Tag Archives: busk

Orchard Corset CS-411 Underbust Review

22 May

This entry is a summary of the review video “Orchard Corset CS-411 Underbust Review”. If you want visual close-ups, you can watch the video on YouTube here:

Fit, length Center front is 10″, shortest part is 8.5″. It’s a shorter corset that fits closer to a cincher on my body. Gives a moderate hourglass shape – this is a Level 2 silhouette, so the ribcage is 4″ bigger than the waist, and the hips are about 8-9″ bigger than the waist.
Material 3 main layers – the outer coarse-weave poly-brocade fashion fabric, flatlined to a sturdy cotton interlining, and lined in twill.
Construction 4-panel pattern (8 panels total). The shape of the panels is very similar to the cincher by Isabella Corsetry, although the contours are slightly less, the ribcage and hips a little smaller. Constructed with a slightly modified sandwich technique.
Binding Binding at top and bottom are made from commercial black satin bias strips, machine stitched on both sides. There are no garter tabs in this corset.
Waist tape One-inch-wide waist tape running through the corset, hidden between the layers. I did not check to see if there was glue used in this one (see my CS-426 review if you want to know more about that particular corset).
Modesty panel There is a modesty panel on the back, made of a layer of black satin and a layer of twill. 5” wide (~3″ usable space) and attached to one side with a line of stitching.
Busk Slightly heavier busk, slightly under an inch wide and 9” long, with 4 pins. It is fairly sturdy; less bendy than a standard 1/2″ busk.
Boning 16 bones total in this corset. On each side, 6 of them are spirals about 3/8 inch wide and then there are two flat steel bones, both ¼” wide sandwiching the grommets.
Grommets There are 20 2-part size #00 grommets (10 on each side), with a small flange, spaced equidistantly. On the underside every grommet is split and quite scratchy, but they don’t catch on the laces so I can’t complain.
Laces The laces are ¼” wide flat nylon shoe-lace style. I find them to be long enough and quite strong, but also rather springy – you just have to tug a little harder to get the corset to stay closed because of the elasticity of the laces. However, Orchard has some higher quality laces (in several colours) available on their website – I very much prefer their ribbon laces to the standard shoelace style laces.
Price Currently $69 USD.

Final Thoughts:

Although this particular fashion fabric is not available to purchase through Orchard Corset (as it was a prototype), the cut of the corset, construction methods, and other fabrics/ materials should all be the same – so in this review I’m really commenting on these features as opposed to strictly the shell fabric.

I very much prefer this style of thicker poly-brocade compared to the thin shimmery satin shown in my CS-426 corset review. I found that satin had a tendency to wrinkle easily, when the satin started to pull in places, you could see the crossweaves of coral and brown threads and the wear of the corset was quite apparent. The satin also pulled and frayed easily where it had caught onto things (keep it away from any hooks, scratchy/sharp edges, or especially velcro!). This brocade is sturdier, doesn’t wrinkle as easily, is harder-wearing (doesn’t pull or fray as easily) and is better at hiding general wear and tear. A bird told me that Orchard may begin stocking all-cotton corsets in the future, which would be an even better choice for those looking for regular support.

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Black Mesh Corset Case Study

24 Aug

This entry is a summary of the video “Case Study: Homemade Mesh ‘Corset’”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Center front is 11″ high, and I drafted this corset to be very curvy: underbust about 32″, closed waist 23″ and hips 34″. The elastic mesh also contributes to the extreme shape and curviness.
Material Heavyweight powernet (quite stretchy) for most of the panels, and black satin coutil for the first and last panels, the boning channels and the diamond waist tape.
Construction Essentially a 6-panel pattern although the last panel is separated into two to make 7 panels. First, the powernet panels were sewn together wrong sides together and flat-felled with the bulk being on the outside of the body. Then I added the center front coutil panels, with the diamond waist basted in front. The diamond extends into a waist tape, which was basted at each seam, then I secured the external channels down on top of it. The back coutil panel went on last, then I added the busk and bones, and lastly serged the top and bottom edges.
Binding There is no binding on this *yet*. I had serged the raw edges to keep them from fraying. This allows the mesh to stretch. Conventional binding would not allow the top and bottom edges of the corset to stretch. However I may later add an elastic or mesh binding.
Waist tape The diamond detail made from satin coutil extends into a waist tape that is slightly more than 1 inch wide, and placed on the external side of the corset, secured down at the boning channels.
Modesty panel I didn’t make a modesty panel for this corset because I designed it to close completely at the back. There is a small modesty placket in the front by the busk.
Busk A standard flexible busk, 1/2” wide on each side, with 5 pins, 9.5″ long. Although it is quite flexible, having 3 layers of satin coutil surrounding the busk makes the front panel quite sturdy.
Boning 20 bones total in this corset (not including the busk). On each side there are eight 1/4″ wide spirals in external channels, then a 1/2″ wide flat steel on the center back edge of the grommet panel, and a 1/4″ steel on the “inner” side of the grommets.
Grommets There are 26 2-part size #00 grommets (13 on each side). I used self-piercing grommets to insert these, placing the grommets closer together than I normally would and making sure the grommets are snug between the two flat bones. So far they have all held up well.
Laces Some old black cotton shoe-lace style. More lightweight than nylon laces but not as strong. I just used whatever I had lying around.
Price This corset was quite time consuming due to the flat-felled seams and external channels and waistband. Also the powernet and satin coutil were both expensive materials. If I were to remake this corset (with a more pristine finish) it would likely start at no less than $280.

