in my having to pay higher duty/taxes coming into Canada. I ended up paying nearly as much in shipping/duty than I paid for the corset itself! International customers, be aware of this before you buy.

*** EDIT January 2014 – it’s been a couple of years since this review, and a few things have changed. Orchard Corset’s newer stock has higher quality grommets with fewer splits, and they recently introduced all cotton corsets, which are more sturdy than the satin ones and much less prone to coming away at the seams or having the bones pop out. Additionally, the owner of Orchard Corset mentioned that several years ago, they had placed the value of the parcel as product+shipping, which is why the price was so high and I was hit with duty. These days, OC says that they only place the value of the merchandise (the literal price paid for the corset itself) as the value of the parcel, and they don’t include the shipping price, so duty should be much lower for international customers.

“Wrinkly Pig” Corset Case Study

This entry is a summary of the review video “Wrinkly Pig” Corset Case Study”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

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Note: the following are the differences between the “Wrinkly Pig” and the “Tickled Pink” corset in terms of construction:

  Wrinkly Pig Tickled Pink
Fusing Fused the brocade to a layer of woven fusible interfacing, then flatlined that to coutil. Fused the brocade directly to a layer of coutil using “Heat n’ Bond” (fiddly sheet of glue, I don’t recommend it).
Roll-pinning Everything was flat-pinned, not roll-pinned. Some roll-pinning was done on the side panels.
Seams Lock-stitched seams; allowances were not trimmed or clipped at curves. Seams were trimmed and flat-felled.
Boning channels Double-boned at the seams, sandwiched between two layers of coutil. Single boned at the seams, used external boning channels (cuts down on wrinkles slightly)

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And here is my review:

Fit, length Decent curves. Used to be a slightly long-line corset but I later shortened the hips so it is more of a cincher now. Center front is about 11″ long.
Material 4 layers including the interfacing: brocade fashion fabric fused to interfacing, then flatlined to interlining of coutil and another lining of coutil.
Construction 6-panel pattern. Seams were lock-stitched (stitched twice) at the seams, the allowances were pressed open. The brocade/interfacing/coutil flatlined panels were all assembled, then the coutil lining was assembled. The layers were then stitched together at first/last panels, flipped right-side out and stitched in the ditch between panels and also secured at boning channels.  Bones are sandwiched between the two layers of coutil.
Binding The binding at top and bottom are made out of commercial hot pink cotton bias tape, machine stitched on both sides.
Waist tape 1” wide twill tape between the coutil lining and interlining, stitched invisibly so it’s not noticeable.
Modesty panel Suspended modesty panel made from brocade fused to twill, and stiffened with plastic canvas. 7″ wide.
Busk A standard flexible busk, 1/2” wide on each side, with 5 pins, 9.5″ long.
Boning 22 steel bones in this corset not including the busk. The seams between the panels are double-boned (except the seam closest to the grommets with ¼” inch wide spirals, and there are a pair of flats sandwiching each column of grommets.
Grommets There are 30 2-part size #X00 eyelets (15 on each side). They have a medium flange around and are spaced out 3/4 inches apart. No pulling away of fabric yet but they are very small so many types of fat cord is hard to thread through.
Laces 1/2″ wide double-face satin ribbon, baby pink in colour. About 5 meters and not really long enough for my tastes. I think I may change out the laces for some longer ones.
Price If I were to re-make this corset, I would roll-pin the panels and also use wonder-under or stitch-witchery to directly fuse the brocade to a layer of coutil to eliminate wrinkling. Keeping other construction techniques the same, I would likely charge around $260 USD for a corset like this.

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