This entry is a summary of the review video “Snobz Banquet Overbust Review” which you can watch on YouTube here:
Center front is about 16 inches high; the highest part (from the apex of the bust) is 15 inches high. Gives a flattering moderate hourglass silhouette. Appropriate for average or shorter torso length. It is slightly longline with a low dip in the center front bottom edge. I would also recommend this for moderately-busted women (B-C cup).
2 layers; fashion layer is 100% polyester satin, and the lining is polycotton twill.
5 panel pattern. Internal boning channels also made of twill.
Commerical black satin bias tape machine stitched on both sides; see video for how they bound the top edge.
1″ wide ribbon as exposed waist tape secured under the boning channels.
No modesty panel; one can be ordered for £10. No placket by the busk.
Wide busk (1″ wide on each side) about 15″ long (7 pins), fairly sturdy albeit quite long.
22 steel bones not including busk. 16 spirals (1/4″ wide) in external channels, 4 flats (1/4″ wide) sandwiching the grommets, also two spirals beside the busk.
28 grommets total, size #00 one-part grommets with moderate flange; set equidistantly, no splits, no pulling out of grommets however there is no washer and the grommets are set backwards compared to what I’m used to. I’m not sure yet if this is normal grommet policy for Snobz.
Fine nylon braided shoe-lace style laces; quite thin, they grip well and they are very long, no springiness and quite strong.
Plain satin version of this is currently £127 in the UK, or $200 USD
I really love the shape of this corset, and I’m able to achieve a decent reduction in it. For a 5-panel pattern, it gives a beautiful and balanced silhouette – I am so sad that the waist-to-top vertical measurement is just far too short for my torso. Since the website states that the length of the corset was 17 inches, I had expected the entire length to be shifted 3-4 inches higher. On my figure, this Banquet corset is reminiscent of other “1700’s” style neckline overbusts that I’ve tried (including the Antoinette corset by WKD and the Gothic overbust by Corsets-UK), with a further inch cut out of the center front panels which my mother has dubbed (to my horror) the “nipple shelf.” This corset would fit someone who is short waisted, high waisted or smaller busted… or if you are none of the above, strive to wear this over a blouse.
This entry is a summary of the review video “(Amazon.com) Black Floral Tapestry Steel-Boned Corset Review” which you can watch on YouTube here:
Front is about 14 inches high; the highest part (from the apex of the bust) is 15 inches high. Gives hardly any curve in the silhouette, almost no waist reduction at all. Don’t trust the “floating” corset pictures online – the shape is shown more accurately on a real model! Appropriate for average torso length. I do like how the cut of this corset both covers and minimizes my bust.
1 layer; fashion layer is the black floral polyester with a sort of non-stretch mesh backing.
6 panel pattern, panels are topstitched together. Internal boning channels made from cheap commercial fuzzy bone casing.
Commercial black satin binding machine stitched on both inside and outside, not a clean finish. Also has 4 garter tabs.
Standard flexible busk (1/2″ wide on each side) about 13″ long (6 pins), EXTREMELY flimsy/ flexible. Also has hook/eye to prevent gaping at bustline.
12 steel bones not including busk. All spiral steel bones, including in the back by the grommets, so some bowing occurs when lacing up.
20 grommets total, size #0 two-part grommets with smaller flange; set equidistantly, no splits, no wear/fraying/pulling out of grommets, surprisingly.
3/8″ wide black double-face satin, they are barely long enough but are fairly strong.
I suppose I shouldn’t have expected much considering how cheap it was, but I was quite disappointed that it didn’t include a waist tape or modesty panel. However I was genuinely pleasantly surprised to see that they used real steel boning here. I suppose if worse came to worst, one could cannibalize this corset simply for its materials, although you would have to use a stronger strength layer and likely reinforce the busk. But I wouldn’t recommend this for anyone who is interested in a corset for tightlacing/waist training. This corset is really just to shave off a couple of inches, to be worn as clubwear or a costume. Although the original brand can no longer be found, an identical style can be found here.
This entry is a summary of the review video “Comparison: Leatherotics 1811 vs Budget Ebay Corset” which you can watch on YouTube here:
Chinese Ebay Corset
About 12 inches high; very straight busk that does not bow outwards. Gives a very gentle silhouette. Appropriate for average to long torso length.