Final thoughts:

This is an extremely comfy corset. I also feel that I’m able to very easily cinch down in this corset – I wish I had drafted it to be another inch or two smaller! The powernet is forgiving of curves and makes my asymmetric hips look symmetric, while giving me absolutely zero pinching or discomfort.

The only disappointments I had with this corset was a) the asymmetry in the diamond detail, and b) the rough finish of the serged edges. I may end up adding binding to this corset (either elastic or mesh) although that would somewhat ruin its ability to be worn inconspicuously under clothing, and I’m not sure how even elastic binding would bring back the dreaded muffin top which is currently so nicely avoided.

Overall I think this experiment turned out much nicer than I had anticipated, and I think I will use this as a sleeping corset in the future! However I do need to practice my “finishing” of corsets, even when they’re experiments or prototypes.

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How to Fasten your Corset Busk

19 Jul

Depending on the brand, some corsets have trickier busks than others. I have some corsets that clasp up in two seconds, while other ones I’ve struggled for 5-10 minutes to get those last few knobs and loops to match up. Sometimes I would bend the busk this way and that way, or lay down on the floor, or end up doing some kind of strange acrobatics to clasp up the busk… usually by the end of the struggle, I’d be exhausted and sweaty.

If this is you, have no fear! I’ve finally unlocked the secret to fastening virtually any corset busk. ;) Here are the steps:

  1. Loosen the laces as much as possible. There should be no “slack” in the bunny ears at the waistline, and the gap in the back of the corset should be as wide as it will go.
  2. Wrap the corset around yourself. There should be absolutely no struggle, in fact it may be so loose on you that if you let go, it may even slide down over your hips.
  3. Start by clasping the 2nd bracket from the top. If you do up the very top or the very bottom one first, then it can result in the busk acting like a “hinge” which makes you lose control.
  4. After that first clasp (2nd from the top) is done, take the knob side of the busk in your left hand. Fold the fabric back behind the busk bone itself so you can pinch the busk between your thumb and fingers.
  5. You should then be able to use your thumb behind the knob side of the busk to keep it straight and push each knob through the corresponding loop.
  6. Some people notice that the very bottom bracket or clasp is the most difficult to fasten. One lovely viewer has suggested sticking your arm down inside the corset with your left hand, palm facing forward (away from you) so you can grab onto the bottom of the busk and fasten it up.
  7. Once you have finished all the lower knobs and loops, go back up to the top and fasten that one as well. Sometimes when you are fastening the lower ones, you may observe the top ones starting to undo themselves. That’s okay, just fasten them up again at the end.

And you’re done! You can now tighten the laces as much as you find comfortable. This method has never failed for me, even on my most difficult corset busks.

When taking off your corset, once again loosen the laces as far as they will go. I find it easiest to start by undoing the bottom bracket and working my way up to the top. Be careful not to struggle and pull the loop directly away from the knob until the little “rivet head” of the knob can be sure to not catch onto the loop. Too much upward pressure in this direction can result in the knob popping out of the busk bone, even in the highest quality German-made busks!

To see a demonstration on how to clasp and unclasp your busk, see this video:

Happy lacing!

