This entry is a summary of the video “Review: “Botticelli’s Venus” Corset by Retrofolie” which you can watch on YouTube here:
My corset was made-to-measure, so it fits my longer torso but it’s also slightly less curvy than the standard size version of this corset as I have slim hips. Standard size 22″ would have a ribcage of 30″ and hips of 34″.
Three main layers (not including interfacing): The fashion fabric is a cotton print (interfaced for strength), strength interlining of coutil, and brown lightweight cotton lining.
6 panel pattern (12 panels total), the fashion fabric and coutil were flatlined, panels assembled using a topstitch. ouble boned on the seams with a floating lining inside.
Made from commercially purchased cotton bias tape, in seafoam green to match the fashion fabric. Machine finished on both sides.
1 inch wide, stitched invisibly between the layers. Extends from panel 2 to the back seam.
6.5 inches wide, stiffened, finished with another Venus in the back that can show through the laces. The panel is suspended on the laces using grommets. There is also a 1-inch wide unboned modesty placket in front under the busk.
12 inches long. 6 loops + pins, equidistantly spaced. My corset was modified to be longer though, so a standard size corset will have a 10 inch busk instead. Standard flexible busk, with 1/4″ flat bones adjacent for reinforcement.
28 bones total, not including busk. Double boned on the seams, using 1/4″ wide spiral bones. Flat steel bones are used beside the busk and by the grommets.
26 two-part grommets, size #00 with a medium flange (the very popular grommet brand among corsetieres in North America). Finished in silver, and equidistantly spaced about 1″ apart. Big washers in the back; splits in the back but they don’t catch the laces too much.
Standard white nylon shoelace style laces.
This particular style is $315 USD for standard size (18″ up to 26″). For custom fit, the price is $350.
Because this corset was made back in 2014, a few changes have been made to this corset – the first change is that this pointed longline style is no longer called the “Azalea” longline cut, it’s now just style “Retro 04” on Retrofolie’s website. Also, the standard size measurements are now curvier than they were in 2014!
This is part of Julianne’s “Retro History” corset line, where she is able to use any historical painting in the public domain (the artist must be deceased for at least 70 years to use their work). The painting is printed with a repeat pattern on fabric, and the panels are cut from this fabric and painstakingly matched at the seams. Julianne started her corset career making these pieces, and has since expanded her corset ranges to include “Retro Basic” (simple corsets covered in cotton or silk) and “Retro Galaxy” (corsets featuring beautiful galaxy and nebula motifs).
Although her corsets are strong enough for waist training, Julianne recommends that you don’t wear a Retro History corset as your daily-wear corset, as the fashion fabric will ease and the painting will distort over time. If you wish to preserve the historical art corsets but waist train in one of her Retrofolie pieces, she recommends the Retro Basic line.
This entry is a summary of the review video “Review: Orchard Corset CS-426 (with hip ties)”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:
Center front is 13 inches long, princess seam is 10.5 inches long.
Rib spring is 7″, upper hip spring is 10″, and lower hip spring is 13″, but the hip ties allow the hips to expand to 20+” if needed.
The silhouette is hourglass, with a semi-conical ribcage, and hips of the corset can contour around your own hips, whether your hips are slanted or shelf-like.
3 main layers – I have the black cotton version, so the outer (fashion fabric) layer is black twill, flatlined to a light cotton canvas interlining, and lined again in cotton twill.
6-panel pattern (12 panels total). Hip flare is patterned into panels 3-4. Constructed with the sandwich method.
One-inch-wide waist tape running through the corset, hidden between the layers.
Binding at top and bottom are made from matching black cotton twill. Machine stitched on both sides, stitched in the ditch (between the corset and the binding) in front, and a necessary top stitch on the underside. 8 garter tabs (4 on each side).
There is a modesty panel on the back, made of two layers of black twill. 6” wide and unstiffened, attached to one side with a line of stitching, reinforced with “hemming tape”.
There’s also an unstiffened black twill modesty placket extending from the knob side of the busk ( ¼” wide).
Standard width busk, half an inch wide and 11.5” long, and 5 pins (last two are a bit closer together). However it’s more rigid (less bendy) than other busks of the same width.
22 bones total in this corset. On each side, 9 of them are spirals about 3/8 inch wide and then there are two flat steel bones, both ¼” wide sandwiching the grommets.
There are 24, two-part size #00 grommets (12 on each side). They have a medium flange and are finished in silver. They’re spaced equidistantly about 1” apart.
The laces are ¼” wide flat nylon shoe-lace style. I find them to be long enough, a little springy but it “stretches out” and the springiness dissipates over time. Orchard also sells double-face satin ribbon if you prefer.
Available in waist sizes 16″ to 46″.
Sizes 16-32 are $82 USD, and sizes 34-46 are $87 USD, but you can save 10% by using the coupon code CORSETLUCY
Full disclosure, this corset contains my “Lucia Corsetti” label – back in August of 2013, I released a tutorial where I took one of Orchard’s original 426 longline corsets and simply added hip ties to them, so people with a naturally fuller hip spring could cinch down in their corset without compressing their hips. Orchard liked the idea so much that they put it into production, and they gave me credit for the idea by adding my label to the new design. (I have no patent on the hip ties design, but it was courteous of them to give me a nod!)
This is the second time I’ve reviewed a CS-426 corset, after my first time in 2012, and there are marked improvements in the construction – particularly the grommets. These grommets don’t tarnish and have fewer splits compared to the older corsets). If I’m not mistaken, Orchard Corset had switched manufacturers a couple of years ago, which may account for the change.
Other changes include the modesty panel in the back being a touch wider, the addition of a modesty placket in the front, and a slightly longer busk.