This entry is a summary of the video “Dark Garden Aziza Corset Review” which you can watch on YouTube here:
|Fit, length||The measurements were highly customized to fit my body, including accommodating for several asymmetries (like my left hip protruding very slightly more, one breast being fuller than the other, one shoulder sitting a bit higher than the other, etc). See discussion below for more detail about the fit.|
|Material||Possibly 2 main layers: Fashion fabric is a gorgeous gold floral brocade, likely fused for strength. The lining (strength fabric) is an American milled cotton canvas.|
|Construction||6 panel pattern. Most of the bust curve is drafted between panels 1-2, and most of the hip curve is drafted between panels 3-4, and much of the room for the upper back was obviously drafted into panels 5-6. The corset was topstitched between panels (seam allowance on the outside), and the seam allowances were covered and straddled by double boning channels.|
|Binding||Bias strips of matching gold brocade, machine stitched on inside and outside. Tidy topstitch on the outside, no topstitch on the inside. No garter tabs (I didn’t request any).|
|Waist tape||3/4 inch wide invisible waist tape, sandwiched between the layers. It starts between seams 1-2, and extends to the center back.|
|Modesty panel||Modesty panel is around 4.75″ wide, finished in the same gold brocade. Stiffened with 4 steel bones and left separate to slip under the laces when worn (or you can choose to not wear the modesty panel). There is a teensy seam in the center front which is not a modesty placket per se, but it does help prevent a visible gap between the busk.|
|Busk||14 inches long, standard flexible busk, with 7 loops + pins, equidistantly spaced.
There are half inch wide flat steel bones adjacent to the busk for further reinforcement, but they deliberately stop about 4 inches from the top of the corset so they won’t interfere with the curve of the bust.
|Boning||26 bones total, 13 on each side. Double boned with 1/4″ wide spiral steels on the seams, and there are four flat steels in the back sandwiching the grommets. The additional bone on each side is adjacent to the busk.|
|Grommets||42 two-part grommets, size #00, with medium flange. Finished in gold and equidistantly spaced. Big washers, all grommets rolled nicely.|
|Laces||Gold double faced satin ribbon – no spring, very strong and flat. Laced using the “chevron method” with “inverted bunny ears”.|
|Price||$1475 USD without shoulder straps, or $1625 USD with shoulder straps. It is only available as a custom option, not standard.|
This is the final product for the Dark Garden bespoke process I went through over the course of 2015. If you’re interested in learning more about the bespoke process and the mockup fittings, click here.
Because I’m long-waisted, this corset is much, much longer from the waist up compared to most OTR overbust corsets. Using the mockup fittings I was able to choose not only the height of the neckline, but also the height of the side of the corset into my underarm area (Autumn recommended bringing it up a bit higher to account for a bit of my underarm squidge) and also in the back. I asked the back to be higher and have more room, so it would contain my muffin top (back spillover) and also it would allow my scapulae to snuggle down into the corset as opposed to hitting the edge of the corset and forcing my shoulders up.
The length of the shoulder straps were also adjusted custom to my body, and they secure in the front with matching gold ribbon. There are several grommets so I can wear the straps looser (for mobility or to wear them slightly off the shoulder) or tighter over my shoulders if I need more upper back support.
The bust was drafted beautifully; it cups over and supports my bust without squishing it flat. I also requested for the neckline of this corset to be slightly higher so that I can wear this to public functions and not fear that my bust will pop out or be exposed.
With this corset, it’s extremely apparent that my body is the type to “squish upwards”. While some people get a small lower tummy pooch from wearing corsets. By contrast, my hip measurement essentially stays the same, but my ribcage and bust can increase by up to two inches in a corset (compared to its natural measurement) depending on the reduction of the waist. Displaced flesh has to go somewhere!
Along the bottom edge, although aesthetically I love a longline corset, I requested this corset to be cut at the mid-hip (just about my iliac crest) so that I’ll be able to move and sit comfortably, even in low seats.
The Aziza corset is a custom option, so you may not see it available as a standard sized corset in their Classic Line on their website. Dark Garden has a catalogue of many more corset styles, and their skilled team of corsetieres can create almost any style you can think of. If you’re interested in learning more about Dark Garden and their 30 years of work, head over to their website here.