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“Disco Armadillo” PVC Ribbon Cincher Case Study

27 May

This entry is a summary of the video “‘DISCO ARMADILLO’ PVC Ribbon Corset”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

***

This was my first attempt at sewing a corset from vinyl. I have to thank Marta “Snowblack” for her wonderful  Foundations Revealed tutorial on sewing leather and vinyl corsetry. Just a few things that I have learned about handling vinyl:

  • The material stretches (so you must back it with coutil) however it does not drape like most other fabrics.
  • It is also not a self-healing fabric, and will show all pinpricks. Therefore you should pin your panels only in the seam allowances.
  • Using a teflon foot (or a piece of tissue between the vinyl and the presser foot) will help the vinyl to feed smoothly without dragging or sticking to the presser foot.
  • Lastly, feed dogs will leave permanent marks into the bottom of the vinyl, especially if it has a metallic foil finish. Putting tissue or masking tape on the underside of your fabric (where your seam line will be) will protect your fabric from the feed dogs digging in.
***

Here is the overview of my Disco Armadillo, in typical review form:

Fit, length Center front is 10.5″ high, and I drafted this corset to be very curvy: underbust about 32″, closed waist 24″ and hips 34″.
Material Just two layers; the outer PVC ribbon and the inner coutil.
Construction 5-panel pattern – three vertical panels at front/side/back to hold the bones, and two ribbon panels. I learned how to draft a ribbon corset from Sidney Eileen’s ribbon corset sewing tutorial. The coutil panels aren’t “ribboned” like the outer pieces; rather they are in one piece. Most seams are topstitched as I was afraid that lockstitching would cause the PVC to become too perforated and tear apart. However at the busk, seams were lockstitched nonetheless as it looked better. Some edges of the ribbon were left raw, as folding those edges under would be too bulky.
Binding There is binding at the top and bottom of the vertical panels only; the ribbon panels do not have binding. I also left the inside edge of the binding raw – this is normal with binding made out of leathers or vinyls.
Waist tape Ribbon corsets typically don’t have a waist tape; a horizontal piece of ribbon running around the waist will act like a waist tape anyway.
Modesty panel I didn’t make a modesty panel for this corset because I designed it to close completely at the back.
Busk A standard flexible busk, 1/2” wide on each side, with 5 pins, 9.5″ long. Although it is quite flexible, having 3 layers of PVC ribbon surrounding the busk makes the front panel quite stiff and sturdy.
Boning Only 8 bones total in this corset (not including the busk), only boned on the vertical panels. There are two spring steel bones sandwiching each row of grommets at the back, and an additional two bones on each side panel, all 3/8″ wide.
Grommets There are 20 2-part size #00 grommets (10 on each side). I used self-piercing grommets and a new press to insert these, and they work very well with the PVC. I placed a layer of heavy canvas in the grommet panel to give the grommets more to “grab onto” and to prevent the PVC from stretching. There are no splits and the grommets are holding up quite well with regular use.
Laces I used some 100% nylon purple paracord – it’s extremely strong (holds tension up to 500 lbs) and has no stretch, is resistant to fraying but has a tendancy to twist. You will definitely need a square knot or bow (not a round one) to keep your corset securely tied at the back.
Price Ribbon corsets in general are not particularly difficult but they are time-consuming and require a bit of pre-planning. I would most likely place a typical satin-and-coutil ribbon corset at around $150. However, because the PVC ribbon is extremely challenging to work with and also quite expensive ($10/meter when not on sale, and this corset used 9 meters), I wouldn’t remake this corset for less than $250.

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CorsetDeal Blue Sweetheart Overbust (“Oiseau” style, chiffon hips) Review