Center front is about 13 inches high; busk bows outwards a bit, giving the appearance of pooch. Gentle silhouette. Slightly longline compared to Leatherotics. Appropriate for average to long torso length.
2 layers; fashion layer is black polyester satin, and the lining is black cotton twill.
Only one layer; a red satin that has a kind of sturdy non-stretch backing.
6 panel pattern, assembled with a lock-stitch. Internal boning channels. Also has 4 garter tabs.
6 panel pattern, assembled with a top-stitch. Internal boning channels. Also has 4 garter tabs.
Matching black satin (made from bias strips of the same fashion material), machine stitched on both sides, finished cleanly.
A close colour match (but not exact) red satin commercially made bias tape, machine stitched on both sides in one go, finishing is not clean.
1″ wide visible waist tape made of satin ribbon, seen on inside, stretching across all panels and secured down at boning channels.
1/2″ wide waist tape made of grosgrain ribbon, seen on inside, stretching across ONLY panels 3-4-5, leaving the other panels unprotected. Secured down at boning channels. One side has the waist tape wrinkled in a seam.
Attached lacing protector on the back made of two layers (black satin and twill); also includes a placket overtop of the busk to hide it.
Attached lacing protector on the back made of one layer (red satin) and lace around it, also includes a placket under the busk.
Standard 1/2″ wide busk on each side, about 10.5″ long (5 pins). Very sturdy.
Wide busk (1″ wide on each side) about 11.5″ long (5 pins), however it’s more flimsy than the Leatherotics busk.
12 steel bones not including busk. 8 spirals (1/4″ wide) 4 flats (1/4″ wide) sandwiching the grommets.
14 steel bones, all spiral steel bones even on the back by the grommets. Bows and collapses when trying to tighten up.
28 grommets total, size #00 two-part grommets with small flange; set equidistantly from eachother and between the two bones; no splits, no wear/fraying/pulling out of grommets
20 grommets total, size #00 two-part grommets with small flange; set equidistantly, except offset towards the last bone at the back edge. Starting to pull out around the waist after only 2 wears.
Strong nylon braided shoe-lace style laces
Strong nylon braided shoe-lace style laces
Plain satin version of this is currently £40 in the UK, or $60 USD – and they offer custom sizing, more bones, different fabric/ colours.
Plain satin version of this is currently $35 USD on Ebay, no other options for custom sizing, fabric etc.
You get what you pay for! If you just want a simple cheap fashion corset without any waist reduction, OR if you’re looking for a cheap corset just take apart in order to learn how to recreate a corset pattern, then the cheaper corset may suit your purposes. However the Leatherotics brand offers custom sizing – this will give you as much or as little curve as you like. But remember the limits of each brand – if you want to be sure you get a corset made exactly to all of your measurements and specifications, you will have to go with an independent corsetier(e).
This entry is a summary of the case study for the Chocolate Faux Suede giveaway corset, made for the winner of the “Giveaway in Memory of Phoenixjodirae”.
Following the case study, you will find an interview with the winner of the corset, what her story is and how a corset could help with her pain and chronic health issues after chemotherapy. I’ve linked the video at the end of this post, below the table!
3 layers; fashion layer is faux suede in chocolate brown, interlining of cotton coutil, and lining of hot pink twill.
6 panel pattern. Double boned; it has one bone on each seam (sewn into the seam allowances) and another bone inserted into the middle of each panel using bone casing. Includes a floating liner.
Matching faux suede binding made from bias tape of the same fashion material. It was very fiddly to work with; I don’t recommend using suede binding.
1″ wide invisible waist tape between the interlining and lining, secured down under boning channels.
7″ wide fabric lacing protector on the back made of faux suede and twill, stiffened with plastic canvas and suspended on the laces with grommets. Also includes a placket under the busk.
Standard flexible busk (1/2″ wide on each side) about 9.5″ long (5 pins). Also has a bone on either side of the busk for reinforcement.
24 steel bones not including busk. 18 spirals (1/4″ wide), 4 flats (1/2 inch wide on the outer edge, 1/4″ wide on the inner edge) sandwiching the grommets, also two 1/4″ wide flats beside the busk.