This entry is a summary of the video “Waist Training Corset Review: Il Corsetto di Artemis” which you can watch on YouTube here:
|Fit, length||This corset is custom made to my measurements – but for those curious about the length, the center front is 13 inches, princess seam is about 10 inches. More of the length is distributed above the waist, since I have a low waist and my torso is long from the waist up, but the corset is short enough to allow me to sit down comfortably. Tapered ribcage, and cupped hips.|
|Material||Three layers of fabric. The fashion fabric is a cotton-based black satin, the interlining is black coutil, and the lining is a vibrant, hot pink cotton twill.|
|Construction||6 panel pattern, constructed using the sandwich method. Panels 3-4 provide enough ease to curve over the hips. Double boned on the seams.|
|Binding||Commercially purchased hot pink satin bias binding. Machine stitched on both the outside and inside (stitched in the ditch on the outside).|
|Waist tape||1 inch wide invisible waist tape, sandwiched between the panels. Full waist tape, from center front to center back.|
|Modesty panel||Separate modesty panel (can be inserted behind the laces, or you don’t have to use it at all). It is quilted, with contrast stitching, but not stiffened with bones. Matching pink bias binding lines all 4 corners.|
|Busk||12 inches long and finished in black. 6 loops + pins, equidistantly spaced. It is a standard flexible busk, and it is reinforced with 1/4″ wide flat steels on either side of the busk.|
|Boning||24 bones total, not including busk. On each side, there are nine 1/4″ wide spirals (mostly double boned on the seams), two flat steels by the grommets, and one flat steel by the busk.|
|Grommets||26 two-part grommets, size #00, with a medium flange. Finished in black to match the rest of the corset, and equidistantly spaced. Big washers, all grommets rolled nicely.|
|Laces||Double face satin ribbon in hot pink, 3/8″ wide. It’s long enough, has no spring, relatively strong and glides through the grommets well. Ribbon hides well under clothing as it’s not thick.|
|Price||This particular style is €300 (about $320 USD)|
Il Corsetto di Artemis (“the corset of Artemis”, the goddess of love) is the name of a one-woman business owned by Elisa, a designer from Turin, Italy.
I gave Elisa full creative liberty with this corset (she only received my measurements and I told her my color preferences, etc) and she made an elegant and beautifully fitting piece that looks simple at first glance, but is accented by completely handmade silk flowers. Elisa can create flowers of any size, fullness, and color since she makes each individual petal by hand.
During the design process, Elisa gave me the option for a black busk and black grommets, so that the hardware matched the rest of the corset. At this point, there is no source of heavy duty black busks, so Elisa and I had to choose between having a stiffer busk, or having a black busk. I don’t have too much lower tummy to support, so corsets even with more flexible busks don’t bow on me or flare at the center front too badly. If you have some lower tummy protrusion and you desire more support, you may prefer that Elisa use a heavy duty busk instead.
I love the bright pink contrast stitching used for the boning channels in this corset, and it’s quite brave to do this; you have to be confident that your stitching is tidy and true! Do note that over time as the corset eases over your body and there is a gradient of more tension on the fabric at the waistline (and less tension at the ribs and hips) then it is normal for the stitching to look a tiny bit wobbly at the waist. If you are overly concerned about contrast stitching not looking perfect even if you wear this corset on a regular basis, it may be more in your interest to simply request the same color thread as the rest of the fabric (no contrast).
Another thing I noticed about this corset was that it’s rather soft and it wrapped around my body nicely from the very first wear. A few people who are more accustomed to thicker and stiffer corsets may be surprised by this corset’s strength in comparison to its softness.
If you’d like to learn more about Elisa and her brand Il Corsetto di Artemis, see her website here!
Today I’d like to walk you through the process of ordering a custom corset – specifically, a custom overbust from Dark Garden.
Some of you may remember I had a number of corsets on loan from Dark Garden in 2014, where we agreed to send me 4 corsets for review (two overbusts and two underbusts from their signature line) and then send them back.
But over the years, it’s become clear that the majority of overbust corsets simply don’t fit me. I consider myself to have a long torso and a low waist. Most OTR overbusts don’t rise up high enough on the bust, and some are too long from waist to lap. And almost all of them are not made to accommodate a full bust, and I’m not even that large! But I’m built strong – I have broad shoulders, well-developed traps and a fleshy back.
I looked through the available options on their website and in their brochure, and Autumn herself recommended the Aziza for me – a sweetheart overbust designed for fuller busts, and can be made with adjustable shoulder straps.