15 Apr

This entry is a summary of the review video “Blue Sweetheart ‘Oiseau’ overbust (with chiffon hips) Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Center front is 11″, from peak of the bust to the bottom is 14″ and the sides are about 15.5 inches. I’d recommend this corset for someone with a very short torso, or 5’2” or under. The silhouette is a very gentle hourglass – it does cinch me in a couple of inches, and the chiffon on the hips creates the illusion of wider hips which may be great for those who are looking to fill out any boyish figure.
Material Blue areas are 2 layers – the outer brocade and the inner cotton twill. On the hips, there are three layers – black satin covered in the gathered chiffon, and once again lined in the black cotton twill.
Construction 6 panel pattern. Panels are top-stitched at the seams, and then internal boning channels laid down, made of black twill.
Binding Binding at top and bottom are made from commercial black satin bias cut ribbon. It’s machine stitched on both sides, folded under nicely on the front and then topstitched to catch the rest of the binding on the underside. Also has 6 garter tabs.
Waist tape Internal waist tape made from 1” wide single-faced satin ribbon. It’s secured down at the boning channels. Far too high to actually be useful for me.
Modesty panel Unboned modesty panel, 8 inches wide made from polyester pinstripe on the outside and black twill on the underside. No placket beneath the busk.
Busk Slightly heavy duty, almost 1″ on each side. Stiffer than a standard flexible busk. 14″ long with 6 pins.
Boning 14 steel bones in this corset not including the busk. Single boned on the seams. The two bones that curve over the bust are made of spiral steel; all the other bones in this corset are spring steel. The bones on the sides stop well above the hip, so this style may be comfortable for those who don’t like the feeling of bones over the hips in longline corsets.
Grommets There are 24, 2-part size #00 grommets (12 on each side), finished in nickel. The grommets are sturdy with moderate size lip around, there is no fraying around the material, they’re not pulling out.
Laces Black flat nylon braided shoe-lace style. Very strong, grips fairly well. It has a little bit of spring. They are resistant to fraying and catching.
Price Currently $164 USD (£105 in UK).

 

Final Thoughts:
I’m not entirely sure what I was expecting when I bought this. It looked amazing on the website. I thought that the chiffon would simply accentuate the waist-hip ratio, but I wasn’t anticipating that the chiffon pieces would come up so high on the torso – in profile, the fluffy chiffon pieces actually make my abdomen look as if it’s protruding. It also doesn’t help that, in order to keep everything PG, I have to hike the corset up so that its waist tape is 2-3 inches above my natural waist. This is both uncomfortable and it looks terrible with my figure. On a person with a smaller bust and much shorter torso, I think this corset would sit better. I intend to cut this down to an underbust and replace the boning. Look out for a tutorial on that in the future.

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Orchard Corset Maroon Underbust (CS-426) Review

9 Apr

This entry is a summary of the review video “Orchard Corset Maroon Underbust (CS-426) Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Gives a nice hourglass shape – this is a Level 3 silhouette, gives the most extreme curves. Center front is 13″, shortest part is 10.5″. Longline corset that comes over the hips. Quite comfortable.
Material 3 main layers – the outer satin fashion fabric, flatlined to a sturdy cotton interlining, and lined in twill.
Construction 6-panel pattern (12 panels total). The shape of the panels is very, very similar to the Josephine corset by Isabella Corsetry, although the contours are slightly less, the ribcage and hips a little smaller. Constructed with a slightly modified sandwich technique.
Binding Binding at top and bottom are made from matching maroon satin, double-thickness. I like how it’s very narrow. It’s machine stitched on both sides, folded under nicely on the front and then stitched in the ditch between the corset and the binding, to catch the rest of the binding on the underside.
Waist tape One-inch-wide waist tape running through the corset, hidden between the layers and glued to the lining.
Modesty panel There is a modesty panel on the back, made of a layer of satin and a layer of twill. 5” wide and attached to one side with a line of stitching, reinforced with glue.
Busk Standard busk, half an inch wide and 11” long, and 5 pins. However it’s less bendy than other busks of the same width, which is one perk.
Boning 22 bones total in this corset. On each side, 9 of them are spirals about 3/8 inch wide and then there are two flat steel bones, both ¼” wide sandwiching the grommets.
Grommets There are 24 2-part size #00 grommets (12 on each side). They have a medium lip around. They’re spaced equidistantly about 1” apart. I see some fraying and coming away of the fashion fabric around some of the grommets around the waist. On the underside every grommet is split and quite scratchy, they catch on the laces, the modesty panel and my shirt.
Laces The laces are ¼” wide flat nylon shoe-lace style. I find them to be long enough, a little springy but that’s alright because they’re still strong – you just have to tug a little harder to get the corset to stay closed because of the elasticity of the laces, is all – not a big deal.
Price Currently $95 USD, but if you wait for the sale at the end of each month you can save 15-20% by using the coupon code.

 

Final Thoughts:
A few months after this review, evidently this corset is now called the “Lucy” corset? (LOL) I’m not exactly sure when the renaming of their corsets came about but I’m hoping that’s merely coincidence. I don’t buy everything with my name on it, I swear. ;)
I really do like the shape this corset gives; it’s quite curvy (especially for its price). I just wish they hadn’t used so much glue in the manufacturing, and that they could spend just a little more on higher quality grommets.