18 grommets total, size #0 two-part grommets with large flange; set equidistantly, no splits, no wear/fraying/pulling out of grommets, thanks to some better quality grommets made of a more malleable brass.
5/8″ wide double face satin ribbon in hot pink, to match the lining.
A reproduction of this corset would be approximately $270 USD.
If you would like to see the interview with the winner of the giveaway and her story, you may watch her video here:
Depending on the brand, some corsets have trickier busks than others. I have some corsets that clasp up in two seconds, while other ones I’ve struggled for 5-10 minutes to get those last few knobs and loops to match up. Sometimes I would bend the busk this way and that way, or lay down on the floor, or end up doing some kind of strange acrobatics to clasp up the busk… usually by the end of the struggle, I’d be exhausted and sweaty.
If this is you, have no fear! I’ve finally unlocked the secret to fastening virtually any corset busk. ;) Here are the steps:
Loosen the laces as much as possible. There should be no “slack” in the bunny ears at the waistline, and the gap in the back of the corset should be as wide as it will go.
Wrap the corset around yourself. There should be absolutely no struggle, in fact it may be so loose on you that if you let go, it may even slide down over your hips.
Start by clasping the 2nd bracket from the top. If you do up the very top or the very bottom one first, then it can result in the busk acting like a “hinge” which makes you lose control.
After that first clasp (2nd from the top) is done, take the knob side of the busk in your left hand. Fold the fabric back behind the busk bone itself so you can pinch the busk between your thumb and fingers.
You should then be able to use your thumb behind the knob side of the busk to keep it straight and push each knob through the corresponding loop.
Some people notice that the very bottom bracket or clasp is the most difficult to fasten. One lovely viewer has suggested sticking your arm down inside the corset with your left hand, palm facing forward (away from you) so you can grab onto the bottom of the busk and fasten it up.
Once you have finished all the lower knobs and loops, go back up to the top and fasten that one as well. Sometimes when you are fastening the lower ones, you may observe the top ones starting to undo themselves. That’s okay, just fasten them up again at the end.
And you’re done! You can now tighten the laces as much as you find comfortable. This method has never failed for me, even on my most difficult corset busks.
When taking off your corset, once again loosen the laces as far as they will go. I find it easiest to start by undoing the bottom bracket and working my way up to the top. Be careful not to struggle and pull the loop directly away from the knob until the little “rivet head” of the knob can be sure to not catch onto the loop. Too much upward pressure in this direction can result in the knob popping out of the busk bone, even in the highest quality German-made busks!
To see a demonstration on how to clasp and unclasp your busk, see this video:
Let me start by saying that I never went through a “corset review” course or was bestowed the title of ‘Official Corset Reviewer of Youtube’. It just kinda happened through my obsession. Here are my answers to some of the most common questions I get as a corset reviewer.
Why did you start doing reviews?
I was a little frustrated with the corset reviews given on websites and Youtube. Most of them were “I like it and it’s pretty” or “it’s really painful” and not much detail was given. It was difficult to gauge exactly what I was getting when I saw a full-body shot of a model in a corset on a website, or the equivalent distance in video. I really wished someone would get up-close and personal and show the details of the corset.
Where did you learn what to look for in a corset?
There were two general places that I learned how to critique a corset – the first was on corset making websites and forums like Foundations Revealed and Livejournal. The second was Romantasy’s book ‘Corset Magic‘. Before I had done my first review on a purchased corset, I had already constructed 4 or 5 corsets myself and knew how much time and skill went into each part of a well-made corset.
In the beginning (before doing reviews), for each corset I purchased I told myself “this one will be the end of all other corsets – I’ll use this one for daily training and it will be my favourite” and inevitably after a few months, I’d want to try something else. It later turned into the aspiration to buy one corset from each major OTR company so I can study their construction and do a review. I thought that this would help the companies’ potential customers decide what was the best choice for them, it would help me and other corset enthusiasts fine-tune their conceptions on “what is a good corset” as well as helping me to make better corsets myself.
Do you get free corset samples?