The measuring guide was emailed to me. They directed a ribbon to be tied around my waist. But because I’m 15 lbs heavier than my last measuring tutorial 5 years ago, my apparent smallest waist is 1-2 inches higher than my true skeletal waist and the ribbon had a tendency to slide up. I don’t want this to reflect on my vertical measurements, so I was a rebel and used a belt just slightly snug, to act similarly to the waist tape of a corset, and took all my measurements in reference to the bottom edge of the belt.
I was wearing a fitted shirt with a well-supportive bra that was not too padded. I was also wearing soft yoga pants so I could easily pull it aside to take the lower hip measurements when it came to that.
This was the list of measurements (see my video for a live demonstration):
Waist to waist over shoulder. Starting at the marker on your waist in front, take the measuring tape vertically over your shoulder, down your back, to the ribbon at your back waist. I’m looking at the measurement in the mirror, but you can also sort of mark it by feel with your fingernail and then look at the measurement.
Bust circumference is around the largest part of your bust with a bra on. Make sure the tape is not slouching or angled too much around the back; it should be parallel with your waist and also the floor.
Ribcage. This is your underbust measurement, so I measured directly along the bottom edge of my bra band. I also took the measurements with a full exhale, and a full inhale. My exhale measurement is about 30″ and my circumference with a full breath is about 32.5″. With a comfortable inhale, I measured 31 inches, but I also mentioned to them that I had a tendency to squish upwards in corsets so don’t be surprised if I need 32 inches instead.
Natural Waist. I moved my belt up very slightly to get my natural waist measurement at the bottom line of the belt. Don’t suck in or push out your belly, because you’re probably not going to be sucking in the whole time you have the corset on either.
Hips 3 inches down from the waist is not in the diagram, but you measure 3″ straight down from the waistline. and then pivot the tape at that spot, and measure the circumference of your hips parallel with the waist. This is just about where my iliac crest naturally sits.
Hips Hips 3 inches down from the waist is also not in the diagram. Again measure 5” down from the waist, pivot the tape, and take the circumference even all the way around. In my demonstration here, I’m probably even riding a little high with the tape in the back, which is why a mirror or having someone help you can be helpful.
Now for the vertical measurements:
Waist to Ribs. you measure from your underbust or underwire down to the waistline, which is the bottom of the belt for me. This shows how long of a waist I have naturally as it’s typically between 5.5 and 6 inches.
Waist to Bust. (Not illustrated.) Measure from the fullest part of your bust directly down to the waistline. Again, remember that you should be wearing a supportive bra for this if you’re full-busted. Some people say to measure from the nipple down, but different people have nipples in different spots so that’s not totally precise. I asked Autumn if I should follow over the contour of the underside of the breast, and she said no just go straight down so that’s why you see the tape is pulled taut.
Waist to top side front. When they say the “side-front”, this is what I tend to refer to as the princess line or the princess seam in my other videos. This measurement will tell them how high you want the top edge of the corset to be over the swell of the bust, so it’s more your preference as opposed to strictly your body measurement. If you want a demibust, measure a little lower. If you want full coverage, measure higher.
Waist to underarm. This is taken at the side seam. You don’t have to go right up into the depths of your armpit, but rather just choose the height at the side where you’d like your corset to stop. Try not to bend over as this will affect the length. Too long and it will dig into your pits, and too low and you may get some spillover and not enough support. Try to take this measurement with your arm down as much as possible.
Waist to top edge at the center front. This will tell them how high you want the neckline to be at the busk, so measure lower if you want plunge, or higher if you want to cover more of your cleavage. I’m using my shirt as a reference again, but of course you can choose whatever height you’re comfortable with.
Waist to bottom front. This should be long enough to cover any lower pooch if you have any. But if it’s too long, it’ll poke into your pubic bone, and if it’s too short it may not hold your tummy properly. Find a happy medium around your hip flexor that still allows you to sit down comfortably.
Here are a few photos of myself wearing first mockup (there are plenty more photos included in the video) – this first fitting was a long distance fitting, done by email. I was directed to try and take the photos head-on and not too angled, and to fill the screen as much as possible with just the corset; full body shots were not necessary.
I was asked to measure the width of the gap in the back of the corset at the top, waist, hips and bottom edge. As you can see, I already have a broad back, and I definitely squish upwards and needed several inches more space at the top.