Lastly, one thing that made me PO’d (perhaps not the company’s fault but the shipper’s fault) was that I bought it on sale (around $59) but when it was shipped to me, the value on the package was stated as the original $95 which resulted in my having to pay higher duty/taxes coming into Canada. I ended up paying nearly as much in shipping/duty than I paid for the corset itself! International customers, be aware of this before you buy.

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“Wrinkly Pig” Corset Case Study

7 Apr

This entry is a summary of the review video “Wrinkly Pig” Corset Case Study”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

***

Note: the following are the differences between the “Wrinkly Pig” and the “Tickled Pink” corset in terms of construction:

  Wrinkly Pig Tickled Pink
Fusing Fused the brocade to a layer of woven fusible interfacing, then flatlined that to coutil. Fused the brocade directly to a layer of coutil using “Heat n’ Bond” (fiddly sheet of glue, I don’t recommend it).
Roll-pinning Everything was flat-pinned, not roll-pinned. Some roll-pinning was done on the side panels.
Seams Lock-stitched seams; allowances were not trimmed or clipped at curves. Seams were trimmed and flat-felled.
Boning channels Double-boned at the seams, sandwiched between two layers of coutil. Single boned at the seams, used external boning channels (cuts down on wrinkles slightly)

***

And here is my review:

Fit, length Decent curves. Used to be a slightly long-line corset but I later shortened the hips so it is more of a cincher now. Center front is about 11″ long.
Material 4 layers including the interfacing: brocade fashion fabric fused to interfacing, then flatlined to interlining of coutil and another lining of coutil.
Construction 6-panel pattern. Seams were lock-stitched (stitched twice) at the seams, the allowances were pressed open. The brocade/interfacing/coutil flatlined panels were all assembled, then the coutil lining was assembled. The layers were then stitched together at first/last panels, flipped right-side out and stitched in the ditch between panels and also secured at boning channels.  Bones are sandwiched between the two layers of coutil.
Binding The binding at top and bottom are made out of commercial hot pink cotton bias tape, machine stitched on both sides.
Waist tape 1” wide twill tape between the coutil lining and interlining, stitched invisibly so it’s not noticeable.
Modesty panel Suspended modesty panel made from brocade fused to twill, and stiffened with plastic canvas. 7″ wide.
Busk A standard flexible busk, 1/2” wide on each side, with 5 pins, 9.5″ long.
Boning 22 steel bones in this corset not including the busk. The seams between the panels are double-boned (except the seam closest to the grommets with ¼” inch wide spirals, and there are a pair of flats sandwiching each column of grommets.
Grommets There are 30 2-part size #X00 eyelets (15 on each side). They have a medium flange around and are spaced out 3/4 inches apart. No pulling away of fabric yet but they are very small so many types of fat cord is hard to thread through.
Laces 1/2″ wide double-face satin ribbon, baby pink in colour. About 5 meters and not really long enough for my tastes. I think I may change out the laces for some longer ones.
Price If I were to re-make this corset, I would roll-pin the panels and also use wonder-under or stitch-witchery to directly fuse the brocade to a layer of coutil to eliminate wrinkling. Keeping other construction techniques the same, I would likely charge around $260 USD for a corset like this.

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Gallery Serpentine Victorian Underbust Review