Corsets are not like makeup or cheap accessories, and I’ve never had a corset company introduce itself to me and simply throw free corsets at me. I’ve always been honest about my arrangement with What Katie Did – I asked them for one damaged item I could buy at discount, and ended up receiving 8 new corsets – one each of underbust and overbust corset styles – in exchange for detailed review (even though I purchased another three from them later on). That was an extremely lucky break, but is certainly not typical. It’s important that my viewers know that I have “something to lose” by having these corsets – it gives them comfort in knowing that I’ll be upset if something breaks, and will give honest reviews. (In reality, my reviews are 90% objective and factual, so how much I paid shouldn’t really affect the review.)
I know more than anyone that corsets are expensive, which is why I include tips on searching out boutiques or waiting for sales (some companies aren’t happy that I do this, but I’m more dedicated to getting my viewers a deal). Sometimes I buy the corsets 2nd hand, which is why they may not fit well or be the right size. After I’d been doing reviews for about a year, sometimes when I approached a company they would already know who I am. I have on two occasions received a wholesale price in exchange for giving a review and permission to use the review, but once again, this is far from typical – and I still sacrificed something. I’m not rich by any stretch of the imagination, and I had spent upwards of $6000 in 2011 alone on corsets/ materials/ camera and gear for my Youtube channel last year, the vast majority of that going toward review corsets.
Have you ever been sponsored/ hired/ paid to show certain corsets?
I have never been paid to do any review, or to feature/wear a corset in any of my videos.I have been approached in the past to do videos/reviews exclusively for certain companies or websites, but have declined because I don’t feel right about it. I like the freedom of trying new corset companies/ makers without being seen as ‘betraying’ any one company. I’ve purchased corsets from several companies who greatly dislike one another. And they may not be happy that I did that, but they understand that I’m on a mission to find well-constructed, well-fitting corsets for my own purposes and I put no weight on the makers’ personalities (only their customer service).
How do you know that the company isn’t giving you special treatment or giving you a better quality corset than they usually make?
A lot of the time, I don’t know. However I have been disappointed in ripped seams or popped grommets just the same as anyone else – if that’s a better quality corset, I cringe to think what their “standard” corsets are like. A lot of the time when this happens, I will contact customer service and they will exchange the corset for me, just like they would with anyone else.
Sometimes when I contact a new company, my reputation will precede me and they will be delighted that I’m paying them attention. Other times they may ignore my inquiries or ask me to not review certain products. Being the stubborn person that I am, I’ve sometimes used an alias or asked a friend to order on my behalf if I really want the corset or want to see what they’re ‘trying to hide’.
Have you had any negative experiences with companies you’ve reviewed?
Fortunately I have never had a company come to me and ask/ demand that I take down a review. Usually if there’s an aspect of their corsets that viewers don’t like, they will change the corset or provide an explanation for why they do things or use certain materials. I encourage viewers and customers of the same company to write comments sharing their experiences with the company, since I know that my experience may not be typical.
I do have to be careful about some of my reviews, though. I had been contacted after purchasing and asked to NOT take apart or open up their corsets on camera, or not go into too much detail about construction, in order to protect their trade secrets. I respect these requests. I understand that there is the danger of other makers and ‘knock-off companies’ alike using my reviews to learn how to recreate the garment, and I don’t want to be known for assisting the copycats. The typical viewer doesn’t need to know every step in how a corset is stitched together to make a decision on whether it’s good quality or not. I’m quite fine with showing the complete process with my own corsets, but I know that others aren’t.
I heard this rumor about a certain company/ companies, blah blah blah…
I haven’t been on the corset scene for more than a couple of years, so I don’t know the whole story of certain makers’ or companies’ pasts, how they conducted their business or what their corsets were like back then. I do know a lot of things about a lot of companies today, and I know that their work changes over time – sometimes for better, sometimes for worse. The vast majority of corset makers get along, since different customers go to different companies that suit their body type, their purpose for corseting, their personal style and their budget. But there are also a few corset makers who are quite snarky or dramatic about others’ work or business ethic. Whatever is said in confidence between a maker and me stays confidential, although it has never prevented me from purchasing from a company that I genuinely want to try, or forced me to pick sides.
How do you see your corset reviews changing in the future?
I think my reviews have a pretty good structure, and make it easy to contrast/ compare between different brands and styles. I still have a long list of corsets to still review (I believe 17 corsets now) but I would like to feature more independent, one-person businesses. My personal corset collection is slowly moving away from factory-made items and being replaced with more pieces by individual corset designers. That’s not to say that I’ll get rid of all of my off-the-rack items. I will still do the occasional review from a larger company, and I will continue to support those companies that I believe still do a good job, but I would like to dedicate a decent chunk of my reviews to the creative work of individual corsetieres.