After evaluating this, Autumn said that she’d rather do a second mockup fitting. Fortunately we would both be in New York at the end of March, so we met up so she could fit me in person, which was a whole lot easier because she could adjust the shoulder straps appropriately and poke and prod at me. She could also visualize my squishability, and understand those slight asymmetries and idiosyncrasies of my body, like my funky left hip and that my left breast is half a cup larger than my right. This made the mockup twist on me slightly, even though it felt completely centered on my body, it obviously didn’t look as such. Autumn unlaced and relaced it until it looked right, and marked the modifications right on the mockup.
Shortly after, my final Gold Aziza corset was finished and sent to me! I am obviously thrilled with this corset (you can see my initial reactions in the video above, around 11:45 mark), but you will need to see my official review to hear my full thoughts on it! (Blog post for this will be published soon!)
Huge thanks to Autumn Adamme and the whole crew at Dark Garden for making this dream come true and allowing me to document the bespoke process from the customer’s perspective.
Do you have a custom corset from Dark Garden? How was your experience? Let us know in a comment below!
This entry is a summary of the review video “Contour Corsets Summer Mesh Underbust Review” which you can watch on YouTube here:
|Fit, length||Front is about 12.5 inches long, back is 13.5″ long. Unique silhouette in which the ribcage mostly follows the natural contours, tapering a bit through the lower ribs, but nips in dramatically at the waist for an extreme hourglass shape – almost wasp-waist in silhouette. I had requested this type of ribcage – if you prefer a more natural shape, this can be accommodated. This is called a “mid-hip” cut; coming slightly over the iliac crest but not longline. Extreme hipspring. See the “Final Thoughts” section on other fitting notes.|
|Material||Primarily one layer of very strong, almost no-stretch poly mesh. I chose the “gold” color to match my medium-olive skin tone (it’s a cross-weave of a light yellow and deeper pinkish-copper). Despite being synthetic, the holes in the mesh allow my skin to breathe. Still, I always wear it with a liner underneath. Boning channels and binding are made from somewhat matching light-brown twill.|
|Construction||6 panel pattern, with most of the hip-curve between panels 3-4. At least triple-stitched: Lock-stitching between panels, seam allowances pressed open and zig-zag stitching to further stabilize the seam, then external boning channels, double-boned on the seams (external channels often contribute to an even stronger seam). No garter tabs (not requested).|
|Binding||Brown twill that matches the boning channels; machine stitched inside and outside.|
|Waist tape||None. This corset is strong enough without a waist tape, and in fact stronger than many of my corsets that do contain waist tapes. (I admit I had my doubts, but this corset has been tried and tested for nearly a year.)|
|Modesty panel||4″ wide stiffened modesty panel (lacing guard) in the back, suspended on the laces. 1″ wide modesty placket under the front closure, with a very heavy flat steel bone (essentially a boned underbusk).|
|Front closure||Not a busk! The front closure is a “stayed zip” – heavy duty metal YKK zipper, secured into twill panels with the mesh overlayed. A 1/2″ flat bone is on either side of the zipper, and a 1/4″ flat bone sits on top of either side of the zipper as well. The very stiff and heavy 1″ underbusk further stabilizes the zipper so it doesn’t buckle. This has been my first tightlacing corset with a zipper and I’ve had no isssues with it.|
|Boning||29 total steel bones. On each side, there are 10 bones in external channels, then 2 flats on either side of the grommets in the lacing system, as mentioned before another 1/2″ steel beside the zipper, another flat bone on top of the zipper, and the last 29th bone is the heavy underbusk underneath the zipper.|
|Grommets||26 grommets total, size #0 two-part grommets with a large flange; set closer together at the waistline; high quality – no splits, no wear/fraying/pulling out of grommets|
|Laces||I opted for the heavy-duty lacing; nylon braided shoe-lace style laces; they’re thin, they grip well and they are long enough. Very easy to lace up; they glide through the grommets well but hold their bow tight. Zero spring.|
|Price||The Summer Mesh underbust costs between $520 – $575 at the time of this review. The price depends on the size and other considerations (see below). Asymmetric patterns (for those with scoliosis, etc) add $100. You can see her full price list here.|
When I first recorded the review and did the “first edit”, it was nearly 20 minutes long because I had so much to say about this corset. It is like no other corset I’ve had before, so even for a review such as mine (which is on its own pretty objective, but still comparable if you read across the tables of different reviews on this site), it can’t really be compared to other corsets in my collection. The posture, the materials, the construction, the pattern/ silhouette – everything about this corset is just… different. Be prepared for a really long discussion (and as model KathTea had once said, “If this is tl;dr then corseting is probably not for you”).