28 Mar

This entry is a summary of the review video “Gallery Serpentine Victorian Underbust Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Victorian Hourglass shape, nice moderate curves. Center front is 13”. Stops just at the upper hips, it is not longline. One “pro” is the unique feature of how low the corset stops on the back, it curves nicely over the top of the bum instead of cutting into it. One “con” is how distended my torso looks in profile.
Material 3 main layers – the outer satin, a thick cotton non-woven interfacting as interlining, and black twill lining.
Construction Made from a 4-panel pattern. The satin and the heavy interlining are either flat-felled or fused together (depending on whether the interfacing was fusible or not), then those panels are topstitched at the seams. Bones are placed either in the seam allowances between the panels, or internal channels are made with twill tape.
Binding Binding at top and bottom are made from black satin bias tape. Folded under nicely on the outside; on the inside the raw edge is serged to prevent fraying and just stitched down flat.
Waist tape None.
Modesty panel None. To get a modesty panel costs another $15 from the website.
Busk Standard busk (flexible), half an inch wide and 12” long, and 6 pins.
Boning 12 bones total in this corset, 6 on each side. All of them are plastic. These are heavier-duty polypropeline bones but I would still prefer steel. To get the steel bone upgrade costs another $15 from the website.
Grommets There are 18 2-part size #0 grommets (9 on each side) and have a medium flange. They’re spaced 1.5” apart on the top and bottom and are spaced closer together (1” apart) at the waist for better cinching control. Grommets are very sturdy, no popping out, no fraying. However I would have preferred to have 10 more grommets because lacing down is difficult on the top and bottom. On the underside there are no splits; they’re nicely set.
Laces The laces I received with this corset are reportedly not the original laces. The laces I got are 1/4″ wide single faced satin ribbon, quite slippery and difficult to grip. The laces that I have read now come with the corset are black shoelace-style laces.
Price Currently $190 (AUD) for basic fabric and standard sizes. $210 for made-to-measure, and add $10 more for Asian brocade fabrics. Note that steel bones/modesty panel also cost extra.

Final Thoughts:
This… was not my favourite style. A lot of people noticed that my review was blasé. Perhaps my review would have been more fair if I had spent some extra funds to get a made-to-measure item with steel bones, but for financial reasons and accessibility, this was the right option at the time. I doubt I would buy from them again, but I guess I should never say never. Many of their happier customers have contacted me to say that their corsets are much more flattering, better constructed and include things like a modesty panel, so perhaps there are several makers for that company and there are inconsistencies between their products. I will give them the benefit of the doubt, however this one simply did not go well with my body type and looked unflattering on me. I ended up altering this corset by adding steel bones and a modesty panel.

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Isabella Corsetry “Josephine” Underbust Review

19 Mar

This entry is a summary of the review video “Isabella Corsetry Josephine Underbust Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

Fit, length Dramatic curves, extreme hourglass. This is a longline corset coming over my hips. The center front is 13” high; the shortest part of the corset is 10.5″ hiugh.
Material 3 main layers. The outer fashion fabric is black satin, then there’s a layer of twill as interlining and another layer of black twill as lining.
Construction Made from a 6-panel pattern (so the corset itself is 12 panels total). It looks as though the coutil panels were lock-stitched at the seams, the allowances were pressed open. The layers are joined together by stitching in the ditch between the panels and also by making boning channels. The stitching is perfect on the outside, but the seams are wiggly on the inside. The lining does not float. Bones are sandwiched between the two layers of twill (lining and interlining).
Binding The binding at top and bottom made out of black satin bias tape machine stitched on both sides; it’s small on the outside, then folded under and machine stitched in the ditch, in the seam between the corset and the binding itself, to catch the rest of the binding underneath.
Waist tape 1” wide twill tape between the lining and interlining, invisibly stitched.
Modesty panel There an unboned modesty panel in the back made from two layers of just satin. Slightly over 6” wide.  Easily removable if you want to remove it. No modesty placket on the front.
Busk A heavy duty busk, slightly under 1” wide on each side and 11” long, with 5 pins, it’s EXTREMELY stiff. Keeps the front very straight.
Boning 22 steel bones in this corset not including the busk. On each side there are 9 spirals about 3/8” wide, and they’re mostly double boned at the seams except for at the back between panels 5-6. By the grommets they also use about 3/8” wide flat steels; very sturdy.
Grommets There are 30 2-part size #00 grommets (15 on each side). Black finish to match the rest of the corset, they have a medium lip around and are spaced equidistantly. Functionally they’re very sturdy, no popping or pulling away, whatsoever. On the underside there are no splits – much nicer than the grommets used in Isabella’s Bat cincher.
Laces 1/2” wide black double satin ribbon. They’re very nice, strong, pretty, glide through the grommets nicely and also seem to hold the bow well with little slipping out over time.
Price Currently $175 USD for immediate line. For other fabrics (made-to-order) it’s $250, and for custom fit/fabric it’s $360.

Final Thoughts:
This corset continues to be one of my favourite off-the-rack underbust corsets. It’s comfortable and gives a crazy curvy silhouette – to this day, I think I have gotten more compliments when wearing this corset than with any other off-the-rack corset. It’s relatively affordable compared to other major brands out there. The only con I could say is that Isabella is quickly gaining more and more recognition and thus she’s becoming busier, so wait times have been increasing for her corsets! However, I’m happy that she’s overflowing with commissions; I think her work should be credited. I could definitely see myself commissioning another piece from Isabella in the future.