After my interview with Foundations Revealed was released, I received several questions from people wanting me to clarify and expand on my answers, particularly this one I had given in my interview:
I have a lengthy checklist of requirements when buying corsets! My structured corset reviews basically outline this list, although I’m more lenient in some aspects than others. For example, I have worn corsets without a waist tape that cinched much more and lasted longer than some other corsets with waist tape. Some of my off-the-rack corsets have impeccable stitching which can only be achieved by someone who has sewn the same corset over and over for months or years, but the quality of the materials or the fit of the corset aren’t up to my standards – conversely, in some of my higher-end corsets I may see a wobbly seam or a pucker, but the corset overall is a beautiful example of artistry. I try to purchase and review corsets from all points on the quality/price spectrum, as I know that my viewers all have different expendable incomes, have different body types and use corsets for different reasons. Having so many corsets also helps me understand why some corsets are priced the way they are.
On waist tape
Indeed some of my purchased corsets don’t include a waist tape but they gave an amazing reduction and I didn’t feel that it was going to break. One was a corset made by an ex-engineer who argued that all fabric stretches somewhat, including waist tape. I have also seen the inside of a leather corset made by the respectable Bizarre Design that doesn’t have a waist tape. I believe he knows what he’s doing and if he has engineered a strong corset that finds waist tapes superfluous, then that’s great. But I will still go on using my waist tape in my own designs!
Some people will take a magnifying glass to a corset and make sure that there is not one stitch skipped or out of place (my boyfriend is like this with his tailored suits, and will also point it out in my homemade corsets). I can understand if someone is paying many hundreds of dollars for a corset, they may expect “perfection”. However, I’m not that scrutinous. When I was starting my corset reviews, I did go into detail about the stitching – how long the stitches were, whether there were any wobbles or skipped stitches, etc. Now, as long as there are no glaring errors or asymmetry in the corset, a wobble here and there in my purchased corsets doesn’t phase me. In my own sewing, I do try to keep my seams straight within 2mm, meaning that if I’m off by 3mm or more, I rip out the seam and do it again (and if I’m working on external boning channels, around 1mm). But I’m *slightly* less scrutinous with purchased corsets.
On finishing (binding, embellishments)
“Finishing” is one of my weak points. I have made a corset that is symmetric in width and height within 3mm, and then messed it all up with the binding. I have spent more hours on binding than I have assembling the panels on some corsets, because I am so terrible at it that I often have to do it three times over. I’ve never tried lace overlay and the few times I did flossing, it turned out abysmal. But with my purchased corsets, I have some that have several funky corners on the binding, or a flossed motif that’s a few mm off. I don’t have a cow about it. Actually, it almost endears the corset because I know that it was made by a human being. Some of the corsets I bought from Corsets-UK had flawless stitching and finishing, but does that mean the worker has incredible attention to quality, or does that mean it was assembled by a mindless drone who’s been making the same corset every day for years? Is it admirable, or is it… boring? It all depends on who you are and what purpose your corset will serve.
That is why whenever possible I try to give completely objective reviews, simply stating the facts and statistics, and let you, the reader or viewer, decide whether you like it. Some consider grommets with large flange a sign of quality and security, while others consider it ugly and cheap-looking. I have my own opinions but I try to allow you to think for yourself let you form your own opinions.
Which parts of a corset do I observe with the most scrutiny?
Strength fabric – Most of my owned corsets have twill or canvas/duck as the strength fabric, and I find it *okay*. Not unacceptable, but I won’t be doing a happy dance. Brownie points if they use coutil. If they simply use interfacing to strengthen the corset, I’m not going to be pleased.
Bones – I’m not one who believes that the more bones, the better necessarily – however if the corset has fewer than 1 bone per two inches at the waistline (that is, fewer than 12-14 bones in one of my standard 24″ corsets), it’s my experience that the corset will buckle and wrinkle (unless it’s a ribbon corset). The corsets I wear most often have about 1 bone per inch around the waist, and are ALWAYS steel. I prefer having spirals on the sides of my corset, although it’s not a deal-breaker if the maker uses all flats.