As a bit of an addendum to my last post, this article intends to show that not all OTR corsets are equal, but rather come in a spectrum in quality of materials, construction and price. Also, while some of these myths are partially true, I explain why some of these terms aren’t really “all that bad” as nothing in corsetry is totally black and white. Lastly, I give examples of “exceptions” to each myth. So let’s jump right in:
I might be playing devil’s advocate here. While I will try my best not to say anything inflammatory, this “Kumbaya” article may still cause me to lose favor with some corsetieres. No doubt some are already confused by the fact that I work so hard to purchase from small corset businesses and individual designers, yet still review and promote OTR corsets. (Admittedly, at this point in my corset journey, I don’t purchase OTR corsets for my own benefit, but for my viewers’. I have too many corsets in my personal collection as it is.) But looking at the big picture, both of these industries support one another. Just as The Lingerie Addict had suggested that VS is a gateway to higher-end lingerie, OTR corsets are the gateway to bespoke corsetry.
OTR is an abbreviation of “off-the-rack”, or sometimes called “off-the-peg” or “off-the-shelf”. An OTR corset is a corset that is standard sized and often mass-produced, much like the non-custom-fit clothing that you can find in any fashion or department store. I explain more about different levels of customization for corsets in this video.
Don’t get me wrong, I have a basic list of requirements of what a decent (real) corset should include, plus a softer list of what the best quality corsets include. There are certain corsets out there that I view as not-corsets, and I have owned both mass-produced OTR corsets and custom corsets from individual makers that have seemed to be total garbage. Neither industry is totally perfect, and just one bad experience in either one can permanently sour a customer’s opinion toward corsets in general.
When prompted, I will always tell others that if they can afford to start with a custom corset, then do so. But that’s not to say that OTR serves no purpose. They were my jumping board into bespoke corsetry. If I hadn’t started my corset journey by purchasing an OTR piece, I would have never considered supporting individual makers.
- When I saw OTR websites which showed young models wearing corsets paired with their street clothes, it helped desensitize me to the idea that a corset could be used in as an “outerwear” fashion accessory.
- The hassle-free exchange/return policies that came with these standard-sized corsets (which does not exist for custom corsets) gave me the courage to purchase my first corset, since I’m a commitment-phobe when it comes to spending large sums of money.
- It was by purchasing several brands of corsets that I came understand that not all corsets are constructed the same, and that there existed a relevant price-quality connection.
If OTR corsets had never existed, I would have never been able to justify commissioning a top-quality, truly fitted, non-returnable bespoke piece. I found it just made more sense to “learn to drive on a cheaper car, before springing for the Ferarri.” And I’m not alone in this mode of thinking.
A surprising perspective from invidivual designers
So OTR companies aren’t totally evil, but I don’t worship them either. I do have my limits. I do not condone some OTR companies directly ripping-off the designs of an individual maker. I become extremely upset when the odd viewer comes to me, having purchased one of these replicas, under the impression that the original designer actually had a ridiculous price markup for the same cheap piece, and proceeds to complain about that designer.
But I was even more shocked to discover that some bespoke corsetieres are not all that upset about this, because the vast majority of the people that were fooled into buying the replica didn’t have that same reaction outlined above. Most of their clients had walked the same walk I did – they purchased an OTR replica, experienced for themselves the price-quality connection, and made the decision in the end to invest in the original piece. These corsetieres explained to me that – while replicas are annoying – OTR companies were to thank for increasing their clientele, not decreasing clientele through competition.
Not all clientele are the same
Through my consultations, I’ve come across clients with all sorts of opinions. Those who turn their noses up at OTR corsets (for what its worth, I supply consultations for custom corsets as well, not just OTR companies), and other people who have had terrible experiences with custom corsetieres, and had decided to stick only to OTR corsets! There are also people from all walks of life, with different body types, different budgets, and wanting to try corsets for different reasons, whether it’s for one weekend during a convention and then never worn again, or as a daily companion for years. It takes all types in this world, and I assure you that there is no shortage of clients for either industry.
My aim is not to convince the anti-OTR people to start supporting these companies, nor to guilt or pressure the anti-bespoke people to reprioritize their purchases. I don’t mean to call anyone a “corset bigot” or force them to change their mind. My aim is to help clientele and makers within the two industries alike, to see both sides of the situation and try to tolerate one another. Because while either industry can certainly survive without the other, they sometimes do better together.