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Heavenly Corsets Wasp-Waist Training Underbust Review

12 Mar

This entry is a summary of the review video “Heavenly Corsets “Wasp-Waist” Training Underbust Review”. If you would like more complete information and side notes about the corset, you can watch the video on YouTube here:

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Note: the following are the differences between the “standard” wasp-waist corset and the “training” wasp-waist corset:

  Training Corset Standard Corset
Materials Always made in coutil, with an inner layer of twill, and a cotton lining layer Either a layer of outer fabric (unless coutil) with an inner layer of twill and cotton lining layer OR if you chose coutil, a single layer of coutil and a cotton lining layer
Boning double boning throughout 6 fewer bones than the trainer
Busk wide solid steel busk standard steel busk
Modesty Panel included NOT included
Seams triple-stitched seams double-stitched seams

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And here is my review:

Fit, length Dramatic curves, “wasp-waisted”. This is a longline corset coming over my hips. The center front is 12” high. Measurements (both circumference and vertical) were taken to fit my body; quite comfortable with no pinching. One issue with the bones in the back bowing outwards and twisting so creates a gap at the waistline.
Material 3 main layers. The outer fashion fabric is red satin coutil, twill interlining and lightweight cotton lining inside.
Construction 6-panel pattern. It looks as though the coutil panels were lock-stitched (stitched twice) at the seams, the allowances were pressed open and zigzag stitched again. (Some people may not find this aesthetic but if it makes for a strong corset then I don’t mind.) Bones are sandwiched between the satin coutil and the twill, and the cotton lining is primarily floating.
Binding The binding at top and bottom are made out of commercial red satin bias tape machine stitched on both sides; it’s folded under and stitched in the front and then topstitched to catch the back.
Waist tape 1” wide twill tape between the lining and the twill interlining. Stitched down horizontally across all the panels of the lining (so is not invisible but still cannot be felt).
Modesty panel Unboned modesty panel, 4.5 inches wide made from satin coul on the outside and lightweight cotton on the underside. No placket beneath the busk. (I would have preferred a slightly wider panel.)
Busk A heavy duty busk, 1” wide on each side, with 5 pins, it’s quite stiff and it’s 11” long.
Boning 22 steel bones in this corset not including the center front, ALL flat bones. The seams between the panels are double-boned (except the seam closest to the busk) with 3/8 inch wide flats (slightly wider than ¼”), but on the outer edge of the grommets in the back those bones are ½” wide flats.
Grommets There are 20 2-part size #00 eyelets (10 on each side). They have a medium flange around and are spaced out 1¼ inches apart. I would prefer for them to be spaced closer together and there be more of them, but functionally they’re sound; no pulling away or fraying of the fabric. On the underside there are no splits.
Laces  ¼” wide flat braided cotton laces, NOT nylon. They’re easy to pull and they grip well, not much wear so far. Cotton laces are sometimes prone to snapping so should be replaced more often, however I’ve had this corset for about 9 months and haven’t had to change the laces yet.
Price Currently £160 ($250) for the 23/7 waist training wasp-waist corset, or £120 ($185) for the non-training wasp-waist corset.

Final Thoughts:
I received a mixed reaction from this review. A few previous customers of Elle came forward and told me that they didn’t like certain aspects about this style of corset, such as a wobbly stitch line here or there, or the fact that she uses all spring steel bones. However, I put all this into perspective. I have never been able to find a more affordable 23/7 training piece, and the materials she uses (including English coutil) is quite high quality. From what I can see, the primary stitch lines (the straight ones, holding the panels together) are even, and although the zig-zag stitching (which is technically the 3rd stitch on each panel) does veer a bit, it still serves its purpose – to further reinforce the panels together. At that point in the construction process, it has no effect on the overall shape or measurement of the corset.  I was expecting this as well, because I asked Elle a thousand questions before I ordered (and she was quite patient with me every time). The purpose of this corset (for me) wasn’t meant to be pretty or be shown off on a regular basis, it was meant to be strong (and it is!). I would love to review more 23/7 training corsets in the future to see how this one compares, but for now this corset serves its purpose – and this is coming from a repeat customer of Elle. ;)

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