Grommets – I like the last panel of my corsets to be reinforced so that grommets don’t pop out. Sometimes if the grommets are split and the laces catch, it irks me, but this (for the most part) hasn’t done damage to the corset or me, and I know how to repair this. I like the look of #00 grommets with a moderate flange, although I will also use #0 grommets with a larger flange. It’s been my experience that the smaller the difference between the shank and flange of a grommet, the higher the risk of the grommet pulling out (unless a lacing bone is used). A popped grommet within the seasoning period (first month of wearing) is a deal-breaker for me, even when I can replace grommets myself.
Comfort/ Shape – If a corset is uncomfortable/ painful, I’m never going to wear it and it’s a waste of money. This goes for corsets that are too tubular, corsets that are too extreme and corsets that have odd or unrealistic dimensions/ length. Corsets that twist on me is unfortunately common as my hips are not aligned and I cinch more readily on one side of my body compared to the other, but when I’m doing reviews for others I try not to take this into account as there are buyers who are more symmetric than I am. Whenever possible I recommend certain style corsets for people of certain heights, torso lengths and body shapes, depending on what I believe would fit them most comfortably and what would be most flattering.
In the near future I will write about some of my positive and negative experiences as an unofficial-official corset reviewer.
What parts of a corset do YOU observe with more scrutiny? Let me know in the comments!
This entry is a summary of the review video “Leatherotics Pink/White 1214 Cincher Review” which you can watch on YouTube here:
Front is 10 inches high; the side is 7.5 inches high. This is standard size/ length. Gives a gentle hourglass silhouette. Hip gores make this comfortable around the hips. Quite a short cincher so not recommended for those with a lower tummy pooch issue.
2 main layers; fashion layer is 100% nappa leather (0.8mm thick), white with pink accents. Lining is black cotton twill. Internal boning channels are also made from twill.
6 panel pattern, and two hip gores. Faux boning channels on outside (real boning channels on the inside). Also has 4 garter tabs but I wouldn’t use them because the corset is so short.
Pink leather binding neatly machine stitched on both outside and inside. Inside is trimmed down, not folded under, to reduce bulk. This is normal.
1″ wide waist tape visible on the inside, made of satin ribbon and secured at the boning channels.
None on front, nor back.
Standard width busk (half inch wide on each side) about 9″ long (4 pins); a little stiffer than the standard flexible busk I’ve tried in other corsets.
14 steel bones not including busk. 10 spirals (1/4″ wide) in internal channels on the sides, 2 flats (1/4″ wide) sandwiching the grommets.
16 grommets total, size #00 two-part grommets with moderate flange; set equidistantly, no splits. Not sure if these are the old style or new style grommets so there may be a risk of damage but so far no fraying/pulling out of grommets.
Strong nylon braided shoe-lace style laces; they’re not too thick, they grip well and they are long enough. Not much spring to it. Very difficult to break.
Standard size pink/white of this is £43 UK (about $70 USD), while black leather version is £50 and twill is £30, at the time of writing this.
Of the underbust corsets I’ve tried from this company, this cincher has been the most comfortable. The hips flare out in a flattering manner and there is virtually no pinching on my iliac crest like with the other slim silhouette corsets.
I am still a touch concerned about the softness of the leather and how it may affect how well the grommets hold, but will update this review if anything goes awry. So far they seem to be holding up.
Edited later to add: the grommets looked to be loosening a bit because the soft leather was allowing the grommet holes to expand, so I ended up replacing the grommets with larger ones, with a wider flange.
Let me start by saying that I’m a huge fan of convertible/ infinity dresses. Usually made out of a soft, flattering jersey (I like cotton and bamboo jerseys), they can be worn a multitude of ways. I’ve made 6 of them in the past for myself and purchased another two. I’ve also made several for other people – as birthday gifts for friends and family, for dancers, and even brides! These dresses are great for dressing up or down – they easily go from work to a picnic with kids to a night out dancing, depending on how you wrap it.
In this particular video I’m wearing one of my purchased ones – this is the ruched “Multi-way dress” from Victoria’s Secret (I think in the colour “sassy berry”).
I find that the fitted, ruched skirt serves well to fit over the curves of the corset nicely while still hiding the boning channels and other hardware of the corset. The long straps, which are most conveniently wrapped around the waist several times, also serves to “hide” and soften any harsh waspwaist made by the corset, resulting in a flattering but non-obvious corseted figure. In this video I show how to wear a convertible dress two different ways, although the possibilities are nearly endless – you just have to experiment for yourself and see which styles in this dress hide the corset best.
Also in this video I show how to easily and quickly put on strappy sandals while wearing a corset (either slip-on sandals, one with an elasticated heel or this even works with shoes that have a buckle at the ankle). Bonus: you can even get a quick quad stretch with this method.
A quick post on one of my favourite items in my wardrobe these days: the “Corset Jacket”. It looks like a two-button blazer in the front but has two rows of grommets in the back with ribbon, to tighten the jacket slightly. In my opinion this jacket looks stunning when worn over a corset and tightened to show off the silhouette. I often have problems finding jackets that have broad shoulders, long sleeves and are large in the -ahem- chest area, without leaving me swimming in the waist and hips. A jacket that was adjustable in the waist seemed like a suitable solution. After looking at the sizing for shoulder breadth/ sleeve length of these jackets, I took a chance and ordered a size medium.
I’m not good at officially reviewing leather garments as I don’t own many leather items, but I can say that all the seams are stitched (not just “taped”), the lining in it fits well, it seems symmetric and the quality of the different pieces of leather is good and uniform throughout. Although it’s not advertised as a raincoat, I use it as such and I feel like the coolest person in the world walking around in my leather jacket while everyone else is in plastic ponchos and fluorescent windbreakers.
Also in this outfit I’m wearing:
a pink/white cincher (which will be reviewed in the future)
“jeggings” (jean leggings) which fit nicely under a corset because it doesn’t have a bulky waistband
a fitted white zippered blouse. I personally find that zippered shirts are more comfortable under corsets compared to button-down shirts, because buttons are lumpy against my skin and zips are more uniform.
I completed this outfit with simple black flats and a black small purse, and wore this out to sushi with friends. :)
This entry is a summary of the review video “Leatherotics Overbust Corset 1919 Review” which you can watch on YouTube here:
Front is about 15.5 inches high; the highest part (from the apex of the bust) is a bit over 16 inches high, however I requested extra length in my corset. Gives a gentle silhouette. The standard size would be appropriate for average torso length. Gives gentle hipspring (although no pinching around the iliac crest). It is not longline however. Also gives a very straight, flat profile. The cut of this corset makes it able to be worn by women of many different bust sizes – would likely fit cups B-D best.
2 main layers; fashion layer is 100% nappa leather (0.8mm thick), and the lining is black cotton twill. Internal boning channels are also made from twill. *Note however that this corset is available in several colours, for both leather and satin fashion layers.
6 panel pattern, no hip gores. Panels appear to be topstitched and boning channels are internal. Also has 4 garter tabs.
Black leather binding neatly machine stitched on both outside and inside. Inside is trimmed down, not folded under, to reduce bulk. This is normal.
1″ wide waist tape visible on the inside, made of satin ribbon and secured at the boning channels.
Attached 6.25″ wide fabric lacing protector on the back made of black twill (somewhat quilted!); also includes a black twill placket under busk.
Slightly wider than standard, flexible busk (a bit less than an inch on each side) about 14″ long (7 pins); when fastened it is quite secure and doesn’t bend as easily.
14 steel bones not including busk. 10 spirals (1/4″ wide) in external channels, 4 flats (1/4″ wide) sandwiching the grommets.
36 grommets total, size #00 two-part grommets with moderate flange; set equidistantly, no splits, no wear/fraying/pulling out of grommets
Strong nylon braided shoe-lace style laces; they’re not too thick, they grip well and they are long enough. Not much spring to it. Very difficult to break.
Standard size satin version of this is £49 UK (about $80 USD), while standard size leather version is £79 (about $125 USD).
I was surprised by how flattering this little overbust was on me. The extra length was definitely a good idea, and I don’t regret the decision to have it special ordered with another two inches of length added to the top. As far as people being surprised that I would ever own a leather overbust due to its questionable connotations, I’d have probably readily worn this with a floral peasant skirt or a white glittery tutu back in 2012, although these days I don’t wear much leather at all.